Как правильно пишется шерлок холмс

Sherlock Holmes
Sherlock Holmes character
Sherlock Holmes in a 1904 illustration by Sidney Paget
First appearance	A Study in Scarlet (1887)
Last appearance	«The Adventure of Shoscombe Old Place» (1927, canon)
Created by	Sir Arthur Conan Doyle
In-universe information
Occupation	Consulting private detective
Family	Mycroft Holmes (brother)
Nationality	British

Sherlock Holmes () is a fictional detective created by British author Arthur Conan Doyle. Referring to himself as a «consulting detective» in the stories, Holmes is known for his proficiency with observation, deduction, forensic science and logical reasoning that borders on the fantastic, which he employs when investigating cases for a wide variety of clients, including Scotland Yard.

First appearing in print in 1887’s A Study in Scarlet, the character’s popularity became widespread with the first series of short stories in The Strand Magazine, beginning with «A Scandal in Bohemia» in 1891; additional tales appeared from then until 1927, eventually totalling four novels and 56 short stories. All but one^[a] are set in the Victorian or Edwardian eras, between about 1880 and 1914. Most are narrated by the character of Holmes’s friend and biographer Dr. John H. Watson, who usually accompanies Holmes during his investigations and often shares quarters with him at the address of 221B Baker Street, London, where many of the stories begin.

Though not the first fictional detective, Sherlock Holmes is arguably the best known.^[1] By the 1990s, there were already over 25,000 stage adaptations, films, television productions and publications featuring the detective,^[2] and Guinness World Records lists him as the most portrayed human literary character in film and television history.^[3] Holmes’s popularity and fame are such that many have believed him to be not a fictional character but a real individual;^[4][5][6] numerous literary and fan societies have been founded on this pretence. Avid readers of the Holmes stories helped create the modern practice of fandom.^[7] The character and stories have had a profound and lasting effect on mystery writing and popular culture as a whole, with the original tales as well as thousands written by authors other than Conan Doyle being adapted into stage and radio plays, television, films, video games, and other media for over one hundred years.

Inspiration for the character

Edgar Allan Poe’s C. Auguste Dupin is generally acknowledged as the first detective in fiction and served as the prototype for many later characters, including Holmes.^[8] Conan Doyle once wrote, «Each [of Poe’s detective stories] is a root from which a whole literature has developed … Where was the detective story until Poe breathed the breath of life into it?»^[9] Similarly, the stories of Émile Gaboriau’s Monsieur Lecoq were extremely popular at the time Conan Doyle began writing Holmes, and Holmes’s speech and behaviour sometimes follow those of Lecoq.^[10][11] Doyle has his main characters discuss these literary antecedents near the beginning of A Study in Scarlet, which is set soon after Watson is first introduced to Holmes. Watson attempts to compliment Holmes by comparing him to Dupin, to which Holmes replies that he found Dupin to be «a very inferior fellow» and Lecoq to be «a miserable bungler».^[12]

Conan Doyle repeatedly said that Holmes was inspired by the real-life figure of Joseph Bell, a surgeon at the Royal Infirmary of Edinburgh, whom Conan Doyle met in 1877 and had worked for as a clerk. Like Holmes, Bell was noted for drawing broad conclusions from minute observations.^[13] However, he later wrote to Conan Doyle: «You are yourself Sherlock Holmes and well you know it».^[14] Sir Henry Littlejohn, Chair of Medical Jurisprudence at the University of Edinburgh Medical School, is also cited as an inspiration for Holmes. Littlejohn, who was also Police Surgeon and Medical Officer of Health in Edinburgh, provided Conan Doyle with a link between medical investigation and the detection of crime.^[15]

Other possible inspirations have been proposed, though never acknowledged by Doyle, such as Maximilien Heller, by French author Henry Cauvain. In this 1871 novel (sixteen years before the first appearance of Sherlock Holmes), Henry Cauvain imagined a depressed, anti-social, opium-smoking polymath detective, operating in Paris.^[16][17][18] It is not known if Conan Doyle read the novel, but he was fluent in French.^[19] Similarly, Michael Harrison suggested that a German self-styled «consulting detective» named Walter Scherer may have been the model for Holmes.^[20]

Fictional character biography

Family and early life

Details of Sherlock Holmes’s life in Conan Doyle’s stories are scarce and often vague. Nevertheless, mentions of his early life and extended family paint a loose biographical picture of the detective.

A statement of Holmes’s age in «His Last Bow» places his year of birth at 1854; the story, set in August 1914, describes him as sixty years of age.^[21] His parents are not mentioned, although Holmes mentions that his «ancestors» were «country squires». In «The Adventure of the Greek Interpreter», he claims that his grandmother was sister to the French artist Vernet, without clarifying whether this was Claude Joseph, Carle, or Horace Vernet. Holmes’s brother Mycroft, seven years his senior, is a government official. Mycroft has a unique civil service position as a kind of human database for all aspects of government policy. Sherlock describes his brother as the more intelligent of the two, but notes that Mycroft lacks any interest in physical investigation, preferring to spend his time at the Diogenes Club.^[22][23]

Holmes says that he first developed his methods of deduction as an undergraduate; his earliest cases, which he pursued as an amateur, came from fellow university students.^[24] A meeting with a classmate’s father led him to adopt detection as a profession.^[25]

Life with Watson

Financial difficulties lead Holmes and Dr. Watson to share rooms together at 221B Baker Street, London.^[26] Their residence is maintained by their landlady, Mrs. Hudson.^[27] Holmes works as a detective for twenty-three years, with Watson assisting him for seventeen of those years.^[28] Most of the stories are frame narratives written from Watson’s point of view, as summaries of the detective’s most interesting cases. Holmes frequently calls Watson’s records of Holmes’s cases sensational and populist, suggesting that they fail to accurately and objectively report the «science» of his craft:

Detection is, or ought to be, an exact science and should be treated in the same cold and unemotional manner. You have attempted to tinge it [A Study in Scarlet] with romanticism, which produces much the same effect as if you worked a love-story or an elopement into the fifth proposition of Euclid. … Some facts should be suppressed, or, at least, a just sense of proportion should be observed in treating them. The only point in the case which deserved mention was the curious analytical reasoning from effects to causes, by which I succeeded in unravelling it.^[29]

Nevertheless, Holmes’s friendship with Watson is his most significant relationship. When Watson is injured by a bullet, although the wound turns out to be «quite superficial», Watson is moved by Holmes’s reaction:

It was worth a wound; it was worth many wounds; to know the depth of loyalty and love which lay behind that cold mask. The clear, hard eyes were dimmed for a moment, and the firm lips were shaking. For the one and only time I caught a glimpse of a great heart as well as of a great brain. All my years of humble but single-minded service culminated in that moment of revelation.^[30]

After confirming Watson’s assessment of the wound, Holmes makes it clear to their opponent that the man would not have left the room alive if he genuinely had killed Watson. When Holmes recorded a case or two himself, he was forced to concede that he could more easily understand the need to write it in a manner that would appeal to the public rather than his intention to focus on his own technical skill.

Practice

Holmes’s clients vary from the most powerful monarchs and governments of Europe, to wealthy aristocrats and industrialists, to impoverished pawnbrokers and governesses. He is known only in select professional circles at the beginning of the first story, but is already collaborating with Scotland Yard. However, his continued work and the publication of Watson’s stories raise Holmes’s profile, and he rapidly becomes well known as a detective; so many clients ask for his help instead of (or in addition to) that of the police^[31] that, Watson writes, by 1887 «Europe was ringing with his name»^[32] and by 1895 Holmes has «an immense practice».^[33] Police outside London ask Holmes for assistance if he is nearby.^[34] A Prime Minister^[35] and the King of Bohemia^[36] visit 221B Baker Street in person to request Holmes’s assistance; the President of France awards him the Legion of Honour for capturing an assassin;^[37] the King of Scandinavia is a client;^[38] and he aids the Vatican at least twice.^[39] The detective acts on behalf of the British government in matters of national security several times,^[40] and declines a knighthood «for services which may perhaps some day be described».^[41] However, he does not actively seek fame and is usually content to let the police take public credit for his work.^[42]

The Great Hiatus

The first set of Holmes stories was published between 1887 and 1893. Conan Doyle killed off Holmes in a final battle with the criminal mastermind Professor James Moriarty^[43] in «The Final Problem» (published 1893, but set in 1891), as Conan Doyle felt that «my literary energies should not be directed too much into one channel.»^[44] However, the reaction of the public surprised Doyle very much. Distressed readers wrote anguished letters to The Strand Magazine, which suffered a terrible blow when 20,000 people cancelled their subscriptions to the magazine in protest.^[45] Conan Doyle himself received many protest letters, and one lady even began her letter with «You brute».^[45] Legend has it that Londoners were so distraught upon hearing the news of Holmes’s death that they wore black armbands in mourning, though there is no known contemporary source for this; the earliest known reference to such events comes from 1949.^[46] However, the recorded public reaction to Holmes’s death was unlike anything previously seen for fictional events.^[7]

After resisting public pressure for eight years, Conan Doyle wrote The Hound of the Baskervilles (serialised in 1901–02, with an implicit setting before Holmes’s death). In 1903, Conan Doyle wrote «The Adventure of the Empty House»; set in 1894, Holmes reappears, explaining to a stunned Watson that he had faked his death to fool his enemies.^[47] Following «The Adventure of the Empty House», Conan Doyle would sporadically write new Holmes stories until 1927.
Holmes aficionados refer to the period from 1891 to 1894—between his disappearance and presumed death in «The Final Problem» and his reappearance in «The Adventure of the Empty House»—as the Great Hiatus.^[48] The earliest known use of this expression dates to 1946.^[49]

Retirement

In His Last Bow, the reader is told that Holmes has retired to a small farm on the Sussex Downs and taken up beekeeping as his primary occupation.^[50] The move is not dated precisely, but can be presumed to be no later than 1904 (since it is referred to retrospectively in «The Adventure of the Second Stain», first published that year).^[51] The story features Holmes and Watson coming out of retirement to aid the British war effort. Only one other adventure, «The Adventure of the Lion’s Mane», takes place during the detective’s retirement.^[52]

Personality and habits

Watson describes Holmes as «bohemian» in his habits and lifestyle.^[53] Said to have a «cat-like» love of personal cleanliness,^[54] at the same time Holmes is an eccentric with no regard for contemporary standards of tidiness or good order. Watson describes him as

in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. [He] keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece. … He had a horror of destroying documents…. Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner.^[55]

While Holmes can be dispassionate and cold, during an investigation he is animated and excitable. He has a flair for showmanship, often keeping his methods and evidence hidden until the last possible moment so as to impress observers.^[56] His companion condones the detective’s willingness to bend the truth (or break the law) on behalf of a client—lying to the police, concealing evidence or breaking into houses—when he feels it morally justifiable.^[57]

Except for that of Watson, Holmes avoids casual company. In «The Gloria Scott«, he tells the doctor that during two years at college he made only one friend: «I was never a very sociable fellow, Watson … I never mixed much with the men of my year».^[58] The detective goes without food at times of intense intellectual activity, believing that «the faculties become refined when you starve them.»^[59][60] At times Holmes relaxes with music, either playing the violin,^[61] or enjoying the works of composers such as Wagner^[62] and Pablo de Sarasate.^[63]

Drug use

Holmes occasionally uses addictive drugs, especially in the absence of stimulating cases.^[64] He sometimes used morphine and sometimes cocaine, the latter of which he injects in a seven-percent solution; both drugs were legal in 19th-century England.^[65][66][67] As a physician, Watson strongly disapproves of his friend’s cocaine habit, describing it as the detective’s only vice, and concerned about its effect on Holmes’s mental health and intellect.^[68][69] In «The Adventure of the Missing Three-Quarter», Watson says that although he has «weaned» Holmes from drugs, the detective remains an addict whose habit is «not dead, but merely sleeping».^[70]

Watson and Holmes both use tobacco, smoking cigarettes, cigars, and pipes. Although his chronicler does not consider Holmes’s smoking a vice per se, Watson—a physician—does criticise the detective for creating a «poisonous atmosphere» in their confined quarters.^[71][72]

Finances

Holmes is known to charge clients for his expenses and claim any reward offered for a problem’s solution, such as in «The Adventure of the Speckled Band», «The Red-Headed League», and «The Adventure of the Beryl Coronet». The detective states at one point that «My professional charges are upon a fixed scale. I do not vary them, save when I remit them altogether». In this context, a client is offering to double his fee, and it is implied that wealthy clients habitually pay Holmes more than his standard rate.^[73] In «The Adventure of the Priory School», Holmes earns a £6,000 fee^[74] (at a time where annual expenses for a rising young professional were in the area of £500).^[75] However, Watson notes that Holmes would refuse to help even the wealthy and powerful if their cases did not interest him.^[76]

Attitudes towards women

As Conan Doyle wrote to Joseph Bell, «Holmes is as inhuman as a Babbage’s Calculating Machine and just about as likely to fall in love».^[77] Holmes says of himself that he is «not a whole-souled admirer of womankind»,^[78] and that he finds «the motives of women … inscrutable. … How can you build on such quicksand? Their most trivial actions may mean volumes…»^[79] In The Sign of Four, he says, «Women are never to be entirely trusted—not the best of them», a feeling Watson notes as an «atrocious sentiment».^[80] In «The Adventure of the Lion’s Mane», Holmes writes, «Women have seldom been an attraction to me, for my brain has always governed my heart».^[81] At the end of The Sign of Four, Holmes states that «love is an emotional thing, and whatever is emotional is opposed to that true, cold reason which I place above all things. I should never marry myself, lest I bias my judgement.»^[82] Ultimately, Holmes claims outright that «I have never loved».^[83]

But while Watson says that the detective has an «aversion to women»,^[84] he also notes Holmes as having «a peculiarly ingratiating way with [them]».^[85] Watson notes that their housekeeper Mrs. Hudson is fond of Holmes because of his «remarkable gentleness and courtesy in his dealings with women. He disliked and distrusted the sex, but he was always a chivalrous opponent».^[86] However, in «The Adventure of Charles Augustus Milverton», the detective becomes engaged under false pretenses in order to obtain information about a case, abandoning the woman once he has the information he requires.^[87]

Irene Adler

Irene Adler is a retired American opera singer and actress who appears in «A Scandal in Bohemia». Although this is her only appearance, she is one of only a handful of people who best Holmes in a battle of wits, and the only woman. For this reason, Adler is the frequent subject of pastiche writing.^[88] The beginning of the story describes the high regard in which Holmes holds her:

To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. … And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.^[89]

Five years before the story’s events, Adler had a brief liaison with Crown Prince of Bohemia Wilhelm von Ormstein. As the story opens, the Prince is engaged to another. Fearful that the marriage would be called off if his fiancée’s family learns of this past impropriety, Ormstein hires Holmes to regain a photograph of Adler and himself. Adler slips away before Holmes can succeed. Her memory is kept alive by the photograph of Adler that Holmes received for his part in the case.^[90]

Knowledge and skills

Shortly after meeting Holmes in the first story, A Study in Scarlet (generally assumed to be 1881, though the exact date is not given), Watson assesses the detective’s abilities:

1. Knowledge of Literature – nil.
2. Knowledge of Philosophy – nil.
3. Knowledge of Astronomy – nil.
4. Knowledge of Politics – Feeble.
5. Knowledge of Botany – Variable. Well up in belladonna, opium, and poisons generally. Knows nothing of practical gardening.
6. Knowledge of Geology – Practical, but limited. Tells at a glance different soils from each other. After walks, has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them.
7. Knowledge of Chemistry – Profound.
8. Knowledge of Anatomy – Accurate, but unsystematic.
9. Knowledge of Sensational Literature – Immense. He appears to know every detail of every horror perpetrated in the century.
10. Plays the violin well.
11. Is an expert singlestick player, boxer, and swordsman.
12. Has a good practical knowledge of British law.^[91]

In A Study in Scarlet, Holmes claims to be unaware that the earth revolves around the sun since such information is irrelevant to his work; after hearing that fact from Watson, he says he will immediately try to forget it. The detective believes that the mind has a finite capacity for information storage, and learning useless things reduces one’s ability to learn useful things.^[92] The later stories move away from this notion: in The Valley of Fear, he says, «All knowledge comes useful to the detective»,^[93] and in «The Adventure of the Lion’s Mane», the detective calls himself «an omnivorous reader with a strangely retentive memory for trifles».^[94] Looking back on the development of the character in 1912, Conan Doyle wrote that «In the first one, the Study in Scarlet, [Holmes] was a mere calculating machine, but I had to make him more of an educated human being as I went on with him.»^[95]

Despite Holmes’s supposed ignorance of politics, in «A Scandal in Bohemia» he immediately recognises the true identity of the disguised «Count von Kramm».^[36] At the end of A Study in Scarlet, Holmes demonstrates a knowledge of Latin.^[96] The detective cites Hafez,^[97] Goethe,^[98] as well as a letter from Gustave Flaubert to George Sand in the original French.^[99] In The Hound of the Baskervilles, the detective recognises works by Godfrey Kneller and Joshua Reynolds: «Watson won’t allow that I know anything of art, but that is mere jealousy since our views upon the subject differ».^[100] In «The Adventure of the Bruce-Partington Plans», Watson says that «Holmes lost himself in a monograph which he had undertaken upon the Polyphonic Motets of Lassus», considered «the last word» on the subject—which must have been the result of an intensive and very specialized musicological study which could have had no possible application to the solution of criminal mysteries.^[101][102]

Holmes is a cryptanalyst, telling Watson that «I am fairly familiar with all forms of secret writing, and am myself the author of a trifling monograph upon the subject, in which I analyse one hundred and sixty separate ciphers».^[103] Holmes also demonstrates a knowledge of psychology in «A Scandal in Bohemia», luring Irene Adler into betraying where she hid a photograph based on the premise that a woman will rush to save her most valued possession from a fire.^[104] Another example is in «The Adventure of the Blue Carbuncle», where Holmes obtains information from a salesman with a wager: «When you see a man with whiskers of that cut and the ‘Pink ‘un’ protruding out of his pocket, you can always draw him by a bet …. I daresay that if I had put 100 pounds down in front of him, that man would not have given me such complete information as was drawn from him by the idea that he was doing me on a wager».^[105]

Maria Konnikova points out in an interview with D. J. Grothe that Holmes practises what is now called mindfulness, concentrating on one thing at a time, and almost never «multitasks». She adds that in this he predates the science showing how helpful this is to the brain.^[106]

Holmesian deduction

Holmes observes the dress and attitude of his clients and suspects, noting skin marks (such as tattoos), contamination (such as ink stains or clay on boots), emotional state, and physical condition in order to deduce their origins and recent history. The style and state of wear of a person’s clothes and personal items are also commonly relied on; in the stories Holmes is seen applying his method to items such as walking sticks,^[107] pipes,^[108] and hats.^[109] For example, in «A Scandal in Bohemia», Holmes infers that Watson had got wet lately and had «a most clumsy and careless servant girl». When Watson asks how Holmes knows this, the detective answers:

It is simplicity itself … my eyes tell me that on the inside of your left shoe, just where the firelight strikes it, the leather is scored by six almost parallel cuts. Obviously they have been caused by someone who has very carelessly scraped round the edges of the sole in order to remove crusted mud from it. Hence, you see, my double deduction that you had been out in vile weather, and that you had a particularly malignant boot-slitting specimen of the London slavey.^[110]

In the first Holmes story, A Study in Scarlet, Dr. Watson compares Holmes to C. Auguste Dupin, Edgar Allan Poe’s fictional detective, who employed a similar methodology. Alluding to an episode in «The Murders in the Rue Morgue», where Dupin determines what his friend is thinking despite their having walked together in silence for a quarter of an hour, Holmes remarks: «That trick of his breaking in on his friend’s thoughts with an apropos remark… is really very showy and superficial».^[111] Nevertheless, Holmes later performs the same ‘trick’ on Watson in «The Cardboard Box»^[112] and «The Adventure of the Dancing Men».^[113]

Though the stories always refer to Holmes’s intellectual detection method as «deduction», he primarily relies on abduction: inferring an explanation for observed details.^{[114][115][116]} «From a drop of water», he writes, «a logician could infer the possibility of an Atlantic or a Niagara without having seen or heard of one or the other».^[117] However, Holmes does employ deductive reasoning as well. The detective’s guiding principle, as he says in The Sign of Four, is: «When you have eliminated the impossible, whatever remains, however improbable, must be the truth.»^[118]

Despite Holmes’s remarkable reasoning abilities, Conan Doyle still paints him as fallible in this regard (this being a central theme of «The Yellow Face»).^[119]

Forensic science

Though Holmes is famed for his reasoning capabilities, his investigative technique relies heavily on the acquisition of hard evidence. Many of the techniques he employs in the stories were at the time in their infancy.^[120][121]

The detective is particularly skilled in the analysis of trace evidence and other physical evidence, including latent prints (such as footprints, hoof prints, and shoe and tire impressions) to identify actions at a crime scene;^[122] using tobacco ashes and cigarette butts to identify criminals;^[123] handwriting analysis and graphology;^[124] comparing typewritten letters to expose a fraud;^[125] using gunpowder residue to expose two murderers;^[126] and analyzing small pieces of human remains to expose two murders.^[127]

Because of the small scale of much of his evidence, the detective often uses a magnifying glass at the scene and an optical microscope at his Baker Street lodgings. He uses analytical chemistry for blood residue analysis and toxicology to detect poisons; Holmes’s home chemistry laboratory is mentioned in «The Naval Treaty».^[128] Ballistics feature in «The Adventure of the Empty House» when spent bullets are recovered to be matched with a suspected murder weapon, a practice which became regular police procedure only some fifteen years after the story was published.^[129]

Laura J. Snyder has examined Holmes’s methods in the context of mid- to late-19th-century criminology, demonstrating that, while sometimes in advance of what official investigative departments were formally using at the time, they were based upon existing methods and techniques. For example, fingerprints were proposed to be distinct in Conan Doyle’s day, and while Holmes used a thumbprint to solve a crime in «The Adventure of the Norwood Builder» (generally held to be set in 1895), the story was published in 1903, two years after Scotland Yard’s fingerprint bureau opened.^[121][130] Though the effect of the Holmes stories on the development of forensic science has thus often been overstated, Holmes inspired future generations of forensic scientists to think scientifically and analytically.^[131]

Disguises

Holmes displays a strong aptitude for acting and disguise. In several stories («The Sign of Four», «The Adventure of Charles Augustus Milverton», «The Man with the Twisted Lip», «The Adventure of the Empty House» and «A Scandal in Bohemia»), to gather evidence undercover he uses disguises so convincing that Watson fails to recognise him. In others («The Adventure of the Dying Detective» and «A Scandal in Bohemia»), Holmes feigns injury or illness to incriminate the guilty. In the latter story, Watson says, «The stage lost a fine actor … when [Holmes] became a specialist in crime».^[132]

Guy Mankowski has said of Holmes that his ability to change his appearance to blend into any situation «helped him personify the idea of the English eccentric chameleon, in a way that prefigured the likes of David Bowie.»^[133]

Agents

Until Watson’s arrival at Baker Street, Holmes largely worked alone, only occasionally employing agents from the city’s underclass. These agents included a variety of informants, such as Langdale Pike, a «human book of reference upon all matters of social scandal»,^[134] and Shinwell Johnson, who acted as Holmes’s «agent in the huge criminal underworld of London».^[135] The best known of Holmes’s agents are a group of street children he called «the Baker Street Irregulars».^[136][137]

Combat

Pistols

Holmes and Watson often carry pistols with them to confront criminals—in Watson’s case, his old service weapon (probably a Mark III Adams revolver, issued to British troops during the 1870s).^[138] Holmes and Watson shoot the eponymous hound in The Hound of the Baskervilles,^[139] and in «The Adventure of the Empty House» Watson pistol-whips Colonel Sebastian Moran.^[140] In «The Problem of Thor Bridge», Holmes uses Watson’s revolver to solve the case through an experiment.

Other weapons

As a gentleman, Holmes often carries a stick or cane. He is described by Watson as an expert at singlestick,^[91] and uses his cane twice as a weapon.^[141] In A Study in Scarlet, Watson describes Holmes as an expert swordsman,^[91] and in «The Gloria Scott» the detective says he practised fencing while at university.^[58] In several stories («A Case of Identity», «The Red-Headed League», «The Adventure of the Six Napoleons») Holmes wields a riding crop, described in the latter story as his «favourite weapon».^[142]

Personal combat

The detective is described (or demonstrated) as possessing above-average physical strength. In «The Yellow Face», Holmes’s chronicler says, «Few men were capable of greater muscular effort.»^[143] In «The Adventure of the Speckled Band», Dr. Roylott demonstrates his strength by bending a fire poker in half. Watson describes Holmes as laughing, «‘if he had remained I might have shown him that my grip was not much more feeble than his own.’ As he spoke he picked up the steel poker and, with a sudden effort, straightened it out again.»^[144]

Holmes is an adept bare-knuckle fighter; «The «Gloria Scott» mentions that Holmes boxed while at university.^[58] In «The Sign of Four», he introduces himself to McMurdo, a prize fighter, as «the amateur who fought three rounds with you at Alison’s rooms on the night of your benefit four years back.» McMurdo remembers: «Ah, you’re one that has wasted your gifts, you have! You might have aimed high if you had joined the fancy.»^[145] In «The Yellow Face», Watson says: «He was undoubtedly one of the finest boxers of his weight that I have ever seen».^[146] In «The Solitary Cyclist» Holmes visits a country pub to make enquiries regarding a certain Mr Woodley which resulted in violence. Mr Woodley, Holmes tells Watson,^[147]

Had been drinking his beer in the tap-room, and had heard the whole conversation. Who was I? What did I want? What did I mean by asking questions? He had a fine flow of language, and his adjectives were very vigorous. He ended a string of abuse by a vicious backhander, which I failed to entirely avoid. The next few minutes were delicious. It was a straight left against a slogging ruffian. I emerged as you see me. Mr. Woodley went home in a cart.^[147]

Another character subsequently refers to Mr Woodley as looking «much disfigured» as a result of his encounter with Holmes.^[148]

In «The Adventure of the Empty House», Holmes tells Watson that he used a Japanese martial art known as baritsu to fling Moriarty to his death in the Reichenbach Falls.^[149] «Baritsu» is Conan Doyle’s version of bartitsu, which combines jujitsu with boxing and cane fencing.^[150]

Reception

Popularity

The first two Sherlock Holmes stories, the novels A Study in Scarlet (1887) and The Sign of the Four (1890), were moderately well received, but Holmes first became very popular early in 1891 when the first six short stories featuring the character were published in The Strand Magazine. Holmes became widely known in Britain and America.^[1] The character was so well known that in 1893 when Arthur Conan Doyle killed Holmes in the short story «The Final Problem», the strongly negative response from readers was unlike any previous public reaction to a fictional event. The Strand reportedly lost more than 20,000 subscribers as a result of Holmes’s death. Public pressure eventually contributed to Conan Doyle writing another Holmes story in 1901 and resurrecting the character in a story published in 1903.^[7] In Japan, Sherlock Holmes (and Alice from Alice’s Adventures in Wonderland) became immensely popular in the country in the 1890s as it was opening up to the West, and they are cited as two British fictional Victorians who left an enormous creative and cultural legacy there.^[151]

Many fans of Sherlock Holmes have written letters to Holmes’s address, 221B Baker Street. Though the address 221B Baker Street did not exist when the stories were first published, letters began arriving to the large Abbey National building which first encompassed that address almost as soon as it was built in 1932. Fans continue to send letters to Sherlock Holmes;^[152] these letters are now delivered to the Sherlock Holmes Museum.^[153] Some of the people who have sent letters to 221B Baker Street believe Holmes is real.^[4] Members of the general public have also believed Holmes actually existed. In a 2008 survey of British teenagers, 58 percent of respondents believed that Sherlock Holmes was a real individual.^[5]

The Sherlock Holmes stories continue to be widely read.^[1] Holmes’s continuing popularity has led to many reimaginings of the character in adaptations.^[7] Guinness World Records, which awarded Sherlock Holmes the title for «most portrayed literary human character in film & TV» in 2012, released a statement saying that the title «reflects his enduring appeal and demonstrates that his detective talents are as compelling today as they were 125 years ago.»^[3]

Honours

The London Metropolitan Railway named one of its twenty electric locomotives deployed in the 1920s for Sherlock Holmes. He was the only fictional character so honoured, along with eminent Britons such as Lord Byron, Benjamin Disraeli, and Florence Nightingale.^[154]

A number of London streets are associated with Holmes. York Mews South, off Crawford Street, was renamed Sherlock Mews, and Watson’s Mews is near Crawford Place.^[155] The Sherlock Holmes is a public house in Northumberland Street in London which contains a large collection of memorabilia related to Holmes, the original collection having been put together for display in Baker Street during the Festival of Britain in 1951.^[156][157]

In 2002, the Royal Society of Chemistry bestowed an honorary fellowship on Holmes for his use of forensic science and analytical chemistry in popular literature, making him (as of 2019) the only fictional character thus honoured.^[158] Holmes has been commemorated numerous times on a UK postage stamp issued by the Royal Mail, most recently in their August 2020 series to celebrate the Sherlock television series.^[159]

There are multiple statues of Sherlock Holmes around the world. The first, sculpted by John Doubleday, was unveiled in Meiringen, Switzerland, in September 1988. The second was unveiled in October 1988 in Karuizawa, Japan, and was sculpted by Yoshinori Satoh. The third was installed in Edinburgh, Scotland, in 1989, and was sculpted by Gerald Laing.^[160] In 1999, a statue of Sherlock Holmes in London, also by John Doubleday, was unveiled near the fictional detective’s address, 221B Baker Street.^[161] In 2001, a sculpture of Holmes and Arthur Conan Doyle by Irena Sedlecká was unveiled in a statue collection in Warwickshire, England.^[162] A sculpture depicting both Holmes and Watson was unveiled in 2007 in Moscow, Russia, based partially on Sidney Paget’s illustrations and partially on the actors in The Adventures of Sherlock Holmes and Dr. Watson.^[163] In 2015, a sculpture of Holmes by Jane DeDecker was installed in the police headquarters of Edmond, Oklahoma, United States.^[164] In 2019, a statue of Holmes was unveiled in Chester, Illinois, United States, as part of a series of statues honouring cartoonist E. C. Segar and his characters. The statue is titled «Sherlock & Segar», and the face of the statue was modelled on Segar.^[165]

Societies

In 1934, the Sherlock Holmes Society (in London) and the Baker Street Irregulars (in New York) were founded. The latter is still active. The Sherlock Holmes Society was dissolved later in the 1930s, but was succeeded by a society with a slightly different name, the Sherlock Holmes Society of London, which was founded in 1951 and remains active.^[166][167] These societies were followed by many more, first in the U.S. (where they are known as «scion societies»—offshoots—of the Baker Street Irregulars) and then in England and Denmark. There are at least 250 societies worldwide, including Australia, Canada (such as The Bootmakers of Toronto), India, and Japan.^[168] Fans tend to be called «Holmesians» in the U.K. and «Sherlockians» in the U.S.,^{[169][170][171]} though recently «Sherlockian» has also come to refer to fans of the Benedict Cumberbatch-led BBC series regardless of location.^[172]

Legacy

The detective story

Although Holmes is not the original fictional detective, his name has become synonymous with the role. Doyle’s Sherlock Holmes stories introduced multiple literary devices that have become major conventions in detective fiction, such as the companion character who is not as clever as the detective and has solutions explained to him (thus informing the reader as well), as with Dr. Watson in the Holmes stories. Other conventions introduced by Doyle include the arch-criminal who is too clever for the official police to defeat, like Holmes’s adversary Professor Moriarty, and the use of forensic science to solve cases.^[1]

The Sherlock Holmes stories established crime fiction as a respectable genre popular with readers of all backgrounds, and Doyle’s success inspired many contemporary detective stories.^[173] Holmes influenced the creation of other «eccentric gentleman detective» characters, like Agatha Christie’s fictional detective Hercule Poirot, introduced in 1920.^[174] Holmes also inspired a number of anti-hero characters «almost as an antidote to the masterful detective», such as the gentleman thief characters A. J. Raffles (created by E. W. Hornung in 1898) and Arsène Lupin (created by Maurice Leblanc in 1905).^[173]

«Elementary, my dear Watson»

The phrase «Elementary, my dear Watson» has become one of the most quoted and iconic aspects of the character. However, although Holmes often observes that his conclusions are «elementary», and occasionally calls Watson «my dear Watson», the phrase «Elementary, my dear Watson» is never uttered in any of the sixty stories by Conan Doyle.^[175] One of the nearest approximations of the phrase appears in «The Adventure of the Crooked Man» (1893) when Holmes explains a deduction: «‘Excellent!’ I cried. ‘Elementary,’ said he.»^[176][177]

William Gillette is widely considered to have originated the phrase with the formulation, «Oh, this is elementary, my dear fellow», allegedly in his 1899 play Sherlock Holmes. However, the script was revised numerous times over the course of some three decades of revivals and publications, and the phrase is present in some versions of the script, but not others.^[175]

The exact phrase, as well as close variants, can be seen in newspaper and journal articles as early as 1909;^[175] there is some indication that it was clichéd even then.^[178][179] «Elementary, my dear Watson, elementary» appears in P. G. Wodehouse’s novel Psmith, Journalist (serialised 1909–10).^[180] The phrase became familiar with the American public in part due to its use in The Rathbone-Bruce series of films from 1939 to 1946.^[181]

The Great Game

Conan Doyle’s 56 short stories and four novels are known as the «canon» by Holmes aficionados. The Great Game (also known as the Holmesian Game, the Sherlockian Game, or simply the Game, also the Higher Criticism) applies the methods of literary and especially Biblical criticism to the canon, operating on the pretense that Holmes and Watson were real people and that Conan Doyle was not the author of the stories but Watson’s literary agent. From this basis, it attempts to resolve or explain away contradictions in the canon—such as the location of Watson’s war wound, described as being in his shoulder in A Study in Scarlet and in his leg in The Sign of Four—and clarify details about Holmes, Watson and their world, such as the exact dates of events in the stories, combining historical research with references from the stories to construct scholarly analyses.^{[182][183][184]}

For example, one detail analyzed in the Game is Holmes’s birth date. The chronology of the stories is notoriously difficult, with many stories lacking dates and many others containing contradictory ones. Christopher Morley and William Baring-Gould contend that the detective was born on 6 January 1854, the year being derived from the statement in «His Last Bow» that he was 60 years of age in 1914, while the precise day is derived from broader, non-canonical speculation.^[185] This is the date the Baker Street Irregulars work from, with their annual dinner being held each January.^[186][187] Laurie R. King instead argues that details in «The Gloria Scott» (a story with no precise internal date) indicate that Holmes finished his second (and final) year of university in 1880 or 1885. If he began university at age 17, his birth year could be as late as 1868.^[188]

Museums and special collections

For the 1951 Festival of Britain, Holmes’s living room was reconstructed as part of a Sherlock Holmes exhibition, with a collection of original material. After the festival, items were transferred to The Sherlock Holmes (a London pub) and the Conan Doyle collection housed in Lucens, Switzerland by the author’s son, Adrian. Both exhibitions, each with a Baker Street sitting-room reconstruction, are open to the public.^[189]

In 1969, the Toronto Reference Library began a collection of materials related to Conan Doyle. Stored today in Room 221B, this vast collection is accessible to the public.^[190][191] Similarly, in 1974 the University of Minnesota founded a collection that is now «the world’s largest gathering of material related to Sherlock Holmes and his creator». Access is closed to the general public, but is occasionally open to tours.^[192][193]

In 1990, the Sherlock Holmes Museum opened on Baker Street in London, followed the next year by a museum in Meiringen (near the Reichenbach Falls) dedicated to the detective.^[189] A private Conan Doyle collection is a permanent exhibit at the Portsmouth City Museum, where the author lived and worked as a physician.^[194]

Postcolonial criticism

The Sherlock Holmes stories have been scrutinized by a few academics for themes of empire and colonialism.

Susan Cannon Harris claims that themes of contagion and containment are common in the Holmes series, including the metaphors of Eastern foreigners as the root cause of «infection» within and around Europe.^[195] Lauren Raheja, writing in the Marxist journal Nature, Society, and Thought, claims that Doyle used these characteristics to paint eastern colonies in a negative light, through their continually being the source of threats. For example, in one story Doyle makes mention of the Sumatran cannibals (also known as Batak) who throw poisonous darts, in «The Adventure of the Devil’s Foot» a character employs a deadly West African poison, and in «The Speckled Band» a «long residence in the tropics» was a negative influence on one antagonist’s bad temper.^[196] Yumna Siddiqi argues that Doyle depicted returned colonials as «marginal, physically ravaged characters that threaten the peace,» while putting non-colonials in a much more positive light.^[197]

Adaptations and derived works

The popularity of Sherlock Holmes has meant that many writers other than Arthur Conan Doyle have created tales of the detective in a wide variety of different media, with varying degrees of fidelity to the original characters, stories, and setting. The first known period pastiche dates from 1891. Titled «The Late Sherlock Holmes», it was written by Conan Doyle’s close friend, J. M. Barrie.^[198]

Adaptations have seen the character taken in radically different directions or placed in different times or even universes. For example, Holmes falls in love and marries in Laurie R. King’s Mary Russell series, is re-animated after his death to fight future crime in the animated series Sherlock Holmes in the 22nd Century, and is meshed with the setting of H. P. Lovecraft’s Cthulhu Mythos in Neil Gaiman’s «A Study in Emerald» (which won the 2004 Hugo Award for Best Short Story). An especially influential pastiche was Nicholas Meyer’s The Seven-Per-Cent Solution, a 1974 New York Times bestselling novel (made into the 1976 film of the same name) in which Holmes’s cocaine addiction has progressed to the point of endangering his career. It served to popularize the trend of incorporating clearly identified and contemporaneous historical figures (such as Oscar Wilde, Aleister Crowley, Sigmund Freud, or Jack the Ripper) into Holmesian pastiches, something Conan Doyle himself never did.^{[199][200][201]} Another common pastiche approach is to create a new story fully detailing an otherwise-passing canonical reference (such as an aside by Conan Doyle mentioning the «giant rat of Sumatra, a story for which the world is not yet prepared» in «The Adventure of the Sussex Vampire»).^[202]

Related and derivative writings

In addition to the Holmes canon, Conan Doyle’s 1898 «The Lost Special» features an unnamed «amateur reasoner» intended to be identified as Holmes by his readers. The author’s explanation of a baffling disappearance argued in Holmesian style poked fun at his own creation. Similar Conan Doyle short stories are «The Field Bazaar», «The Man with the Watches», and 1924’s «How Watson Learned the Trick», a parody of the Watson–Holmes breakfast-table scenes. The author wrote other material featuring Holmes, especially plays: 1899’s Sherlock Holmes (with William Gillette), 1910’s The Speckled Band, and 1921’s The Crown Diamond (the basis for «The Adventure of the Mazarin Stone»).^[203] These non-canonical works have been collected in several works released since Conan Doyle’s death.^[204]

In terms of writers other than Conan Doyle, authors as diverse as Anthony Burgess, Neil Gaiman, Dorothy B. Hughes, Stephen King, Tanith Lee, A. A. Milne, and P. G. Wodehouse have all written Sherlock Holmes pastiches. Contemporary with Conan Doyle, Maurice Leblanc directly featured Holmes in his popular series about the gentleman thief, Arsène Lupin, though legal objections from Conan Doyle forced Leblanc to modify the name to «Herlock Sholmes» in reprints and later stories.^[205] Famed American mystery writer John Dickson Carr collaborated with Arthur Conan Doyle’s son, Adrian Conan Doyle, on The Exploits of Sherlock Holmes, a pastiche collection from 1954.^[206] In 2011, Anthony Horowitz published a Sherlock Holmes novel, The House of Silk, presented as a continuation of Conan Doyle’s work and with the approval of the Conan Doyle estate;^[207] a follow-up, Moriarty, appeared in 2014.^[208] The «MX Book of New Sherlock Holmes Stories» series of pastiches, edited by David Marcum and published by MX Publishing, has reached thirty volumes and features hundreds of stories echoing the original canon which were compiled for the restoration of Undershaw and the support of Stepping Stones School, now housed in it.^[209][210]

Some authors have written tales centred on characters from the canon other than Holmes. Anthologies edited by Michael Kurland and George Mann are entirely devoted to stories told from the perspective of characters other than Holmes and Watson. John Gardner, Michael Kurland, and Kim Newman, amongst many others, have all written tales in which Holmes’s nemesis Professor Moriarty is the main character. Mycroft Holmes has been the subject of several efforts: Enter the Lion by Michael P. Hodel and Sean M. Wright (1979),^[211] a four-book series by Quinn Fawcett,^[212] and 2015’s Mycroft Holmes, by Kareem Abdul-Jabbar and Anna Waterhouse.^[213] M. J. Trow has written a series of seventeen books using Inspector Lestrade as the central character, beginning with The Adventures of Inspector Lestrade in 1985.^[214] Carole Nelson Douglas’ Irene Adler series is based on «the woman» from «A Scandal in Bohemia», with the first book (1990’s Good Night, Mr. Holmes) retelling that story from Adler’s point of view.^[215] Martin Davies has written three novels where Baker Street housekeeper Mrs. Hudson is the protagonist.^[216]

In 1980’s The Name of the Rose, Italian author Umberto Eco creates a Sherlock Holmes of the 1320s in the form of a Franciscan friar and main protagonist named Brother William of Baskerville, his name a clear reference to Holmes per The Hound of the Baskervilles.^[217] Brother William investigates a series of murders in the abbey alongside his novice Adso of Melk, who acts as his Dr. Watson. Furthermore, Umberto Eco’s description of Brother William bears marked similarities in both physique and personality to Sir Arthur Conan Doyle’s description of Sherlock Holmes in A Study in Scarlet.^[218]

Laurie R. King recreated Holmes in her Mary Russell series (beginning with 1994’s The Beekeeper’s Apprentice), set during the First World War and the 1920s. Her Holmes, semi-retired in Sussex, is stumbled upon by a teenaged American girl. Recognising a kindred spirit, he trains her as his apprentice and subsequently marries her. As of 2021, the series includes seventeen base novels and additional writings.^[219]

The Final Solution, a 2004 novella by Michael Chabon, concerns an unnamed but long-retired detective interested in beekeeping who tackles the case of a missing parrot belonging to a Jewish refugee boy.^[220] Mitch Cullin’s novel A Slight Trick of the Mind (2005) takes place two years after the end of the Second World War, and explores an old and frail Sherlock Holmes (now 93) as he comes to terms with a life spent in emotionless logic;^[221] this was also adapted into a film, 2015’s Mr. Holmes.^[222]

There have been many scholarly works dealing with Sherlock Holmes, some working within the bounds of the Great Game, and some written from the perspective that Holmes is a fictional character. In particular, there have been three major annotated editions of the complete series. The first was William Baring-Gould’s 1967 The Annotated Sherlock Holmes. This two-volume set was ordered to fit Baring-Gould’s preferred chronology, and was written from a Great Game perspective. The second was 1993’s The Oxford Sherlock Holmes (general editor: Owen Dudley Edwards), a nine-volume set written in a straight scholarly manner. The most recent is Leslie Klinger’s The New Annotated Sherlock Holmes (2004–05), a three-volume set that returns to a Great Game perspective.^[223][224]

Adaptations in other media

In 2012, Guinness World Records listed Holmes as the most portrayed literary human character in film and television history, with more than 75 actors playing the part in over 250 productions.^[3]

The 1899 play Sherlock Holmes, by Conan Doyle and William Gillette, was a synthesis of several Conan Doyle stories. In addition to its popularity, the play is significant because it, rather than the original stories, introduced one of the key visual qualities commonly associated with Holmes today: his calabash pipe;^[225] the play also formed the basis for Gillette’s 1916 film, Sherlock Holmes. Gillette performed as Holmes some 1,300 times. In the early 1900s, H. A. Saintsbury took over the role from Gillette for a tour of the play. Between this play and Conan Doyle’s own stage adaptation of «The Adventure of the Speckled Band», Saintsbury portrayed Holmes over 1,000 times.^[226]

Holmes’s first screen appearance was in the 1900 Mutoscope film, Sherlock Holmes Baffled.^[227] From 1921 to 1923, Eille Norwood played Holmes in forty-seven silent films (45 shorts and two features), in a series of performances that Conan Doyle spoke highly of.^[2][228] 1929’s The Return of Sherlock Holmes was the first sound title to feature Holmes.^[229] From 1939 to 1946, Basil Rathbone played Holmes and Nigel Bruce played Watson in fourteen U.S. films (two for 20th Century Fox and a dozen for Universal Pictures) and in The New Adventures of Sherlock Holmes radio show. While the Fox films were period pieces, the Universal films abandoned Victorian Britain and moved to a then-contemporary setting in which Holmes occasionally battled Nazis.^[230]

The character has also enjoyed numerous radio adaptations, beginning with Edith Meiser’s The Adventures of Sherlock Holmes,^[231] which ran from 1930 to 1936. Basil Rathbone and Nigel Bruce continued with their roles for most of the run of The New Adventures of Sherlock Holmes, airing from 1939 to 1950. Bert Coules, having dramatised the entire Holmes canon for BBC Radio Four from 1989 to 1998,^[232][233] penned The Further Adventures of Sherlock Holmes between 2002 and 2010. This pastiche series also aired on Radio Four, and starred Clive Merrison as Holmes and Michael Williams and then Andrew Sachs as Watson.^[232][234]

The 1984–85 Italian/Japanese anime series Sherlock Hound adapted the Holmes stories for children, with its characters being anthropomorphic dogs. The series was co-directed by Hayao Miyazaki.^[235] Between 1979 and 1986, the Soviet studio Lenfilm produced a series of five television films, The Adventures of Sherlock Holmes and Dr. Watson. The series were split into eleven episodes and starred Vasily Livanov as Holmes and Vitaly Solomin as Watson. For his performance, in 2006 Livanov was appointed an Honorary Member of the Order of the British Empire.^[236][237]

Jeremy Brett played the detective in Sherlock Holmes for Granada Television from 1984 to 1994. Watson was played by David Burke (in the first two series) and Edward Hardwicke (in the remainder). Brett and Hardwicke also appeared on stage in 1988–89 in The Secret of Sherlock Holmes, directed by Patrick Garland.^[238]

The 2009 film Sherlock Holmes earned Robert Downey Jr. a Golden Globe Award for his portrayal of Holmes and co-starred Jude Law as Watson.^[239] Downey and Law returned for a 2011 sequel, Sherlock Holmes: A Game of Shadows.

Benedict Cumberbatch plays a modern version of the detective and Martin Freeman as a modern version of John Watson in the BBC One TV series Sherlock, which premiered in 2010. In the series, created by Mark Gatiss and Steven Moffat, the stories’ original Victorian setting is replaced by present-day London, with Watson a veteran of the modern War in Afghanistan.^[240] Similarly, Elementary premiered on CBS in 2012, and ran for seven seasons, until 2019. Set in contemporary New York, the series featured Jonny Lee Miller as Sherlock Holmes and Lucy Liu as a female Dr. Joan Watson.^[241] With 24 episodes per season, by the end of season two, Miller became the actor who had portrayed Sherlock Holmes the most in television and/or film.^[242]

The 2015 film Mr. Holmes starred Ian McKellen as a retired Sherlock Holmes living in Sussex, in 1947, who grapples with an unsolved case involving a beautiful woman. The film is based on Mitch Cullin’s 2005 novel A Slight Trick of the Mind.^[243][244]

The 2018 television adaptation, Miss Sherlock, was a Japanese-language production, and the first adaptation with a woman (portrayed by Yūko Takeuchi) in the signature role. The episodes were based in modern-day Tokyo, with many references to Conan Doyle’s stories.^[245][246]

Holmes has also appeared in video games, including the Sherlock Holmes series of eight main titles. According to the publisher, Frogwares, the series has sold over seven million copies.^[247]

Copyright issues

The copyright for Conan Doyle’s works expired in the United Kingdom, Canada, and Australia at the end of 1980, fifty years after Conan Doyle’s death.^[248][249] In the United Kingdom it was revived in 1996 due to new provisions harmonising UK law with that of the European Union, and expired again at the end of 2000 (seventy years after Conan Doyle’s death).^[250] The author’s works are now in the public domain in those countries.^[251][252]

In the United States, all works published before 1923 entered public domain by 1998, but, as ten Holmes stories were published after that date, the Conan Doyle estate maintained that the Holmes and Watson characters as a whole were still under copyright.^[249][253] On 14 February 2013, Leslie S. Klinger (lawyer and editor of The New Annotated Sherlock Holmes) filed a declaratory judgement suit against the Conan Doyle estate asking the court to acknowledge that the characters of Holmes and Watson were public domain in the U.S. The court ruled in Klinger’s favour on 23 December, and the Seventh Circuit Court of Appeals affirmed its decision on 16 June 2014. The case was appealed to the U.S. Supreme Court, which declined to hear the case, letting the appeals court’s ruling stand. This resulted in the characters from the Holmes stories being in the public domain in the U.S. The stories still under copyright due to the ruling, as of that time, were those collected in The Case-Book of Sherlock Holmes other than «The Adventure of the Mazarin Stone» and «The Problem of Thor Bridge»: a total of ten stories.^{[252][254][255]}

In 2020, although the United States court ruling and the passage of time meant that most of the Holmes stories and characters were in the public domain in that country, the Doyle estate legally challenged the use of Sherlock Holmes in the film Enola Holmes in a complaint filed in the United States.^[256] The Doyle estate alleged that the film depicts Holmes with personality traits that were only exhibited by the character in the stories still under copyright.^[257][258] On 18 December 2020, the lawsuit was dismissed with prejudice by stipulation of all parties.^[259][260]

The remaining ten Holmes stories moved out of copyright between 1 January 2019 and 1 January 2023, leaving the stories and characters completely in the public domain in the United States as of the latter date.^{[261][262][263]}

Works

Novels

• A Study in Scarlet (published November 1887 in Beeton’s Christmas Annual)
• The Sign of the Four (published February 1890 in Lippincott’s Monthly Magazine)
• The Hound of the Baskervilles (serialised 1901–1902 in The Strand)
• The Valley of Fear (serialised 1914–1915 in The Strand)

Short story collections

The short stories, originally published in magazines, were later collected in five anthologies:

• The Adventures of Sherlock Holmes (stories published 1891–1892 in The Strand)
• The Memoirs of Sherlock Holmes (stories published 1892–1893 in The Strand)
• The Return of Sherlock Holmes (stories published 1903–1904 in The Strand)
• His Last Bow: Some Later Reminiscences of Sherlock Holmes (stories published 1908–1917)
• The Case-Book of Sherlock Holmes (stories published 1921–1927)

See also

• List of Holmesian studies
• Popular culture references to Sherlock Holmes
• Sherlock Holmes fandom

Notes

Sherlock Holmes story references

• Klinger, Leslie (ed.). The New Annotated Sherlock Holmes, Volume I (New York: W. W. Norton, 2005). ISBN 0-393-05916-2 («Klinger I»)
• Klinger, Leslie (ed.). The New Annotated Sherlock Holmes, Volume II (New York: W. W. Norton, 2005). ISBN 0-393-05916-2 («Klinger II»)
• Klinger, Leslie (ed.). The New Annotated Sherlock Holmes, Volume III (New York: W. W. Norton, 2006). ISBN 978-0393058000 («Klinger III»)

Citations

Further reading

External links

• The Sherlock Holmes Museum 221b Baker Street London NW1 6XE England.
• «Sherlock Holmes». 8 July 1930. at Internet Archive
• Sherlock Holmes plaques on openplaques.org
• Discovering Sherlock Holmes at Stanford University
• Chess and Sherlock Holmes essay by Edward Winter
• «The Burden of Holmes» – 23.12.09 article in The Wall Street Journal
• Sir Arthur Conan Doyle audio books by Lit2Go from the University of South Florida

Sherlock Holmes
Sherlock Holmes character
Sherlock Holmes in a 1904 illustration by Sidney Paget
First appearance	A Study in Scarlet (1887)
Last appearance	«The Adventure of Shoscombe Old Place» (1927, canon)
Created by	Sir Arthur Conan Doyle
In-universe information
Occupation	Consulting private detective
Family	Mycroft Holmes (brother)
Nationality	British

Sherlock Holmes () is a fictional detective created by British author Arthur Conan Doyle. Referring to himself as a «consulting detective» in the stories, Holmes is known for his proficiency with observation, deduction, forensic science and logical reasoning that borders on the fantastic, which he employs when investigating cases for a wide variety of clients, including Scotland Yard.

First appearing in print in 1887’s A Study in Scarlet, the character’s popularity became widespread with the first series of short stories in The Strand Magazine, beginning with «A Scandal in Bohemia» in 1891; additional tales appeared from then until 1927, eventually totalling four novels and 56 short stories. All but one^[a] are set in the Victorian or Edwardian eras, between about 1880 and 1914. Most are narrated by the character of Holmes’s friend and biographer Dr. John H. Watson, who usually accompanies Holmes during his investigations and often shares quarters with him at the address of 221B Baker Street, London, where many of the stories begin.

Though not the first fictional detective, Sherlock Holmes is arguably the best known.^[1] By the 1990s, there were already over 25,000 stage adaptations, films, television productions and publications featuring the detective,^[2] and Guinness World Records lists him as the most portrayed human literary character in film and television history.^[3] Holmes’s popularity and fame are such that many have believed him to be not a fictional character but a real individual;^[4][5][6] numerous literary and fan societies have been founded on this pretence. Avid readers of the Holmes stories helped create the modern practice of fandom.^[7] The character and stories have had a profound and lasting effect on mystery writing and popular culture as a whole, with the original tales as well as thousands written by authors other than Conan Doyle being adapted into stage and radio plays, television, films, video games, and other media for over one hundred years.

Inspiration for the character

Edgar Allan Poe’s C. Auguste Dupin is generally acknowledged as the first detective in fiction and served as the prototype for many later characters, including Holmes.^[8] Conan Doyle once wrote, «Each [of Poe’s detective stories] is a root from which a whole literature has developed … Where was the detective story until Poe breathed the breath of life into it?»^[9] Similarly, the stories of Émile Gaboriau’s Monsieur Lecoq were extremely popular at the time Conan Doyle began writing Holmes, and Holmes’s speech and behaviour sometimes follow those of Lecoq.^[10][11] Doyle has his main characters discuss these literary antecedents near the beginning of A Study in Scarlet, which is set soon after Watson is first introduced to Holmes. Watson attempts to compliment Holmes by comparing him to Dupin, to which Holmes replies that he found Dupin to be «a very inferior fellow» and Lecoq to be «a miserable bungler».^[12]

Conan Doyle repeatedly said that Holmes was inspired by the real-life figure of Joseph Bell, a surgeon at the Royal Infirmary of Edinburgh, whom Conan Doyle met in 1877 and had worked for as a clerk. Like Holmes, Bell was noted for drawing broad conclusions from minute observations.^[13] However, he later wrote to Conan Doyle: «You are yourself Sherlock Holmes and well you know it».^[14] Sir Henry Littlejohn, Chair of Medical Jurisprudence at the University of Edinburgh Medical School, is also cited as an inspiration for Holmes. Littlejohn, who was also Police Surgeon and Medical Officer of Health in Edinburgh, provided Conan Doyle with a link between medical investigation and the detection of crime.^[15]

Other possible inspirations have been proposed, though never acknowledged by Doyle, such as Maximilien Heller, by French author Henry Cauvain. In this 1871 novel (sixteen years before the first appearance of Sherlock Holmes), Henry Cauvain imagined a depressed, anti-social, opium-smoking polymath detective, operating in Paris.^[16][17][18] It is not known if Conan Doyle read the novel, but he was fluent in French.^[19] Similarly, Michael Harrison suggested that a German self-styled «consulting detective» named Walter Scherer may have been the model for Holmes.^[20]

Fictional character biography

Family and early life

Details of Sherlock Holmes’s life in Conan Doyle’s stories are scarce and often vague. Nevertheless, mentions of his early life and extended family paint a loose biographical picture of the detective.

A statement of Holmes’s age in «His Last Bow» places his year of birth at 1854; the story, set in August 1914, describes him as sixty years of age.^[21] His parents are not mentioned, although Holmes mentions that his «ancestors» were «country squires». In «The Adventure of the Greek Interpreter», he claims that his grandmother was sister to the French artist Vernet, without clarifying whether this was Claude Joseph, Carle, or Horace Vernet. Holmes’s brother Mycroft, seven years his senior, is a government official. Mycroft has a unique civil service position as a kind of human database for all aspects of government policy. Sherlock describes his brother as the more intelligent of the two, but notes that Mycroft lacks any interest in physical investigation, preferring to spend his time at the Diogenes Club.^[22][23]

Holmes says that he first developed his methods of deduction as an undergraduate; his earliest cases, which he pursued as an amateur, came from fellow university students.^[24] A meeting with a classmate’s father led him to adopt detection as a profession.^[25]

Life with Watson

Financial difficulties lead Holmes and Dr. Watson to share rooms together at 221B Baker Street, London.^[26] Their residence is maintained by their landlady, Mrs. Hudson.^[27] Holmes works as a detective for twenty-three years, with Watson assisting him for seventeen of those years.^[28] Most of the stories are frame narratives written from Watson’s point of view, as summaries of the detective’s most interesting cases. Holmes frequently calls Watson’s records of Holmes’s cases sensational and populist, suggesting that they fail to accurately and objectively report the «science» of his craft:

Detection is, or ought to be, an exact science and should be treated in the same cold and unemotional manner. You have attempted to tinge it [A Study in Scarlet] with romanticism, which produces much the same effect as if you worked a love-story or an elopement into the fifth proposition of Euclid. … Some facts should be suppressed, or, at least, a just sense of proportion should be observed in treating them. The only point in the case which deserved mention was the curious analytical reasoning from effects to causes, by which I succeeded in unravelling it.^[29]

Nevertheless, Holmes’s friendship with Watson is his most significant relationship. When Watson is injured by a bullet, although the wound turns out to be «quite superficial», Watson is moved by Holmes’s reaction:

It was worth a wound; it was worth many wounds; to know the depth of loyalty and love which lay behind that cold mask. The clear, hard eyes were dimmed for a moment, and the firm lips were shaking. For the one and only time I caught a glimpse of a great heart as well as of a great brain. All my years of humble but single-minded service culminated in that moment of revelation.^[30]

After confirming Watson’s assessment of the wound, Holmes makes it clear to their opponent that the man would not have left the room alive if he genuinely had killed Watson. When Holmes recorded a case or two himself, he was forced to concede that he could more easily understand the need to write it in a manner that would appeal to the public rather than his intention to focus on his own technical skill.

Practice

Holmes’s clients vary from the most powerful monarchs and governments of Europe, to wealthy aristocrats and industrialists, to impoverished pawnbrokers and governesses. He is known only in select professional circles at the beginning of the first story, but is already collaborating with Scotland Yard. However, his continued work and the publication of Watson’s stories raise Holmes’s profile, and he rapidly becomes well known as a detective; so many clients ask for his help instead of (or in addition to) that of the police^[31] that, Watson writes, by 1887 «Europe was ringing with his name»^[32] and by 1895 Holmes has «an immense practice».^[33] Police outside London ask Holmes for assistance if he is nearby.^[34] A Prime Minister^[35] and the King of Bohemia^[36] visit 221B Baker Street in person to request Holmes’s assistance; the President of France awards him the Legion of Honour for capturing an assassin;^[37] the King of Scandinavia is a client;^[38] and he aids the Vatican at least twice.^[39] The detective acts on behalf of the British government in matters of national security several times,^[40] and declines a knighthood «for services which may perhaps some day be described».^[41] However, he does not actively seek fame and is usually content to let the police take public credit for his work.^[42]

The Great Hiatus

The first set of Holmes stories was published between 1887 and 1893. Conan Doyle killed off Holmes in a final battle with the criminal mastermind Professor James Moriarty^[43] in «The Final Problem» (published 1893, but set in 1891), as Conan Doyle felt that «my literary energies should not be directed too much into one channel.»^[44] However, the reaction of the public surprised Doyle very much. Distressed readers wrote anguished letters to The Strand Magazine, which suffered a terrible blow when 20,000 people cancelled their subscriptions to the magazine in protest.^[45] Conan Doyle himself received many protest letters, and one lady even began her letter with «You brute».^[45] Legend has it that Londoners were so distraught upon hearing the news of Holmes’s death that they wore black armbands in mourning, though there is no known contemporary source for this; the earliest known reference to such events comes from 1949.^[46] However, the recorded public reaction to Holmes’s death was unlike anything previously seen for fictional events.^[7]

After resisting public pressure for eight years, Conan Doyle wrote The Hound of the Baskervilles (serialised in 1901–02, with an implicit setting before Holmes’s death). In 1903, Conan Doyle wrote «The Adventure of the Empty House»; set in 1894, Holmes reappears, explaining to a stunned Watson that he had faked his death to fool his enemies.^[47] Following «The Adventure of the Empty House», Conan Doyle would sporadically write new Holmes stories until 1927.
Holmes aficionados refer to the period from 1891 to 1894—between his disappearance and presumed death in «The Final Problem» and his reappearance in «The Adventure of the Empty House»—as the Great Hiatus.^[48] The earliest known use of this expression dates to 1946.^[49]

Retirement

In His Last Bow, the reader is told that Holmes has retired to a small farm on the Sussex Downs and taken up beekeeping as his primary occupation.^[50] The move is not dated precisely, but can be presumed to be no later than 1904 (since it is referred to retrospectively in «The Adventure of the Second Stain», first published that year).^[51] The story features Holmes and Watson coming out of retirement to aid the British war effort. Only one other adventure, «The Adventure of the Lion’s Mane», takes place during the detective’s retirement.^[52]

Personality and habits

Watson describes Holmes as «bohemian» in his habits and lifestyle.^[53] Said to have a «cat-like» love of personal cleanliness,^[54] at the same time Holmes is an eccentric with no regard for contemporary standards of tidiness or good order. Watson describes him as

in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. [He] keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece. … He had a horror of destroying documents…. Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner.^[55]

While Holmes can be dispassionate and cold, during an investigation he is animated and excitable. He has a flair for showmanship, often keeping his methods and evidence hidden until the last possible moment so as to impress observers.^[56] His companion condones the detective’s willingness to bend the truth (or break the law) on behalf of a client—lying to the police, concealing evidence or breaking into houses—when he feels it morally justifiable.^[57]

Except for that of Watson, Holmes avoids casual company. In «The Gloria Scott«, he tells the doctor that during two years at college he made only one friend: «I was never a very sociable fellow, Watson … I never mixed much with the men of my year».^[58] The detective goes without food at times of intense intellectual activity, believing that «the faculties become refined when you starve them.»^[59][60] At times Holmes relaxes with music, either playing the violin,^[61] or enjoying the works of composers such as Wagner^[62] and Pablo de Sarasate.^[63]

Drug use

Holmes occasionally uses addictive drugs, especially in the absence of stimulating cases.^[64] He sometimes used morphine and sometimes cocaine, the latter of which he injects in a seven-percent solution; both drugs were legal in 19th-century England.^[65][66][67] As a physician, Watson strongly disapproves of his friend’s cocaine habit, describing it as the detective’s only vice, and concerned about its effect on Holmes’s mental health and intellect.^[68][69] In «The Adventure of the Missing Three-Quarter», Watson says that although he has «weaned» Holmes from drugs, the detective remains an addict whose habit is «not dead, but merely sleeping».^[70]

Watson and Holmes both use tobacco, smoking cigarettes, cigars, and pipes. Although his chronicler does not consider Holmes’s smoking a vice per se, Watson—a physician—does criticise the detective for creating a «poisonous atmosphere» in their confined quarters.^[71][72]

Finances

Holmes is known to charge clients for his expenses and claim any reward offered for a problem’s solution, such as in «The Adventure of the Speckled Band», «The Red-Headed League», and «The Adventure of the Beryl Coronet». The detective states at one point that «My professional charges are upon a fixed scale. I do not vary them, save when I remit them altogether». In this context, a client is offering to double his fee, and it is implied that wealthy clients habitually pay Holmes more than his standard rate.^[73] In «The Adventure of the Priory School», Holmes earns a £6,000 fee^[74] (at a time where annual expenses for a rising young professional were in the area of £500).^[75] However, Watson notes that Holmes would refuse to help even the wealthy and powerful if their cases did not interest him.^[76]

Attitudes towards women

As Conan Doyle wrote to Joseph Bell, «Holmes is as inhuman as a Babbage’s Calculating Machine and just about as likely to fall in love».^[77] Holmes says of himself that he is «not a whole-souled admirer of womankind»,^[78] and that he finds «the motives of women … inscrutable. … How can you build on such quicksand? Their most trivial actions may mean volumes…»^[79] In The Sign of Four, he says, «Women are never to be entirely trusted—not the best of them», a feeling Watson notes as an «atrocious sentiment».^[80] In «The Adventure of the Lion’s Mane», Holmes writes, «Women have seldom been an attraction to me, for my brain has always governed my heart».^[81] At the end of The Sign of Four, Holmes states that «love is an emotional thing, and whatever is emotional is opposed to that true, cold reason which I place above all things. I should never marry myself, lest I bias my judgement.»^[82] Ultimately, Holmes claims outright that «I have never loved».^[83]

But while Watson says that the detective has an «aversion to women»,^[84] he also notes Holmes as having «a peculiarly ingratiating way with [them]».^[85] Watson notes that their housekeeper Mrs. Hudson is fond of Holmes because of his «remarkable gentleness and courtesy in his dealings with women. He disliked and distrusted the sex, but he was always a chivalrous opponent».^[86] However, in «The Adventure of Charles Augustus Milverton», the detective becomes engaged under false pretenses in order to obtain information about a case, abandoning the woman once he has the information he requires.^[87]

Irene Adler

Irene Adler is a retired American opera singer and actress who appears in «A Scandal in Bohemia». Although this is her only appearance, she is one of only a handful of people who best Holmes in a battle of wits, and the only woman. For this reason, Adler is the frequent subject of pastiche writing.^[88] The beginning of the story describes the high regard in which Holmes holds her:

To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. … And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.^[89]

Five years before the story’s events, Adler had a brief liaison with Crown Prince of Bohemia Wilhelm von Ormstein. As the story opens, the Prince is engaged to another. Fearful that the marriage would be called off if his fiancée’s family learns of this past impropriety, Ormstein hires Holmes to regain a photograph of Adler and himself. Adler slips away before Holmes can succeed. Her memory is kept alive by the photograph of Adler that Holmes received for his part in the case.^[90]

Knowledge and skills

Shortly after meeting Holmes in the first story, A Study in Scarlet (generally assumed to be 1881, though the exact date is not given), Watson assesses the detective’s abilities:

1. Knowledge of Literature – nil.
2. Knowledge of Philosophy – nil.
3. Knowledge of Astronomy – nil.
4. Knowledge of Politics – Feeble.
5. Knowledge of Botany – Variable. Well up in belladonna, opium, and poisons generally. Knows nothing of practical gardening.
6. Knowledge of Geology – Practical, but limited. Tells at a glance different soils from each other. After walks, has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them.
7. Knowledge of Chemistry – Profound.
8. Knowledge of Anatomy – Accurate, but unsystematic.
9. Knowledge of Sensational Literature – Immense. He appears to know every detail of every horror perpetrated in the century.
10. Plays the violin well.
11. Is an expert singlestick player, boxer, and swordsman.
12. Has a good practical knowledge of British law.^[91]

In A Study in Scarlet, Holmes claims to be unaware that the earth revolves around the sun since such information is irrelevant to his work; after hearing that fact from Watson, he says he will immediately try to forget it. The detective believes that the mind has a finite capacity for information storage, and learning useless things reduces one’s ability to learn useful things.^[92] The later stories move away from this notion: in The Valley of Fear, he says, «All knowledge comes useful to the detective»,^[93] and in «The Adventure of the Lion’s Mane», the detective calls himself «an omnivorous reader with a strangely retentive memory for trifles».^[94] Looking back on the development of the character in 1912, Conan Doyle wrote that «In the first one, the Study in Scarlet, [Holmes] was a mere calculating machine, but I had to make him more of an educated human being as I went on with him.»^[95]

Despite Holmes’s supposed ignorance of politics, in «A Scandal in Bohemia» he immediately recognises the true identity of the disguised «Count von Kramm».^[36] At the end of A Study in Scarlet, Holmes demonstrates a knowledge of Latin.^[96] The detective cites Hafez,^[97] Goethe,^[98] as well as a letter from Gustave Flaubert to George Sand in the original French.^[99] In The Hound of the Baskervilles, the detective recognises works by Godfrey Kneller and Joshua Reynolds: «Watson won’t allow that I know anything of art, but that is mere jealousy since our views upon the subject differ».^[100] In «The Adventure of the Bruce-Partington Plans», Watson says that «Holmes lost himself in a monograph which he had undertaken upon the Polyphonic Motets of Lassus», considered «the last word» on the subject—which must have been the result of an intensive and very specialized musicological study which could have had no possible application to the solution of criminal mysteries.^[101][102]

Holmes is a cryptanalyst, telling Watson that «I am fairly familiar with all forms of secret writing, and am myself the author of a trifling monograph upon the subject, in which I analyse one hundred and sixty separate ciphers».^[103] Holmes also demonstrates a knowledge of psychology in «A Scandal in Bohemia», luring Irene Adler into betraying where she hid a photograph based on the premise that a woman will rush to save her most valued possession from a fire.^[104] Another example is in «The Adventure of the Blue Carbuncle», where Holmes obtains information from a salesman with a wager: «When you see a man with whiskers of that cut and the ‘Pink ‘un’ protruding out of his pocket, you can always draw him by a bet …. I daresay that if I had put 100 pounds down in front of him, that man would not have given me such complete information as was drawn from him by the idea that he was doing me on a wager».^[105]

Maria Konnikova points out in an interview with D. J. Grothe that Holmes practises what is now called mindfulness, concentrating on one thing at a time, and almost never «multitasks». She adds that in this he predates the science showing how helpful this is to the brain.^[106]

Holmesian deduction

Holmes observes the dress and attitude of his clients and suspects, noting skin marks (such as tattoos), contamination (such as ink stains or clay on boots), emotional state, and physical condition in order to deduce their origins and recent history. The style and state of wear of a person’s clothes and personal items are also commonly relied on; in the stories Holmes is seen applying his method to items such as walking sticks,^[107] pipes,^[108] and hats.^[109] For example, in «A Scandal in Bohemia», Holmes infers that Watson had got wet lately and had «a most clumsy and careless servant girl». When Watson asks how Holmes knows this, the detective answers:

It is simplicity itself … my eyes tell me that on the inside of your left shoe, just where the firelight strikes it, the leather is scored by six almost parallel cuts. Obviously they have been caused by someone who has very carelessly scraped round the edges of the sole in order to remove crusted mud from it. Hence, you see, my double deduction that you had been out in vile weather, and that you had a particularly malignant boot-slitting specimen of the London slavey.^[110]

In the first Holmes story, A Study in Scarlet, Dr. Watson compares Holmes to C. Auguste Dupin, Edgar Allan Poe’s fictional detective, who employed a similar methodology. Alluding to an episode in «The Murders in the Rue Morgue», where Dupin determines what his friend is thinking despite their having walked together in silence for a quarter of an hour, Holmes remarks: «That trick of his breaking in on his friend’s thoughts with an apropos remark… is really very showy and superficial».^[111] Nevertheless, Holmes later performs the same ‘trick’ on Watson in «The Cardboard Box»^[112] and «The Adventure of the Dancing Men».^[113]

Though the stories always refer to Holmes’s intellectual detection method as «deduction», he primarily relies on abduction: inferring an explanation for observed details.^{[114][115][116]} «From a drop of water», he writes, «a logician could infer the possibility of an Atlantic or a Niagara without having seen or heard of one or the other».^[117] However, Holmes does employ deductive reasoning as well. The detective’s guiding principle, as he says in The Sign of Four, is: «When you have eliminated the impossible, whatever remains, however improbable, must be the truth.»^[118]

Despite Holmes’s remarkable reasoning abilities, Conan Doyle still paints him as fallible in this regard (this being a central theme of «The Yellow Face»).^[119]

Forensic science

Though Holmes is famed for his reasoning capabilities, his investigative technique relies heavily on the acquisition of hard evidence. Many of the techniques he employs in the stories were at the time in their infancy.^[120][121]

The detective is particularly skilled in the analysis of trace evidence and other physical evidence, including latent prints (such as footprints, hoof prints, and shoe and tire impressions) to identify actions at a crime scene;^[122] using tobacco ashes and cigarette butts to identify criminals;^[123] handwriting analysis and graphology;^[124] comparing typewritten letters to expose a fraud;^[125] using gunpowder residue to expose two murderers;^[126] and analyzing small pieces of human remains to expose two murders.^[127]

Because of the small scale of much of his evidence, the detective often uses a magnifying glass at the scene and an optical microscope at his Baker Street lodgings. He uses analytical chemistry for blood residue analysis and toxicology to detect poisons; Holmes’s home chemistry laboratory is mentioned in «The Naval Treaty».^[128] Ballistics feature in «The Adventure of the Empty House» when spent bullets are recovered to be matched with a suspected murder weapon, a practice which became regular police procedure only some fifteen years after the story was published.^[129]

Laura J. Snyder has examined Holmes’s methods in the context of mid- to late-19th-century criminology, demonstrating that, while sometimes in advance of what official investigative departments were formally using at the time, they were based upon existing methods and techniques. For example, fingerprints were proposed to be distinct in Conan Doyle’s day, and while Holmes used a thumbprint to solve a crime in «The Adventure of the Norwood Builder» (generally held to be set in 1895), the story was published in 1903, two years after Scotland Yard’s fingerprint bureau opened.^[121][130] Though the effect of the Holmes stories on the development of forensic science has thus often been overstated, Holmes inspired future generations of forensic scientists to think scientifically and analytically.^[131]

Disguises

Holmes displays a strong aptitude for acting and disguise. In several stories («The Sign of Four», «The Adventure of Charles Augustus Milverton», «The Man with the Twisted Lip», «The Adventure of the Empty House» and «A Scandal in Bohemia»), to gather evidence undercover he uses disguises so convincing that Watson fails to recognise him. In others («The Adventure of the Dying Detective» and «A Scandal in Bohemia»), Holmes feigns injury or illness to incriminate the guilty. In the latter story, Watson says, «The stage lost a fine actor … when [Holmes] became a specialist in crime».^[132]

Guy Mankowski has said of Holmes that his ability to change his appearance to blend into any situation «helped him personify the idea of the English eccentric chameleon, in a way that prefigured the likes of David Bowie.»^[133]

Agents

Until Watson’s arrival at Baker Street, Holmes largely worked alone, only occasionally employing agents from the city’s underclass. These agents included a variety of informants, such as Langdale Pike, a «human book of reference upon all matters of social scandal»,^[134] and Shinwell Johnson, who acted as Holmes’s «agent in the huge criminal underworld of London».^[135] The best known of Holmes’s agents are a group of street children he called «the Baker Street Irregulars».^[136][137]

Combat

Pistols

Holmes and Watson often carry pistols with them to confront criminals—in Watson’s case, his old service weapon (probably a Mark III Adams revolver, issued to British troops during the 1870s).^[138] Holmes and Watson shoot the eponymous hound in The Hound of the Baskervilles,^[139] and in «The Adventure of the Empty House» Watson pistol-whips Colonel Sebastian Moran.^[140] In «The Problem of Thor Bridge», Holmes uses Watson’s revolver to solve the case through an experiment.

Other weapons

As a gentleman, Holmes often carries a stick or cane. He is described by Watson as an expert at singlestick,^[91] and uses his cane twice as a weapon.^[141] In A Study in Scarlet, Watson describes Holmes as an expert swordsman,^[91] and in «The Gloria Scott» the detective says he practised fencing while at university.^[58] In several stories («A Case of Identity», «The Red-Headed League», «The Adventure of the Six Napoleons») Holmes wields a riding crop, described in the latter story as his «favourite weapon».^[142]

Personal combat

The detective is described (or demonstrated) as possessing above-average physical strength. In «The Yellow Face», Holmes’s chronicler says, «Few men were capable of greater muscular effort.»^[143] In «The Adventure of the Speckled Band», Dr. Roylott demonstrates his strength by bending a fire poker in half. Watson describes Holmes as laughing, «‘if he had remained I might have shown him that my grip was not much more feeble than his own.’ As he spoke he picked up the steel poker and, with a sudden effort, straightened it out again.»^[144]

Holmes is an adept bare-knuckle fighter; «The «Gloria Scott» mentions that Holmes boxed while at university.^[58] In «The Sign of Four», he introduces himself to McMurdo, a prize fighter, as «the amateur who fought three rounds with you at Alison’s rooms on the night of your benefit four years back.» McMurdo remembers: «Ah, you’re one that has wasted your gifts, you have! You might have aimed high if you had joined the fancy.»^[145] In «The Yellow Face», Watson says: «He was undoubtedly one of the finest boxers of his weight that I have ever seen».^[146] In «The Solitary Cyclist» Holmes visits a country pub to make enquiries regarding a certain Mr Woodley which resulted in violence. Mr Woodley, Holmes tells Watson,^[147]

Had been drinking his beer in the tap-room, and had heard the whole conversation. Who was I? What did I want? What did I mean by asking questions? He had a fine flow of language, and his adjectives were very vigorous. He ended a string of abuse by a vicious backhander, which I failed to entirely avoid. The next few minutes were delicious. It was a straight left against a slogging ruffian. I emerged as you see me. Mr. Woodley went home in a cart.^[147]

Another character subsequently refers to Mr Woodley as looking «much disfigured» as a result of his encounter with Holmes.^[148]

In «The Adventure of the Empty House», Holmes tells Watson that he used a Japanese martial art known as baritsu to fling Moriarty to his death in the Reichenbach Falls.^[149] «Baritsu» is Conan Doyle’s version of bartitsu, which combines jujitsu with boxing and cane fencing.^[150]

Reception

Popularity

The first two Sherlock Holmes stories, the novels A Study in Scarlet (1887) and The Sign of the Four (1890), were moderately well received, but Holmes first became very popular early in 1891 when the first six short stories featuring the character were published in The Strand Magazine. Holmes became widely known in Britain and America.^[1] The character was so well known that in 1893 when Arthur Conan Doyle killed Holmes in the short story «The Final Problem», the strongly negative response from readers was unlike any previous public reaction to a fictional event. The Strand reportedly lost more than 20,000 subscribers as a result of Holmes’s death. Public pressure eventually contributed to Conan Doyle writing another Holmes story in 1901 and resurrecting the character in a story published in 1903.^[7] In Japan, Sherlock Holmes (and Alice from Alice’s Adventures in Wonderland) became immensely popular in the country in the 1890s as it was opening up to the West, and they are cited as two British fictional Victorians who left an enormous creative and cultural legacy there.^[151]

Many fans of Sherlock Holmes have written letters to Holmes’s address, 221B Baker Street. Though the address 221B Baker Street did not exist when the stories were first published, letters began arriving to the large Abbey National building which first encompassed that address almost as soon as it was built in 1932. Fans continue to send letters to Sherlock Holmes;^[152] these letters are now delivered to the Sherlock Holmes Museum.^[153] Some of the people who have sent letters to 221B Baker Street believe Holmes is real.^[4] Members of the general public have also believed Holmes actually existed. In a 2008 survey of British teenagers, 58 percent of respondents believed that Sherlock Holmes was a real individual.^[5]

The Sherlock Holmes stories continue to be widely read.^[1] Holmes’s continuing popularity has led to many reimaginings of the character in adaptations.^[7] Guinness World Records, which awarded Sherlock Holmes the title for «most portrayed literary human character in film & TV» in 2012, released a statement saying that the title «reflects his enduring appeal and demonstrates that his detective talents are as compelling today as they were 125 years ago.»^[3]

Honours

The London Metropolitan Railway named one of its twenty electric locomotives deployed in the 1920s for Sherlock Holmes. He was the only fictional character so honoured, along with eminent Britons such as Lord Byron, Benjamin Disraeli, and Florence Nightingale.^[154]

A number of London streets are associated with Holmes. York Mews South, off Crawford Street, was renamed Sherlock Mews, and Watson’s Mews is near Crawford Place.^[155] The Sherlock Holmes is a public house in Northumberland Street in London which contains a large collection of memorabilia related to Holmes, the original collection having been put together for display in Baker Street during the Festival of Britain in 1951.^[156][157]

In 2002, the Royal Society of Chemistry bestowed an honorary fellowship on Holmes for his use of forensic science and analytical chemistry in popular literature, making him (as of 2019) the only fictional character thus honoured.^[158] Holmes has been commemorated numerous times on a UK postage stamp issued by the Royal Mail, most recently in their August 2020 series to celebrate the Sherlock television series.^[159]

There are multiple statues of Sherlock Holmes around the world. The first, sculpted by John Doubleday, was unveiled in Meiringen, Switzerland, in September 1988. The second was unveiled in October 1988 in Karuizawa, Japan, and was sculpted by Yoshinori Satoh. The third was installed in Edinburgh, Scotland, in 1989, and was sculpted by Gerald Laing.^[160] In 1999, a statue of Sherlock Holmes in London, also by John Doubleday, was unveiled near the fictional detective’s address, 221B Baker Street.^[161] In 2001, a sculpture of Holmes and Arthur Conan Doyle by Irena Sedlecká was unveiled in a statue collection in Warwickshire, England.^[162] A sculpture depicting both Holmes and Watson was unveiled in 2007 in Moscow, Russia, based partially on Sidney Paget’s illustrations and partially on the actors in The Adventures of Sherlock Holmes and Dr. Watson.^[163] In 2015, a sculpture of Holmes by Jane DeDecker was installed in the police headquarters of Edmond, Oklahoma, United States.^[164] In 2019, a statue of Holmes was unveiled in Chester, Illinois, United States, as part of a series of statues honouring cartoonist E. C. Segar and his characters. The statue is titled «Sherlock & Segar», and the face of the statue was modelled on Segar.^[165]

Societies

In 1934, the Sherlock Holmes Society (in London) and the Baker Street Irregulars (in New York) were founded. The latter is still active. The Sherlock Holmes Society was dissolved later in the 1930s, but was succeeded by a society with a slightly different name, the Sherlock Holmes Society of London, which was founded in 1951 and remains active.^[166][167] These societies were followed by many more, first in the U.S. (where they are known as «scion societies»—offshoots—of the Baker Street Irregulars) and then in England and Denmark. There are at least 250 societies worldwide, including Australia, Canada (such as The Bootmakers of Toronto), India, and Japan.^[168] Fans tend to be called «Holmesians» in the U.K. and «Sherlockians» in the U.S.,^{[169][170][171]} though recently «Sherlockian» has also come to refer to fans of the Benedict Cumberbatch-led BBC series regardless of location.^[172]

Legacy

The detective story

Although Holmes is not the original fictional detective, his name has become synonymous with the role. Doyle’s Sherlock Holmes stories introduced multiple literary devices that have become major conventions in detective fiction, such as the companion character who is not as clever as the detective and has solutions explained to him (thus informing the reader as well), as with Dr. Watson in the Holmes stories. Other conventions introduced by Doyle include the arch-criminal who is too clever for the official police to defeat, like Holmes’s adversary Professor Moriarty, and the use of forensic science to solve cases.^[1]

The Sherlock Holmes stories established crime fiction as a respectable genre popular with readers of all backgrounds, and Doyle’s success inspired many contemporary detective stories.^[173] Holmes influenced the creation of other «eccentric gentleman detective» characters, like Agatha Christie’s fictional detective Hercule Poirot, introduced in 1920.^[174] Holmes also inspired a number of anti-hero characters «almost as an antidote to the masterful detective», such as the gentleman thief characters A. J. Raffles (created by E. W. Hornung in 1898) and Arsène Lupin (created by Maurice Leblanc in 1905).^[173]

«Elementary, my dear Watson»

The phrase «Elementary, my dear Watson» has become one of the most quoted and iconic aspects of the character. However, although Holmes often observes that his conclusions are «elementary», and occasionally calls Watson «my dear Watson», the phrase «Elementary, my dear Watson» is never uttered in any of the sixty stories by Conan Doyle.^[175] One of the nearest approximations of the phrase appears in «The Adventure of the Crooked Man» (1893) when Holmes explains a deduction: «‘Excellent!’ I cried. ‘Elementary,’ said he.»^[176][177]

William Gillette is widely considered to have originated the phrase with the formulation, «Oh, this is elementary, my dear fellow», allegedly in his 1899 play Sherlock Holmes. However, the script was revised numerous times over the course of some three decades of revivals and publications, and the phrase is present in some versions of the script, but not others.^[175]

The exact phrase, as well as close variants, can be seen in newspaper and journal articles as early as 1909;^[175] there is some indication that it was clichéd even then.^[178][179] «Elementary, my dear Watson, elementary» appears in P. G. Wodehouse’s novel Psmith, Journalist (serialised 1909–10).^[180] The phrase became familiar with the American public in part due to its use in The Rathbone-Bruce series of films from 1939 to 1946.^[181]

The Great Game

Conan Doyle’s 56 short stories and four novels are known as the «canon» by Holmes aficionados. The Great Game (also known as the Holmesian Game, the Sherlockian Game, or simply the Game, also the Higher Criticism) applies the methods of literary and especially Biblical criticism to the canon, operating on the pretense that Holmes and Watson were real people and that Conan Doyle was not the author of the stories but Watson’s literary agent. From this basis, it attempts to resolve or explain away contradictions in the canon—such as the location of Watson’s war wound, described as being in his shoulder in A Study in Scarlet and in his leg in The Sign of Four—and clarify details about Holmes, Watson and their world, such as the exact dates of events in the stories, combining historical research with references from the stories to construct scholarly analyses.^{[182][183][184]}

For example, one detail analyzed in the Game is Holmes’s birth date. The chronology of the stories is notoriously difficult, with many stories lacking dates and many others containing contradictory ones. Christopher Morley and William Baring-Gould contend that the detective was born on 6 January 1854, the year being derived from the statement in «His Last Bow» that he was 60 years of age in 1914, while the precise day is derived from broader, non-canonical speculation.^[185] This is the date the Baker Street Irregulars work from, with their annual dinner being held each January.^[186][187] Laurie R. King instead argues that details in «The Gloria Scott» (a story with no precise internal date) indicate that Holmes finished his second (and final) year of university in 1880 or 1885. If he began university at age 17, his birth year could be as late as 1868.^[188]

Museums and special collections

For the 1951 Festival of Britain, Holmes’s living room was reconstructed as part of a Sherlock Holmes exhibition, with a collection of original material. After the festival, items were transferred to The Sherlock Holmes (a London pub) and the Conan Doyle collection housed in Lucens, Switzerland by the author’s son, Adrian. Both exhibitions, each with a Baker Street sitting-room reconstruction, are open to the public.^[189]

In 1969, the Toronto Reference Library began a collection of materials related to Conan Doyle. Stored today in Room 221B, this vast collection is accessible to the public.^[190][191] Similarly, in 1974 the University of Minnesota founded a collection that is now «the world’s largest gathering of material related to Sherlock Holmes and his creator». Access is closed to the general public, but is occasionally open to tours.^[192][193]

In 1990, the Sherlock Holmes Museum opened on Baker Street in London, followed the next year by a museum in Meiringen (near the Reichenbach Falls) dedicated to the detective.^[189] A private Conan Doyle collection is a permanent exhibit at the Portsmouth City Museum, where the author lived and worked as a physician.^[194]

Postcolonial criticism

The Sherlock Holmes stories have been scrutinized by a few academics for themes of empire and colonialism.

Susan Cannon Harris claims that themes of contagion and containment are common in the Holmes series, including the metaphors of Eastern foreigners as the root cause of «infection» within and around Europe.^[195] Lauren Raheja, writing in the Marxist journal Nature, Society, and Thought, claims that Doyle used these characteristics to paint eastern colonies in a negative light, through their continually being the source of threats. For example, in one story Doyle makes mention of the Sumatran cannibals (also known as Batak) who throw poisonous darts, in «The Adventure of the Devil’s Foot» a character employs a deadly West African poison, and in «The Speckled Band» a «long residence in the tropics» was a negative influence on one antagonist’s bad temper.^[196] Yumna Siddiqi argues that Doyle depicted returned colonials as «marginal, physically ravaged characters that threaten the peace,» while putting non-colonials in a much more positive light.^[197]

Adaptations and derived works

The popularity of Sherlock Holmes has meant that many writers other than Arthur Conan Doyle have created tales of the detective in a wide variety of different media, with varying degrees of fidelity to the original characters, stories, and setting. The first known period pastiche dates from 1891. Titled «The Late Sherlock Holmes», it was written by Conan Doyle’s close friend, J. M. Barrie.^[198]

Adaptations have seen the character taken in radically different directions or placed in different times or even universes. For example, Holmes falls in love and marries in Laurie R. King’s Mary Russell series, is re-animated after his death to fight future crime in the animated series Sherlock Holmes in the 22nd Century, and is meshed with the setting of H. P. Lovecraft’s Cthulhu Mythos in Neil Gaiman’s «A Study in Emerald» (which won the 2004 Hugo Award for Best Short Story). An especially influential pastiche was Nicholas Meyer’s The Seven-Per-Cent Solution, a 1974 New York Times bestselling novel (made into the 1976 film of the same name) in which Holmes’s cocaine addiction has progressed to the point of endangering his career. It served to popularize the trend of incorporating clearly identified and contemporaneous historical figures (such as Oscar Wilde, Aleister Crowley, Sigmund Freud, or Jack the Ripper) into Holmesian pastiches, something Conan Doyle himself never did.^{[199][200][201]} Another common pastiche approach is to create a new story fully detailing an otherwise-passing canonical reference (such as an aside by Conan Doyle mentioning the «giant rat of Sumatra, a story for which the world is not yet prepared» in «The Adventure of the Sussex Vampire»).^[202]

Related and derivative writings

In addition to the Holmes canon, Conan Doyle’s 1898 «The Lost Special» features an unnamed «amateur reasoner» intended to be identified as Holmes by his readers. The author’s explanation of a baffling disappearance argued in Holmesian style poked fun at his own creation. Similar Conan Doyle short stories are «The Field Bazaar», «The Man with the Watches», and 1924’s «How Watson Learned the Trick», a parody of the Watson–Holmes breakfast-table scenes. The author wrote other material featuring Holmes, especially plays: 1899’s Sherlock Holmes (with William Gillette), 1910’s The Speckled Band, and 1921’s The Crown Diamond (the basis for «The Adventure of the Mazarin Stone»).^[203] These non-canonical works have been collected in several works released since Conan Doyle’s death.^[204]

In terms of writers other than Conan Doyle, authors as diverse as Anthony Burgess, Neil Gaiman, Dorothy B. Hughes, Stephen King, Tanith Lee, A. A. Milne, and P. G. Wodehouse have all written Sherlock Holmes pastiches. Contemporary with Conan Doyle, Maurice Leblanc directly featured Holmes in his popular series about the gentleman thief, Arsène Lupin, though legal objections from Conan Doyle forced Leblanc to modify the name to «Herlock Sholmes» in reprints and later stories.^[205] Famed American mystery writer John Dickson Carr collaborated with Arthur Conan Doyle’s son, Adrian Conan Doyle, on The Exploits of Sherlock Holmes, a pastiche collection from 1954.^[206] In 2011, Anthony Horowitz published a Sherlock Holmes novel, The House of Silk, presented as a continuation of Conan Doyle’s work and with the approval of the Conan Doyle estate;^[207] a follow-up, Moriarty, appeared in 2014.^[208] The «MX Book of New Sherlock Holmes Stories» series of pastiches, edited by David Marcum and published by MX Publishing, has reached thirty volumes and features hundreds of stories echoing the original canon which were compiled for the restoration of Undershaw and the support of Stepping Stones School, now housed in it.^[209][210]

Some authors have written tales centred on characters from the canon other than Holmes. Anthologies edited by Michael Kurland and George Mann are entirely devoted to stories told from the perspective of characters other than Holmes and Watson. John Gardner, Michael Kurland, and Kim Newman, amongst many others, have all written tales in which Holmes’s nemesis Professor Moriarty is the main character. Mycroft Holmes has been the subject of several efforts: Enter the Lion by Michael P. Hodel and Sean M. Wright (1979),^[211] a four-book series by Quinn Fawcett,^[212] and 2015’s Mycroft Holmes, by Kareem Abdul-Jabbar and Anna Waterhouse.^[213] M. J. Trow has written a series of seventeen books using Inspector Lestrade as the central character, beginning with The Adventures of Inspector Lestrade in 1985.^[214] Carole Nelson Douglas’ Irene Adler series is based on «the woman» from «A Scandal in Bohemia», with the first book (1990’s Good Night, Mr. Holmes) retelling that story from Adler’s point of view.^[215] Martin Davies has written three novels where Baker Street housekeeper Mrs. Hudson is the protagonist.^[216]

In 1980’s The Name of the Rose, Italian author Umberto Eco creates a Sherlock Holmes of the 1320s in the form of a Franciscan friar and main protagonist named Brother William of Baskerville, his name a clear reference to Holmes per The Hound of the Baskervilles.^[217] Brother William investigates a series of murders in the abbey alongside his novice Adso of Melk, who acts as his Dr. Watson. Furthermore, Umberto Eco’s description of Brother William bears marked similarities in both physique and personality to Sir Arthur Conan Doyle’s description of Sherlock Holmes in A Study in Scarlet.^[218]

Laurie R. King recreated Holmes in her Mary Russell series (beginning with 1994’s The Beekeeper’s Apprentice), set during the First World War and the 1920s. Her Holmes, semi-retired in Sussex, is stumbled upon by a teenaged American girl. Recognising a kindred spirit, he trains her as his apprentice and subsequently marries her. As of 2021, the series includes seventeen base novels and additional writings.^[219]

The Final Solution, a 2004 novella by Michael Chabon, concerns an unnamed but long-retired detective interested in beekeeping who tackles the case of a missing parrot belonging to a Jewish refugee boy.^[220] Mitch Cullin’s novel A Slight Trick of the Mind (2005) takes place two years after the end of the Second World War, and explores an old and frail Sherlock Holmes (now 93) as he comes to terms with a life spent in emotionless logic;^[221] this was also adapted into a film, 2015’s Mr. Holmes.^[222]

There have been many scholarly works dealing with Sherlock Holmes, some working within the bounds of the Great Game, and some written from the perspective that Holmes is a fictional character. In particular, there have been three major annotated editions of the complete series. The first was William Baring-Gould’s 1967 The Annotated Sherlock Holmes. This two-volume set was ordered to fit Baring-Gould’s preferred chronology, and was written from a Great Game perspective. The second was 1993’s The Oxford Sherlock Holmes (general editor: Owen Dudley Edwards), a nine-volume set written in a straight scholarly manner. The most recent is Leslie Klinger’s The New Annotated Sherlock Holmes (2004–05), a three-volume set that returns to a Great Game perspective.^[223][224]

Adaptations in other media

In 2012, Guinness World Records listed Holmes as the most portrayed literary human character in film and television history, with more than 75 actors playing the part in over 250 productions.^[3]

The 1899 play Sherlock Holmes, by Conan Doyle and William Gillette, was a synthesis of several Conan Doyle stories. In addition to its popularity, the play is significant because it, rather than the original stories, introduced one of the key visual qualities commonly associated with Holmes today: his calabash pipe;^[225] the play also formed the basis for Gillette’s 1916 film, Sherlock Holmes. Gillette performed as Holmes some 1,300 times. In the early 1900s, H. A. Saintsbury took over the role from Gillette for a tour of the play. Between this play and Conan Doyle’s own stage adaptation of «The Adventure of the Speckled Band», Saintsbury portrayed Holmes over 1,000 times.^[226]

Holmes’s first screen appearance was in the 1900 Mutoscope film, Sherlock Holmes Baffled.^[227] From 1921 to 1923, Eille Norwood played Holmes in forty-seven silent films (45 shorts and two features), in a series of performances that Conan Doyle spoke highly of.^[2][228] 1929’s The Return of Sherlock Holmes was the first sound title to feature Holmes.^[229] From 1939 to 1946, Basil Rathbone played Holmes and Nigel Bruce played Watson in fourteen U.S. films (two for 20th Century Fox and a dozen for Universal Pictures) and in The New Adventures of Sherlock Holmes radio show. While the Fox films were period pieces, the Universal films abandoned Victorian Britain and moved to a then-contemporary setting in which Holmes occasionally battled Nazis.^[230]

The character has also enjoyed numerous radio adaptations, beginning with Edith Meiser’s The Adventures of Sherlock Holmes,^[231] which ran from 1930 to 1936. Basil Rathbone and Nigel Bruce continued with their roles for most of the run of The New Adventures of Sherlock Holmes, airing from 1939 to 1950. Bert Coules, having dramatised the entire Holmes canon for BBC Radio Four from 1989 to 1998,^[232][233] penned The Further Adventures of Sherlock Holmes between 2002 and 2010. This pastiche series also aired on Radio Four, and starred Clive Merrison as Holmes and Michael Williams and then Andrew Sachs as Watson.^[232][234]

The 1984–85 Italian/Japanese anime series Sherlock Hound adapted the Holmes stories for children, with its characters being anthropomorphic dogs. The series was co-directed by Hayao Miyazaki.^[235] Between 1979 and 1986, the Soviet studio Lenfilm produced a series of five television films, The Adventures of Sherlock Holmes and Dr. Watson. The series were split into eleven episodes and starred Vasily Livanov as Holmes and Vitaly Solomin as Watson. For his performance, in 2006 Livanov was appointed an Honorary Member of the Order of the British Empire.^[236][237]

Jeremy Brett played the detective in Sherlock Holmes for Granada Television from 1984 to 1994. Watson was played by David Burke (in the first two series) and Edward Hardwicke (in the remainder). Brett and Hardwicke also appeared on stage in 1988–89 in The Secret of Sherlock Holmes, directed by Patrick Garland.^[238]

The 2009 film Sherlock Holmes earned Robert Downey Jr. a Golden Globe Award for his portrayal of Holmes and co-starred Jude Law as Watson.^[239] Downey and Law returned for a 2011 sequel, Sherlock Holmes: A Game of Shadows.

Benedict Cumberbatch plays a modern version of the detective and Martin Freeman as a modern version of John Watson in the BBC One TV series Sherlock, which premiered in 2010. In the series, created by Mark Gatiss and Steven Moffat, the stories’ original Victorian setting is replaced by present-day London, with Watson a veteran of the modern War in Afghanistan.^[240] Similarly, Elementary premiered on CBS in 2012, and ran for seven seasons, until 2019. Set in contemporary New York, the series featured Jonny Lee Miller as Sherlock Holmes and Lucy Liu as a female Dr. Joan Watson.^[241] With 24 episodes per season, by the end of season two, Miller became the actor who had portrayed Sherlock Holmes the most in television and/or film.^[242]

The 2015 film Mr. Holmes starred Ian McKellen as a retired Sherlock Holmes living in Sussex, in 1947, who grapples with an unsolved case involving a beautiful woman. The film is based on Mitch Cullin’s 2005 novel A Slight Trick of the Mind.^[243][244]

The 2018 television adaptation, Miss Sherlock, was a Japanese-language production, and the first adaptation with a woman (portrayed by Yūko Takeuchi) in the signature role. The episodes were based in modern-day Tokyo, with many references to Conan Doyle’s stories.^[245][246]

Holmes has also appeared in video games, including the Sherlock Holmes series of eight main titles. According to the publisher, Frogwares, the series has sold over seven million copies.^[247]

Copyright issues

The copyright for Conan Doyle’s works expired in the United Kingdom, Canada, and Australia at the end of 1980, fifty years after Conan Doyle’s death.^[248][249] In the United Kingdom it was revived in 1996 due to new provisions harmonising UK law with that of the European Union, and expired again at the end of 2000 (seventy years after Conan Doyle’s death).^[250] The author’s works are now in the public domain in those countries.^[251][252]

In the United States, all works published before 1923 entered public domain by 1998, but, as ten Holmes stories were published after that date, the Conan Doyle estate maintained that the Holmes and Watson characters as a whole were still under copyright.^[249][253] On 14 February 2013, Leslie S. Klinger (lawyer and editor of The New Annotated Sherlock Holmes) filed a declaratory judgement suit against the Conan Doyle estate asking the court to acknowledge that the characters of Holmes and Watson were public domain in the U.S. The court ruled in Klinger’s favour on 23 December, and the Seventh Circuit Court of Appeals affirmed its decision on 16 June 2014. The case was appealed to the U.S. Supreme Court, which declined to hear the case, letting the appeals court’s ruling stand. This resulted in the characters from the Holmes stories being in the public domain in the U.S. The stories still under copyright due to the ruling, as of that time, were those collected in The Case-Book of Sherlock Holmes other than «The Adventure of the Mazarin Stone» and «The Problem of Thor Bridge»: a total of ten stories.^{[252][254][255]}

In 2020, although the United States court ruling and the passage of time meant that most of the Holmes stories and characters were in the public domain in that country, the Doyle estate legally challenged the use of Sherlock Holmes in the film Enola Holmes in a complaint filed in the United States.^[256] The Doyle estate alleged that the film depicts Holmes with personality traits that were only exhibited by the character in the stories still under copyright.^[257][258] On 18 December 2020, the lawsuit was dismissed with prejudice by stipulation of all parties.^[259][260]

The remaining ten Holmes stories moved out of copyright between 1 January 2019 and 1 January 2023, leaving the stories and characters completely in the public domain in the United States as of the latter date.^{[261][262][263]}

Works

Novels

• A Study in Scarlet (published November 1887 in Beeton’s Christmas Annual)
• The Sign of the Four (published February 1890 in Lippincott’s Monthly Magazine)
• The Hound of the Baskervilles (serialised 1901–1902 in The Strand)
• The Valley of Fear (serialised 1914–1915 in The Strand)

Short story collections

The short stories, originally published in magazines, were later collected in five anthologies:

• The Adventures of Sherlock Holmes (stories published 1891–1892 in The Strand)
• The Memoirs of Sherlock Holmes (stories published 1892–1893 in The Strand)
• The Return of Sherlock Holmes (stories published 1903–1904 in The Strand)
• His Last Bow: Some Later Reminiscences of Sherlock Holmes (stories published 1908–1917)
• The Case-Book of Sherlock Holmes (stories published 1921–1927)

See also

• List of Holmesian studies
• Popular culture references to Sherlock Holmes
• Sherlock Holmes fandom

Notes

Sherlock Holmes story references

• Klinger, Leslie (ed.). The New Annotated Sherlock Holmes, Volume I (New York: W. W. Norton, 2005). ISBN 0-393-05916-2 («Klinger I»)
• Klinger, Leslie (ed.). The New Annotated Sherlock Holmes, Volume II (New York: W. W. Norton, 2005). ISBN 0-393-05916-2 («Klinger II»)
• Klinger, Leslie (ed.). The New Annotated Sherlock Holmes, Volume III (New York: W. W. Norton, 2006). ISBN 978-0393058000 («Klinger III»)

Citations

Further reading

External links

• The Sherlock Holmes Museum 221b Baker Street London NW1 6XE England.
• «Sherlock Holmes». 8 July 1930. at Internet Archive
• Sherlock Holmes plaques on openplaques.org
• Discovering Sherlock Holmes at Stanford University
• Chess and Sherlock Holmes essay by Edward Winter
• «The Burden of Holmes» – 23.12.09 article in The Wall Street Journal
• Sir Arthur Conan Doyle audio books by Lit2Go from the University of South Florida

Смотреть что такое ШЕРЛОК ХОЛМС в других словарях:

Толковый словарь русского языка. Поиск по слову, типу, синониму, антониму и описанию. Словарь ударений.

Найдено определений: 7

шерлок холмс

Значение словосочетания «шерлок холмс»

В Википедии есть статьи о других людях с фамилией Холмс.

В Википедии есть статьи о других людях с именем Шерлок.

Ше́рлок Холмс (англ. Sherlock Holmes [ ˈʃɜː(r)lɒk ˈhəʊmz] ^{слушать[1]}) — литературный персонаж, созданный Артуром Конаном Дойлом. Произведения Конана Дойла, посвящённые приключениям Шерлока Холмса, знаменитого лондонского «консультирующего» детектива, стали классикой детективного жанра. Прототипом Холмса считается доктор Джозеф Белл^[2], сослуживец Конана Дойла, работавший в Эдинбургском королевском госпитале и славившийся способностью по мельчайшим деталям определять характер, занятия и прошлое человека.

Шерлок Холмс, умный, благородный и справедливый борец со злом и защитник обиженных, стал всемирной культовой фигурой и персонажем фольклора. В разных странах существуют десятки посвящённых ему обществ, музеев и памятников, почитатели пишут ему письма, романисты сочиняют продолжения его приключений, а книга рекордов Гиннесса называет Холмса «самым экранизируемым литературным героем». Гилберт Честертон назвал Холмса «единственным литературным персонажем со времён Диккенса, который прочно вошёл в жизнь и язык народа, став чем-то вроде Джона Булля или Санта-Клауса»^[3].

Произведения Артура Конана Дойла

В общей сложности Шерлок Холмс появляется в 56 рассказах и 4 повестях Артура Конана Дойла. В большинстве случаев повествование ведётся от имени лучшего друга и спутника Холмса — доктора Ватсона.

повести

• «Этюд в багровых тонах»
• «Знак четырёх»
• «Собака Баскервилей»
• «Долина ужаса»

рассказы

Собраны в следующие сборники:

• «Приключения Шерлока Холмса»
• «Воспоминания Шерлока Холмса» («Записки о Шерлоке Холмсе»)
• «Возвращение Шерлока Холмса»
• «Его прощальный поклон»
• «Архив Шерлока Холмса»

Первое произведение о знаменитом детективе, повесть «Этюд в багровых тонах», опубликовано Артуром Конаном Дойлом в 1887 году. Последний сборник, «Архив Шерлока Холмса», вышел в свет в 1927 году.

Сам Конан Дойл считал рассказы о Холмсе «лёгким чтивом» и не разделял восторга читателей. Более того, его раздражало то, что читатели предпочитают произведения о Холмсе всем остальным творениям писателя, тогда как Конан Дойл считал себя, прежде всего, автором исторического романа. В конце концов, сэр Артур решил прекратить историю сыщика, устранив популярнейшего литературного персонажа в схватке с профессором Мориарти («крёстным отцом» английской мафии, как сказали бы сейчас) у Рейхенбахского водопада.

Однако поток писем возмущённых читателей, среди которых были члены королевской семьи (по легенде, сама королева Виктория), заставили писателя «оживить» знаменитого сыщика и продолжить описание его приключений.

Лучшие произведения

Когда к Конану Дойлу однажды обратились с просьбой перечислить лучшие рассказы о Холмсе, автор отобрал 12 произведений^[4]:

За ними следовали «Львиная грива» и «Знатный клиент». По другим данным, автор предпочитал «ту, которая о змее», но не помнил её названия (имеется в виду «Пёстрая лента»).

История создания персонажа

Во второй половине XIX века родился и достиг огромной популярности жанр детектива. Начало ему положил классический рассказ Эдгара По «Убийство на улице Морг» (1841), далее детективные сюжеты широко использовали Чарльз Диккенс, Эмиль Габорио, Уилки Коллинз и многие другие писатели. В многочисленных романах умелые и проницательные сыщики разоблачали хитроумных преступников, при этом образ сыщика был, как правило, довольно схематичен^[5].

Конан Дойл, в отличие от предшественников, решил создать яркий образ сыщика, благородного и справедливого, который вызывал бы не только уважение, но и симпатию читателей^[3]. Прототипом стал доктор Джозеф Белл, которым Дойл восхищался за сверхъестественное умение по мелким и малозаметным деталям сделать далеко идущие выводы о человеке^[6].

Первые наброски нового романа Дойл занёс в свой блокнот в 1886 году. Перебрав кучу вариантов, он решил дать сыщику распространённую в Англии фамилию Холмс и не очень распространённое имя Шеррингфорд (сначала был вариант «Шеррингтон»). В более поздних записях «Шеррингфорд» было заменено на ирландское имя «Шерлок». Историки нашли множество Шерлоков среди знакомых Дойла (хотя у них это было не имя, а фамилия), а также улицу Шерлок-стрит в пригороде Бирмингема, где Конан Дойл некоторое время работал. Верный друг сыщика первоначально носил вычурное имя Ормонд Сэкер, в окончательном варианте он стал прозаичным Джоном Ватсоном^[7]. Писатель поселил своих героев в центре Лондона, на улице Бейкер-стрит, 221-b (где номер с буквой обозначает квартиру на втором этаже дома 221 с отдельным входом); в действительности же дома с номером 221 на Бейкер-стрит до недавнего времени не существовало^[8].

Первую повесть о Холмсе («Этюд в багровых тонах») Дойл закончил в 1886 году, но долгое время ни один издатель не желал её напечатать, возможно, потому, что рынок был перенасыщен детективами. Только в 1887 году писателю удалось добиться публикации, но лишь ценой уступки авторских прав издательству (которое впоследствии получило огромную прибыль на монопольных переизданиях). Критики сдержанно похвалили молодого и малоизвестного тогда автора. В 1890 году, одновременно в Англии и США, была опубликована вторая повесть о Холмсе — «Знак четырёх», и она произвела сенсацию. Вскоре популярность Холмса достигла невиданных высот, читатели и журнал «Strand» требовали от Дойла всё новых и новых рассказов о приключениях благородного сыщика^[9]. Тираж «Strand» увеличился с двухсот до пятисот тысяч экземпляров в месяц, Конан Дойл был самым популярным автором журнала и получал невиданный гонорар — 50 фунтов за рассказ. Именно рассказы о Холмсе позволили Конану Дойлу в 1891 году оставить свою малоуспешную лондонскую практику врача-офтальмолога и всецело сосредоточиться на литературной деятельности. Попытка Дойла в 1893 году изобразить героическую гибель Холмса (рассказ «Последнее дело Холмса») и переключиться на более привлекавшие его исторические романы натолкнулась на столь мощное противодействие поклонников, что писателю пришлось воскресить своего героя^[10].

Биография

При описании Ватсоном первой встречи с Холмсом в повести «Этюд в багровых тонах» рассказчик мимоходом кратко и весьма неконкретно упоминает о возрасте Шерлока:

В этой высокой комнате на полках и где попало поблескивали бесчисленные бутыли и пузырьки. Всюду стояли низкие широкие столы, густо уставленные ретортами, пробирками и бунзеновскими горелками с трепещущими язычками синего пламени. Лаборатория пустовала, и лишь в дальнем углу, пригнувшись к столу, с чем-то сосредоточенно возился какой-то молодой человек. Услышав наши шаги, он оглянулся и вскочил с места.

Сам Артур Конан Дойл в своих произведениях никогда не сообщал о дате рождения Шерлока Холмса. Поклонниками творчества Конана Дойла предпринимались попытки установить более точную дату рождения литературного героя. В частности, высказывалось предположение о дате 6 января^[11][12]. Дата была рассчитана на основании сопоставления отрывочной информации из произведений Конана Дойла и астрологических изысканий. В пользу этой версии приводится тот аргумент, что в рассказах о Шерлоке Холмсе часто встречаются цитаты из Шекспира, но дважды была процитирована только пьеса «Двенадцатая ночь», а значит, сыщик родился 6 января — в двенадцатую ночь после Рождества. Также 7 января начинается действие повести «Долина ужаса». На первых страницах Холмс пребывает в дурном настроении, что можно объяснить похмельем после празднования дня рождения^[13].

В качестве года рождения большинство исследователей холмсианы сходятся на 1854 (по рассказу «Его прощальный поклон», действие которого происходит в 1914 году, а Холмсу около 60 лет)^{[14][15][16][17]}.

Хотя дата стопроцентно не подтверждается, именно 6 января 1854 года указано на официальном сайте Музея Шерлока Холмса в Лондоне^[18] в качестве дня рождения великого сыщика.

О предках Шерлока Холмса мало что известно. В рассказе «Случай с переводчиком» Холмс рассказывает:

Там же Холмс упоминает, что его бабушка была сестрой французского художника Верне. Вероятно, имеется в виду Орас Верне (1789—1863). В этом же произведении впервые появляется брат Шерлока Холмса, Майкрофт Холмс, который старше его на семь лет и занимает значимый пост в правительстве Великобритании, связанный с аналитической работой (конкретная должность Майкрофта не раскрывается). Также в «Подрядчике из Норвуда» упоминается молодой врач Вернер, дальний родственник Холмса, который купил докторскую практику Ватсона в Кенсингтоне. О других родственниках Холмса упоминаний нет. Бабушка — француженка, что говорит о частичном французском происхождении Холмса.

Ключевые даты жизни Шерлока Холмса:

• Первое дело (рассказ о нём называется «Глория Скотт») Шерлок Холмс раскрыл во время летних каникул в колледже (в котором учился 2 года), предположительно в 1875 году.
• В 1881 году Холмс знакомится с доктором Джоном Ватсоном (если принять датой рождения Холмса 1854 год, то на этот момент ему около 27 лет). Он, по всей видимости, не богат, так как ищет компаньона для совместного съёма квартиры. Тогда же они с Ватсоном переезжают на Бейкер-стрит, дом 221-б (221b Baker Street), где совместно снимают квартиру у миссис Хадсон. В рассказе «Глория Скотт» мы узнаём кое-что о прошлом Холмса, о том, что сподвигло его стать детективом: отец однокурсника Холмса был восхищён его дедуктивными способностями.
• В 1888 году Ватсон женится и съезжает с квартиры на Бейкер-стрит. Холмс продолжает снимать квартиру у миссис Хадсон уже один.
• В 1891 году разворачивается действие рассказа «Последнее дело Холмса». После схватки с профессором Мориарти Холмс пропадает без вести. Ватсон (и вместе с ним практически вся английская общественность) уверен в гибели Холмса.
• В период с 1891 по 1894 годы Холмс находился «в бегах». Выжив в единоборстве на краю водопада, пешком и без денег, он преодолел альпийские горы и добрался до Флоренции. Там Холмс связался с братом и получил от него денежные средства. Затем Холмс путешествовал два года по Тибету, где посетил Лхасу и провёл несколько дней у далай-ламы (возможно, Холмс опубликовал свои записки об этом путешествии под именем норвежца Сигерсона). Затем объехал всю Персию, он заглянул в Мекку (очевидно, используя актёрские навыки, так как, согласно законам ислама, посещение Мекки и Медины иноверцами исключается) и побывал с визитом у калифа в Хартуме (о чём представил отчёт министру иностранных дел Великобритании). Вернувшись в Европу, Холмс провёл несколько месяцев на юге Франции, в Монпелье, где занимался исследованиями веществ, получаемых из каменноугольной смолы.
• В 1894 году Холмс неожиданно объявляется в Лондоне. После ликвидации остатков преступной группы Мориарти Шерлок Холмс снова поселяется на Бейкер-стрит. Туда же переезжает овдовевший к тому времени доктор Ватсон.
• В 1904 году Холмс уходит от дел и уезжает из Лондона в юго-восточную Англию, в графство Суссекс, где занимается разведением пчёл. В коротком предисловии к сборнику «Его прощальный поклон» (1917), написанном от лица Ватсона, сообщается, что его небольшая ферма находилась в пяти милях от Истборна и что Холмсу даже после ухода от дел поступали предложения заняться расследованиями, которые тот отклонял (однако в рассказе «Львиная грива» Холмс всё же расследует происшествие уже после ухода на покой).
• К 1914 году относится последнее описанное дело Холмса (рассказ «Его прощальный поклон»). Холмсу здесь около 60 лет («Ему можно было дать лет шестьдесят»). О дальнейшей судьбе Шерлока Холмса Конан Дойл упоминает несколько раз. В том же предисловии говорится, что Холмс жив и здоров (хотя и страдает время от времени от приступов ревматизма), а из рассказа «Дьяволова нога» следует, что доктор Ватсон получил от Холмса телеграмму с предложением написать о «Корнуэлльском ужасе» в 1917 году. Следовательно, Первую мировую оба друга пережили благополучно, хотя и живут порознь. Далее в рассказе «Человек на четвереньках» Ватсон опять косвенно намекает на дату опубликования этого дела для широкой общественности и о судьбе Холмса:

Ватсон говорит «мы получили», подразумевая себя и Холмса; если действия героя рассказа, профессора Пресбери, волновали научные круги в 1903 году, и это было «лет двадцать назад», то можно сделать вывод, что и Холмс, и Ватсон были живы в 1923 году.

Личность

При первой встрече с Шерлоком Холмсом («Этюд в багровых тонах») доктор Ватсон описывает великого сыщика как высокого худого молодого человека:

В рассказе «Три студента» Холмс, рассказывая о себе, говорит: «Во мне шесть футов, и я, только поднявшись на цыпочки, увидел стол». Шесть футов — это 183 см.

Из рассказа «Загадка Торского моста» становится известен цвет глаз Холмса:

По образованию Шерлок Холмс, видимо, биохимик. На момент знакомства с Ватсоном работал лаборантом в одной из лондонских больниц — об этом говорится в начале «Этюда в багровых тонах». «Один малый, который работает в химической лаборатории при нашей больнице… По-моему, он отлично знает анатомию, и химик он первоклассный, но, кажется, медицину никогда не изучал систематически». Ни в одном из последующих произведений о работе Холмса в качестве фельдшера-лаборанта не упоминается. Равно, как и автор больше не говорит о какой бы то ни было иной, помимо частного сыска, работе своего главного героя.

Холмс — многогранная личность. Обладая разносторонними талантами, он посвятил свою жизнь карьере частного детектива. Расследуя дела, которыми снабжают его клиенты, он опирается не столько на букву закона, сколько на свои жизненные принципы, правила чести, которые в ряде случаев заменяют ему параграфы бюрократических норм. Неоднократно Холмс позволял людям, по его мнению, оправданно совершавшим преступление, избежать наказания. Холмс в принципе не меркантилен, его в первую очередь занимает работа. За свой труд по раскрытию преступлений Шерлок Холмс берёт справедливое вознаграждение, но если его очередной клиент беден, может взять плату символически или вообще отказаться от неё. Также Холмс часто жалуется Ватсону, что преступники перевелись, настоящих преступлений не осталось, и он (Холмс) должен сидеть без работы.

Холмс — житель викторианской Англии, лондонец, великолепно знающий свой город. Его можно считать домоседом, и он выезжает за пределы города (страны) только в случае крайней необходимости. Многие дела Холмс разгадывает, не выходя из гостиной миссис Хадсон, называя их «делами на одну трубку».

В быту Холмс имеет устойчивые привычки. Он неприхотлив и практически безразличен к удобствам, совершенно равнодушен к роскоши. Его нельзя назвать рассеянным, но он несколько равнодушен к порядку в комнате и аккуратности в обращении с вещами. Например, проводит рискованные химические эксперименты в своей квартире, нередко наполняя её удушливыми или зловонными парами, или тренируется в стрельбе, выбивает выстрелами вензель королевы Виктории на стене комнаты.

Холмс — убеждённый холостяк, ни разу, по его словам, не испытавший ни к кому романтических чувств. Неоднократно заявляет, что вообще не любит женщин, хотя неизменно вежлив с ними и готов помочь. Только один раз в жизни Холмс был не то чтобы влюблён, но проникся большим уважением к некой Ирэн Адлер, героине рассказа «Скандал в Богемии». Также в рассказе «Дьяволова нога» он заявляет, что если бы был женат и его любимая умерла бы мучительной смертью, то сам расправился бы с убийцей, не передавая его суду.

Холмс курит крепкий табак и в ряде рассказов предстаёт как одержимый и сильно зависимый от табака курильщик, более озабоченный получением дозы никотина, чем изысками в этой области. Иногда, особенно в случае высоких умственных нагрузок, Холмс курит, практически не останавливаясь:

…я вошёл в комнату и перепугался: не пожар ли у нас? — из-за того что через дым едва брезжил свет лампы…

Связь образа Шерлока Холмса с трубкой справедлива лишь отчасти. Трубочные табаки он, в первую очередь, ценил за крепость, невзирая на их дешевизну и грубость. То, что он курил сильно изогнутые трубки — позднейший миф, порождённый художниками-иллюстраторами^[20]. В ряде произведений (например, «Конец Чарльза Огастеса Милвертона», «Последнее дело Холмса», «Пустой дом», «Пенсне в золотой оправе») Холмс охотно курит сигары и папиросы.

В повести «Этюд в багровых тонах» доктор Ватсон заявляет, что Холмс не употребляет наркотики, но в «Знаке четырёх» мы видим его употребляющим кокаин внутривенно. Шерлок Холмс употреблял наркотики лишь при полном отсутствии интересных преступлений:

«Мой мозг бунтует против безделья. Дайте мне дело! Дайте мне сложнейшую проблему, неразрешимую задачу, запутаннейший случай — и я забуду про искусственные стимуляторы».

Причём к 1898 году (это как раз предполагаемое время действия «Ужаса над Лондоном» — рукописи из «Завещания Шерлока Холмса») Шерлок уже избавился от этой скверной привычки, о чём нам и поведал неутомимый доктор Ватсон в рассказе «Пропавший регбист».

Об отношениях Холмса с алкоголем сложно сказать что-то определённое, хотя строгим трезвенником он явно не является.

Про знаменитую шляпу охотника за оленями с двумя козырьками (англ. Deerstalker), которая теперь иногда называется «шляпа Шерлока Холмса», ничего не написано в текстах Конана Дойла, её придумал первый иллюстратор рассказов о Холмсе Сидни Пэджет, который сам во время загородного отдыха носил похожий головной убор. В то время такую шляпу носили только в сельской местности. В городе Холмс носит обычную шляпу с полями.

Холмс в принципе не тщеславен, и в большинстве случаев благодарность за раскрытое преступление его мало интересует:

— Как несправедливо распределился выигрыш! […] Всё в этом деле сделано вами. Но жену получил я. А слава вся достанется Джонсу. Что же остаётся вам?
— Мне? — сказал Холмс. — А мне — ампула с кокаином.

Хотя в ряде случаев Холмс выражает свою досаду по поводу такого положения вещей:

— Но ведь, наверное, нельзя терять ни секунды, — встревожился я. — Пойти позвать кэб?
— А я не уверен, поеду я или нет. Я же лентяй, каких свет не видел, то есть, конечно, когда на меня нападёт лень, а вообще-то могу быть и проворным.
— Вы же мечтали о таком случае!
— Дорогой мой, да что мне за смысл? Предположим, я распутаю это дело — ведь всё равно Грегсон, Лестрейд и компания прикарманят всю славу. Такова участь лица неофициального.

Однако он довольно ревностно относится к сравнению своего таланта сыщика с другими европейскими детективами.

— Считая вас вторым по величине европейским экспертом…
— Вот как, сэр! Разрешите полюбопытствовать, кто имеет честь быть первым? — довольно резким тоном спросил Холмс.
— Труды господина Бертильона внушают большое уважение людям с научным складом мышления.

Это двоякое отношение к признанию своего таланта отмечается и в случаях с официальными наградами: если в 1894 году Холмс принимает от президента Франции орден Почётного легиона («Пенсне в золотой оправе»), то в 1902 году он отказывается принять пожалованный ему дворянский титул («Три Гарридеба»).

Холмс предпочитает принимать клиентов у себя дома. В ряде рассказов можно видеть, что даже очень состоятельные клиенты, особы королевской крови («Скандал в Богемии») и сам премьер-министр Великобритании («Второе пятно») приходят лично к нему на приём. Холмс — театрал, любит обедать в ресторане «Симпсонс» (престижнейшее место Лондона). Отлично разбирается в опере и, видимо, знает итальянский язык:

— Ваш шифр несложен, сударыня. Вы нужны нам здесь. Я был уверен, что стоит мне подать знак Vieni (ит. «приходи») — и вы обязательно придёте.

Вероятно также, что Холмс на практическом уровне знаком и с другими европейскими языками:

Большое «G» с маленьким «t»—это сокращение «Gesellschaft», что по-немецки означает «компания». Это обычное сокращение, как наше «К°». «Р», конечно, означает «Papier», бумага. <…> А человек, написавший записку, немец. Вы замечаете странное построение фразы: «Такой отзыв о вас мы со всех сторон получали»? Француз или русский не мог бы так написать. Только немцы так бесцеремонно обращаются со своими глаголами.

Холмс пожал плечами:
— Пожалуй, я действительно приношу кое-какую пользу. «L’homme c’est rien — I’oeuvre c’est tout», как выразился Гюстав Флобер в письме к Жорж Санд.

Оружие и боевые искусства

• Револьвер. И у Холмса, и у Ватсона имеются личные револьверы; у Ватсона в ящике всегда лежал служебный револьвер, но говорится об этом лишь в 8 рассказах. Холмс явно хорошо стреляет, о чём говорит, в частности, знаменитый эпизод из рассказа «Обряд дома Месгрейвов», где Холмс выстреливал на стене монограмму королевы Виктории.
• Трость. Холмс, являясь почтенным джентльменом, почти всегда ходит с тростью. Описываемый Ватсоном как специалист в фехтовании, он дважды использует её как оружие. В рассказе «Пёстрая лента» он использует трость, чтобы отогнать ядовитую змею.
• Шпага. В повести «Этюд в багровых тонах» Ватсон описывает Холмса как человека, прекрасно владеющего шпагой, несмотря на то, что в рассказах он её никогда не использовал. Впрочем, шпага упоминается в рассказе «Глория Скотт», где Холмс упражняется в фехтовании.
• Хлыст. В некоторых рассказах Холмс появляется вооружённый хлыстом. В рассказе «Шесть Наполеонов» хлыст даже назван любимым оружием Холмса и упомянуто, что хлыст был дополнительно утяжелён при помощи свинца, налитого в рукоять. Чуть позже в этом же рассказе Холмс разбивает хлыстом последний бюст Наполеона. Также с помощью хлыста он выхватывает пистолет из рук Джона Клэя в «Союзе рыжих» — приём, требующий виртуозного владения хлыстом. Кроме того, в рассказе «Установление личности» Холмс намеревался задать взбучку мошеннику с помощью хлыста, висевшего на стене гостиной.
• Рукопашный бой. Ватсон описывает Холмса как хорошего боксёра. В «Знаке Четырёх» указывается, что Холмс являлся боксёром и выступал на соревнованиях:

— Да нет же, Мак-Мурдо, знаете! — вдруг добродушно проговорил Шерлок Холмс. — Я не думаю, чтобы вы забыли меня. Помните любителя-боксёра, с которым вы провели три раунда на ринге Алисона в день вашего бенефиса четыре года назад?
<…>
— Уж не мистера ли Шерлока Холмса я вижу?! — воскликнул боксёр. — А ведь он самый и есть! Как это я сразу вас не узнал? Вы не стояли бы здесь таким тихоней, а нанесли бы мне ваш знаменитый встречный удар в челюсть — я бы тогда сразу узнал вас. Э-э, да что говорить! Вы — из тех, кто зарывает таланты в землю. А то бы далеко пошли, если бы захотели!

Холмс часто использует навыки рукопашного боя в борьбе с противниками и всегда выходит победителем.

В рассказе «Влиятельный клиент» Холмс в одиночку и без оружия противостоит двоим вооружённым дубинками преступникам и отделывается незначительными повреждениями. В рассказе «Последнее дело Холмса» сыщик также описывает случай самообороны от «какого-то негодяя с дубинкой».

В рассказе «Морской договор» безоружный Холмс успешно противостоит преступнику, вооружённому ножом:

Я не представлял себе, что господин Джозеф может оказаться таким злобным. Он бросился на меня с ножом, и мне пришлось дважды сбить его с ног и порезаться о его нож, прежде чем я взял верх. Хоть он и смотрел на меня «убийственным» взглядом единственного глаза, который ещё мог открыть после того, как кончилась потасовка, но уговорам моим все-таки внял и документ отдал.

В рассказе «Пустой дом» Холмс описывает Ватсону свою схватку с профессором Мориарти, в результате которой с помощью некоей японской борьбы под названием «баритсу» он отправил «Наполеона преступного мира» в пучины Рейхенбахского водопада. Холмс утверждал также, что умение драться в стиле «баритсу» не раз выручало его в жизни. Интересно, что в реальности японского боевого искусства с таким названием никогда не существовало, однако во времена Конана Дойла некий Эдвард Уильям Бартон-Райт давал в Лондоне уроки борьбы под названием «бартитсу»^[21], которая была тогда весьма популярна как европеизированный вариант джиу-джитсу. Конан Дойл либо просто ошибся в названии, либо же исказил его специально, как и некоторые другие реальные события и элементы жизни в викторианской Англии.

Знания и навыки

Холмс утверждает, что в раскрытии преступлений ему помогает строгое соблюдение научных методов, особое внимание к логике, внимательности и дедукции. Однако в ряде случаев он демонстрирует представления, почерпнутые из устаревших к настоящему времени теорий. Так, в рассказе «Голубой карбункул» высказывает предположение, что человек, который носит шляпу большого размера, обладает развитым интеллектом:

В «Этюде в багровых тонах» он утверждает, что не держит в памяти ничего бесполезного для его профессиональной деятельности. Услышав от Ватсона, что Земля вращается вокруг Солнца, он заявляет, что не знает об этом, поскольку подобные сведения неважны в его работе, и он постарается поскорее забыть этот новый для него факт. Холмс считает, что человеческий мозг имеет ограниченную ёмкость для хранения информации, и обучение бесполезным вещам сократит его способность к изучению полезных. Доктор Ватсон впоследствии оценивает способности Холмса таким образом:

1. Знания в области литературы — никаких.
2. Философии — никаких.
3. Астрономии — никаких.
4. Политики — слабые.
5. Ботаники — неравномерные. Знает свойства белладонны, опиума и ядов вообще. Не имеет понятия о садоводстве.
6. Геологии — практические, но ограниченные. С первого взгляда определяет образцы различных почв. После прогулок показывает брызги грязи на брюках и по их цвету и консистенции определяет, из какой она части Лондона.
7. Химии — глубокие.
8. Анатомии — точные, но бессистемные.
9. Уголовной хроники — огромные, знает, кажется, все подробности каждого преступления, совершённого в девятнадцатом веке.
10. Хорошо играет на скрипке.
11. Отлично фехтует на шпагах и эспадронах, прекрасный боксёр.
12. Основательные практические знания английских законов.^[22]

Однако в конце повести «Этюд в багровых тонах» оказывается, что Холмс знает латынь и не нуждается в переводе эпиграммы в оригинале, хотя знание языка имеет сомнительную ценность в детективном деле, разве что традиционно связано с анатомией. Позже в рассказах Холмс полностью противоречит тому, что писал о нём Ватсон в самом начале. Несмотря на его равнодушие к политике, в рассказе «Скандал в Богемии» он немедленно признаёт личность предполагаемого графа фон Крамма, а в рассказе «Второе пятно» мгновенно догадывается о том, какой именно монарх Европы написал опрометчивое письмо, исчезновение которого грозит крупными международными осложнениями; что касается несенсационной литературы, его речь изобилует ссылками на Библию, Шекспира, Гёте, он упоминает даже Хафиза.

Кроме того, в рассказе «Чертежи Брюса-Партингтона» Ватсон сообщает, что в ноябре 1895 года Холмс увлёкся монографией «Музыка средневековья», — самая эзотерическая область, которая должна была бы забить огромным количеством информации его изощрённый ум и которая не имела абсолютно никакого отношения к борьбе с преступностью, но его знания монографии были настолько велики, что это стало последней каплей при установлении его личности. Чуть позже Холмс заявляет, что не хочет знать ничего, если это не имеет отношения к его профессии, а во второй главе повести «Долина ужаса» утверждает, что «любые знания полезны для детектива», и ближе к концу рассказа «Львиная грива» описывает себя как «неразборчивого читателя с невероятно цепкой памятью на мелкие детали». В рассказе «Дьяволова нога» говорится об увлечении Холмса исторической лингвистикой (правда, серьёзная наука того времени давно отвергла наивные представления о какой бы то ни было связи кельтского корнуэльского языка с семитскими):

Холмс также отличный криптоаналитик. Он говорил Ватсону: «Я отлично знаком со всеми видами шифрования, также я написал статью, в которой проанализировал 160 шифров». Один из шифров он разгадывает с помощью частотного анализа в рассказе «Пляшущие человечки».

Исследует доказательства как с научной точки зрения, так и с предметной. Чтобы определить ход преступления, часто исследует отпечатки, следы, дорожки от шин («Этюд в багровых тонах», «Серебряный», «Случай в интернате», «Собака Баскервилей», «Тайна Боскомской долины»), окурки, остатки пепла («Постоянный пациент», «Собака Баскервилей», «Этюд в багровых тонах»), сравнение писем («Установление личности», «Рейгетские сквайры»), остатки пороха («Рейгетские сквайры»), распознавание пуль («Пустой дом») и даже отпечатки пальцев, оставленные много дней назад («Подрядчик из Норвуда»). Холмс также демонстрирует знание психологии («Скандал в Богемии»), заманивая Ирэн Адлер в ловушку и справедливо предполагая, что в случае пожара незамужняя бездетная женщина бросится спасать самое дорогое (в рассказе — фотографию), а замужняя женщина, мать семейства, бросится спасать прежде всего своего ребёнка.

Из-за передряг в жизни (или стремления оставить всё позади) Холмс удаляется в Суссекс, чтобы заняться пчеловодством («Второе пятно»), там же он пишет книгу «Практическое руководство по разведению пчёл» («Его прощальный поклон»). Как один из способов релаксации может также рассматриваться его любовь к музыке: к примеру, в рассказе «Союз рыжих» он берёт вечер, свободный от участия в деле, чтобы послушать, как Пабло де Сарасате играет на скрипке.

Также он очень любит вокальную музыку («Алое кольцо») и сам очень хорошо играет на скрипке:

…Я знал, что он может исполнять скрипичные пьесы, и довольно трудные: не раз по моей просьбе он играл «Песни» Мендельсона и другие любимые мною вещи…

Хотя Холмс и предстаёт как образец стальной выдержки и ледяного спокойствия, ему отнюдь не чужды эмоции. Трудно складывающееся расследование или откровенная неудача снимают маску безразличия с его лица:

…Холмс вскочил со стула.

— Хватайте его сзади, Ватсон! Не выпускайте из комнаты! Сейчас, сэр, мы посмотрим содержимое вашей записной книжки…

…Вернулся мой друг поздно вечером, и его потемневшее, расстроенное лицо яснее всяких слов сказало мне, что от утренних его надежд не осталось и следа. С час он играл на скрипке, стараясь успокоиться…

…Да, стоило получить рану, и даже не одну, чтобы узнать глубину заботливости и любви, скрывавшейся за холодной маской моего друга. Ясный, жесткий взгляд его на мгновение затуманился, твердые губы задрожали. На один-единственный миг я ощутил, что это не только великий мозг, но и великое сердце…

Метод Шерлока Холмса

Дедуктивный метод

1. На основе всех фактов и улик строится полная картина преступления.
2. Отталкиваясь от полученной картины преступления, разыскивается единственно соответствующий ей обвиняемый.

При составлении представления о картине преступления Холмс использует строгую логику, которая позволяет по разрозненным и малозначащим в отдельности деталям восстановить единую картину так, как если бы он видел происшествие своими глазами.

По одной капле воды человек, умеющий мыслить логически, может сделать вывод о возможности существования Атлантического океана или Ниагарского водопада, даже если он не видал ни того, ни другого и никогда о них не слыхал. Всякая жизнь — это огромная цепь причин и следствий, и природу её мы можем познать по одному звену.

Наблюдатель, основательно изучивший одно звено в серии событий, должен быть в состоянии точно установить все остальные звенья — и предшествующие, и последующие. Но чтобы довести искусство мышления до высшей точки — необходимо, чтобы мыслитель мог использовать все установленные факты, а для этого ему нужны самые обширные познания…

Ключевыми моментами метода являются наблюдательность и экспертные знания во многих практических и прикладных областях науки, зачастую относящихся к криминалистике. Здесь проявляется специфический подход Холмса к познанию мира — сугубо профессиональный и прагматичный, кажущийся более чем странным людям, малознакомым с личностью Холмса. Обладая глубочайшими познаниями в таких специфических для криминалистики областях, как почвоведение или типографское дело, Холмс не знает элементарных вещей. К примеру, ему неизвестно, что Земля вращается вокруг Солнца, поскольку такого рода сведения, по его мнению, совершенно бесполезны в его работе.

Мне представляется, что человеческий мозг похож на маленький пустой чердак, который вы можете обставить, как хотите. Дурак натащит туда всякой рухляди, какая попадётся под руку, и полезные, нужные вещи уже некуда будет всунуть, или в лучшем случае до них среди всей этой завали и не докопаешься. А человек толковый тщательно отбирает то, что он поместит в свой мозговой чердак.

Далее, используя свой метод, который Холмс называет дедуктивным, он вычисляет преступника. Обычный ход его рассуждений таков:

Отбросьте все невозможное; то, что останется — и будет ответом, каким бы невероятным он ни казался.

Например, при расследовании дела о пропаже сокровищ Агры Холмс сталкивается с ситуацией, когда преступник по приметам и оставленным уликам оказывается человеком невысокого роста с ногой, как у ребёнка. Отбросив все варианты, Холмс останавливается на единственном: это малорослый дикарь с Андаманских островов, — каким бы парадоксальным ни выглядел этот вариант.

Тем не менее как минимум часть метода основана на индукции — заключении от частного к общему. Некоторые исследователи^[23] видят в качестве основания метода Холмса абдукцию.

Необычная способность Холмса по мельчайшим признакам совершать поразительные догадки вызывает постоянное изумление Ватсона и читателей рассказов. Сыщик использует и тренирует эту способность не только в ходе следствия, но и в быту. Как правило — впоследствии Холмс досконально разъясняет ход своих мыслей, который постфактум кажется очевидным и элементарным.

Следствие

В большинстве случаев Холмс сталкивается с тщательно спланированными и сложно исполненными преступлениями. При этом набор преступлений достаточно широк — Холмс расследует убийства, кражи, вымогательства, шпионаж, а иногда ему попадаются ситуации, которые с первого взгляда (или в конечном итоге) вообще не имеют состава преступления (происшествие с королём Богемии, случай с Мэри Сазерленд, история человека с рассечённой губой, дело лорда Сент-Саймона, загадка человека с жёлтым лицом).

Шерлок Холмс предпочитает действовать в одиночку, в одном лице выполняя все функции следствия. Ему помогают доктор Ватсон и персонал Скотленд-Ярда, но это не носит принципиального характера. Холмс находит улики и, как эксперт, оценивает по ним причастность фигурантов преступления. Допрашивает свидетелей. Кроме того, зачастую Холмс непосредственно действует как агент сыска, занимаясь поиском улик и фигурантов, а также участвует в задержании.

Иногда Холмс может и отпустить преступника — если, по его мнению, преступление было оправданным («Дьяволова нога») или преступник заслуживает снисхождения («Голубой карбункул»).

Холмс не чужд различных уловок — использует грим, парики, меняет голос. В некоторых делах ему приходится прибегать к полному перевоплощению, что требует искусства актёра.

В некоторых делах на Холмса работает группа лондонских беспризорных мальчишек. В основном Холмс использует их в качестве соглядатаев, оказывающих ему помощь при расследовании дел.

Холмс ведёт подробную картотеку преступлений и преступников, а также пишет монографии в качестве учёного-криминалиста.
В то же время Холмс — очень плохой криминолог, так как редко задумывается о причинах преступности (например, в рассказе «Медные буки») и никогда не доводит своих рассуждений в этом направлении до конца, в отдельных случаях он ограничивается установлением мотивов конкретного преступления («Серебряный»). Эту черту отмечали советские рецензенты (например, К. Чуковский), подчёркивая «буржуазный» характер произведений Конана Дойла.

Роль в культуре и литературе

Шерлок Холмс является одним из самых популярных литературных героев. Ещё при жизни Конана Дойла стали появляться авторы, пишущие рассказы о приключениях сыщика. В начале XX века российские писатели П. Никитин и П. Орловец создали цикл повестей о расследованиях Холмса в России. Рассказы о детективе писали также:

Произведения о Шерлоке Холмсе, написанные другими авторами, совместно называются шерлокиада^[24], шерлокиана^[24] или холмсиана^[25].

В целом, культурное влияние образа весьма велико. В соответствии с опросом, проведённым британской социологической ассоциацией Ask Jeeves в 2011 году, в среднем каждый пятый британец считает, что Шерлок Холмс реально существовал^[26].

Мистификации

Рассказ «Смерть русского помещика»^[27] писателя Сергея Борисова — мистификация сочинения сэра Артура Конана Дойла. Борисов в предисловии сообщает: «…в два дня написал рассказ „Смерть русского помещика“. Дескать, сидят Шерлок Холмс и Уотсон (писать следует так, если следовать первым переводам Конана Дойла) у себя на Бейкер-стрит, и беседуют о романе Фёдора Михайловича. Уотсон все вопросы задаёт, а сыщик льёт на доктора ушаты холодной воды, доказывая цитатами из книги и логическими умозаключениями, что Карамазова-старшего мог убить любой из его сыновей, даже такой кроткий на вид Алёша. А чтобы рассказ приобрёл необходимую достоверность, я снабдил его множеством ссылок, в том числе на тот „неоспоримый“ факт, что, приехав в Лондон (было), Достоевский, гостя у Герцена (было), встретился там с представителями семейства Холмсов (не было и быть не могло) — папой-Холмсом и его отпрысками, Майкрофтом и Шерлоком»^[28].

Память

• 

• 

  Памятник Шерлоку Холмсу в Швейцарии

В 2007 году монетный двор Новой Зеландии выпустил памятную серию из четырёх серебряных монет, посвящённую годовщине выхода в свет первой книги о Холмсе. На реверсе каждой монеты изображены основные персонажи «Приключений Шерлока Холмса» в исполнении советских актёров: Ливанова и Соломина, Михалкова и других.^[29]

27 апреля 2007 года в Москве на Смоленской набережной открылся памятник Шерлоку Холмсу и доктору Ватсону работы Андрея Орлова. В скульптурах угадываются лица актёров Василия Ливанова и Виталия Соломина, исполнявших в своё время роли соответственно Шерлока Холмса и доктора Ватсона^[30].

В Великобритании проходят выставки, посвящённые Шерлоку Холмсу. Крупнейшая за последние 60 лет (под названием «Шерлок Холмс: Человек, который никогда не жил и никогда не умрёт») открылась в 2014 году.^[31]

В мае 2019 года к 160-летию со дня рождения Артура Конан Дойла Королевский монетный двор Великобритании выпустил монету с изображением Шерлока Холмса достоинством в 50 пенсов. На ней изображена фигура детектива и перечислены самые популярные из его приключений, прочитать которые возможно только с помощью лупы.^[32]

Факты

• Родоначальником подобного дедуктивно-детективного жанра является, вопреки распространённому мнению, не Конан Дойл, а Эдгар По с его рассказом «Убийство на улице Морг». При этом сам Холмс весьма презрительно отзывался о дедуктивных способностях Огюста Дюпена, главного героя «Убийства на улице Морг» (повесть «Этюд в багровых тонах»).
• Во времена написания рассказов о Холмсе дома с адресом Бейкер-стрит, 221b не существовало. По сути, он не существует и сейчас — номера домов с 215 по 229 относятся к зданию Abbey National^[en]. Однако на этот адрес непрерывно поступал поток писем. В фирме, расположенной по этому адресу, даже существовала должность сотрудника для обработки писем Шерлоку Холмсу. Впоследствии адрес «Бейкер-стрит, 221b» был официально присвоен дому, в котором расположился музей Шерлока Холмса в виде его квартиры (несмотря на то, что для этого пришлось нарушить порядок нумерации домов на улице, поскольку фактически это дом 239).
• Конан Дойл считал несерьёзными свои рассказы о Холмсе, поэтому решил его «убить». После публикации рассказа «Последнее дело Холмса» на писателя посыпался ворох гневных писем. Существует неподтверждённая легенда о письме королевы Виктории Конану Дойлу, в котором королева предполагала, что смерть Шерлока Холмса — лишь хитрый ход сыщика. И писателю пришлось «оживить» персонажа.

• С 23 февраля 2006 года можно говорить и о государственном уровне этого признания — Василий Ливанов награждён орденом Британской империи^[33]. На основе фильма в 2000 году был снят телесериал «Воспоминания о Шерлоке Холмсе» с обрамляющим сюжетом о Конане Дойле, но популярности он не завоевал, а запомнился судебными разбирательствами за право показа^[34].
• Шерлок Холмс и доктор Ватсон являются действующими персонажами повести Бориса Акунина «Узница башни, или Краткий, но прекрасный путь трёх мудрых» (сб. «Нефритовые чётки»)^[35], в которой они вместе с Эрастом Фандориным противоборствуют Арсену Люпену.
• В трилогии Лукьяненко «Остров Русь» лучший английский сыщик всех времён Шерлок Холмс вместе с доктором Ватсоном ищет российских подростков Костю и Стаса, которых Кащей спрятал в одном из «книжных» миров. Там же выясняются некоторые неопубликованные Конаном Дойлом детали биографии сыщика и его помощника.^[36]

• В одной из серий сериала «Звёздный путь: Следующее поколение» (англ. «Star Trek: The Next Generation, TNG»), андроид Дейта играет роль Холмса в эмуляторе реальности, моментально, без подготовки и расследования, раскрывая любое преступление, которое «придумывает» компьютер. Джорди Ла Форж, главный инженер корабля, предлагает компьютеру создать персонаж, который мог бы победить мыслительные процессы андроида Дейты, — «ибо скучно». Персонаж, который создаёт компьютер, ведёт себя как «гений преступного мира» Мориарти, ставит в тупик Дейту и под угрозу — безопасность корабля, требуя признать себя существом, равным людям (намёк на «Cogito, ergo sum»). Капитан корабля Жан-Люк Пикард обещает существу, что запись его личности не будет стёрта до тех пор, пока появится возможность сделать его человеком. Персонаж соглашается и позволяет прекратить действие эмулятора реальности, в котором он существует.
• Знаменитая фраза «Элементарно, Ватсон!» (англ. «Elementary, my dear Watson») никогда не встречалась в произведениях Конана Дойла (Холмс говорил «Элементарно», но без добавления имени Ватсона), а была выдумана Пи Джи Вудхаусом в 1915 году (роман «Псмит-журналист»)^[37][38].Через 14 лет после выпуска книги фраза: «Элементарно, Ватсон!» прозвучала в американском фильме «Возвращение Шерлока Холмса». Это был первый звуковой фильм о Шерлоке Холмсе (Ватсон: Потрясающе, Холмс!, Холмс: Элементарно, мой дорогой Ватсон, элементарно!). В 1935 году Шерлок Холмс произнес фразу «Элементарно, Ватсон!» в английском фильме «Триумф Шерлока Холмса». Со временем эта популярная фраза стала визитной карточкой Шерлока Холмса.
• В силу законодательства об авторском праве произведения о Холмсе оказались разделены: в 2014 году произведения написанные до 1923 года перешли по решению суда в общественное достояние, а более поздние произведения о Холмсе остались защищены авторским правом (эта ситуация привела в 2020 году к иску правообладателей на создателей фильма о младшей сестре Холмса, так как по мнению наследников Артура Конан Дойла, в фильме показаны «эмпатия и отношение к людям», свойственные Холмсу в рассказах, написанных после 1923 года)^[39].

Экранизации

По числу экранизаций история о Шерлоке Холмсе и докторе Ватсоне попала в Книгу рекордов Гиннесса^[40]. На данный момент насчитывается около 210 кинофильмов, сериалов, анимационных фильмов с участием сыщика. В списке приведены исполнители роли Шерлока Холмса, если не указано другое.

США

• Приключения Шерлока Холмса (Бэзил Рэтбоун) — цикл из 14 фильмов 1939—1946 годов, ряд фильмов снят по оригинальным сюжетам, действие перенесено в 1940-е годы.
• «Великий мышиный сыщик» — мультипликационный фильм Walt Disney Pictures 1986 года, основанный на серии повестей Ив Титус «Бэйзил с Бэйкер-стрит» (1958—1982). Является прямой отсылкой к Шерлоку Холмсу и Доктору Ватсону, где роли главных героев исполняют две мышки: Бэйзил с Бэйкер-стрит и Дэвид Доусон — которые противостоят профессору Рэтигану и его банде преступников. Так как Бэйзил и миссис Джадсон живут в доме Шерлока Холмса, в этом мультипликационном фильме можно заметить эпизодическое появления героев Артура Конана Дойла.
• «Бэтмен: Отважный и смелый» — анимационный сериал про супергероя Бэтмена; 15 серия 1 сезона, в которой Бэтмен попадает в прошлое и встречает Шерлока Холмса и Доктора Ватсона.
• «Шерлок Холмс» (2009), «Шерлок Холмс: Игра теней» (2011) и «Шерлок Холмс 3» (2024) — фильмы Гая Ричи, в роли Шерлока Холмса — Роберт Дауни-младший.
• «Шерлок Холмс (Угроза из прошлого)» (2010) — мокбастер к первому фильму Гая Ричи.
• «Элементарно» (2012 — наст. время) — сериал о Холмсе и Ватсоне, действие которого происходит в наши дни в США. Шерлока играет Джонни Ли Миллер. Кроме изменения времени и места, меняются персонажи. Шерлок Холмс — героинщик в завязке, Джоан Ватсон — женщина, никогда не была на войне.
• «Холмс & Ватсон» (2018) — американский комедийный фильм режиссёра Итана Коэна.
• «Гриффины» — американский анимационный ситком; 13 серия 16 сезона, вышедшая в 2018 году, посвящена Шерлоку Холмсу.

Великобритания

• «Собака Баскервилей» (1959) — фильм ужасов студии Hammer Film Productions с Питером Кушингом и Кристофером Ли в главных ролях.
• «Убийство по приказу» (1979) — совместный британо-канадский триллер о противостоянии Шерлока Холмса и Джека Потрошителя. Холмса сыграл Кристофер Пламмер.
• «Без единой улики» (1988) — (иногда — «Без единой зацепки», «Безо всяких улик», англ. Without A Clue) — криминальная комедия о Шерлоке Холмсе и докторе Ватсоне.

• 

  Джереми Бретт в роли Шерлока Холмса.

  «Приключения Шерлока Холмса» (1985—1994) — сериал. В главной роли — Джереми Бретт.

• «Шерлок» (2010—2017) — сериал с Бенедиктом Камбербэтчем в роли Шерлока Холмса, действие происходит в современной Англии.
• «Энола Холмс» (2020) — феминизированный подростковый фильм, в котором главная роль отведена придуманной сестре Шерлока — малолетней Эноле. Генри Кавилл в роли Шерлока Холмса.
• «Нерегулярные части» (2021) — сериал в жанре мистического детектива, в центре сюжета которого лондонские подростки, выполняющие поручения сыщика. Холмса играет Генри Ллойд-Хьюз.

СССР

• «Из рассказов о Шерлоке Холмсе» (1968, Николай Волков)
• «Первое дело доктора Уотсона» (1968, Николай Волков)
• «Министры и сыщики» (1969, фильм-спектакль, Василий Лановой)
• «Собака Баскервилей» (1971, Николай Волков)
• «Вот моя деревня» (1972, Юрис Стренга)
• «Голубой карбункул» (1979, Альгимантас Масюлис)
• «Приключения Шерлока Холмса и доктора Ватсона» (1979—1986, Василий Ливанов)
• «Мы с Шерлоком Холмсом» (1985) — в мультфильме, пародирующем экранизации рассказов «Сокровища Агры» и «Последнее дело Шерлока Холмса», доктора Ватсона заменяет дог.
• «Мой нежно любимый детектив» (1986) — в фильме-пародии действуют детективы мисс Ширли Холмс (Екатерина Васильева) и мисс Ватсон.

Россия

• «Воспоминания о Шерлоке Холмсе» (2000) — дополненная, с рассказом о жизни Конана Дойла, версия телесериала 1979—1986 годов.
• «Шерлок Холмс» (2013) — 16-серийный телесериал, представляющий собой новые истории с мотивами рассказов Конана Дойла. В некоторых сериях использованы мотивы ранее не экранизированных историй, и каждая представляет собой отдельное направление жанра «детектив» (готика, политика, романтика и т. д.). В роли Холмса — Игорь Петренко, также сыгравший Майкрофта.
• «Шерлок в России» (2020) — 8-серийный телесериал по оригинальному сценарию. Холмс в погоне за Джеком-потрошителем отправляется в одиночку в Санкт-Петербург, где вскоре тоже начинает расследовать преступления при поддержке своего нового друга — доктора Карцева. В роли Холмса — Максим Матвеев.

Украина

• «Шерлок Холмс и доктор Ватсон: Убийство лорда Уотербрука» (2005) и «Шерлок Холмс и чёрные человечки» (2012) — юмористическая анимационная дилогия, пародирующая советскую многосерийную экранизацию.
• «Шерлох» (сериал-пародия, 2015, в роли Евгений Кошевой)

Япония

• «Мисс Шерлок^[en]» (2018) — сериал, снятый телекомпанией HBO Asia. Сериал очень напоминает британского «Шерлока», но с японским колоритом. Его действие разворачивается в наши дни в Японии, в основном в Токио и его окрестностях. Помимо изменения времени и места действия, меняются и персонажи. Обе заглавные героини — девушки. Роль Шерлока исполняет Юко Такэути^[en]. Шерлок — гениальная, но эксцентричная девушка, детектив-консультант по имени Сара Шелли Футаба («Шерлок» — это её псевдоним). Играет на виолончели. Живёт в Токио, в доме № 221В. Трубку не курит, наркотики не употребляет, зато в огромных количествах жуёт шоколадки. Её подруга и напарница — доктор Вато («Вато-сан») Татибана (актриса Сихори Кандзия^[en]). Девушка — доктор по линии Красного креста, вернувшаяся с войны в Сирии. Дораму планировали продлить на второй сезон, однако проект был закрыт в связи со смертью исполнительницы главной роли. Актриса Юко Такэути скончалась 27 сентября 2020 года, в возрасте 40 лет^[41].
• «Kabukichou Sherlock» (Шерлок из Кабуки-тё) — оригинальный аниме-сериал, повествующий о приключениях знаменитого дуэта в самом хаотичном районе Токио. Премьера сериала состоялась 11 октября 2019 года.
• «Moriarty the Patriot» (Патриотизм Мориарти) — история повествует об Уильяме Мориарти — молодом и талантливом человеке с выдающимися умственными способностями, который бросает вызов обществу против классовой дискриминации, пытаясь создать идеальный государственный строй, где каждый будет иметь равные права.

Компьютерные игры

• Sherlock (1984) (Philip Mitchell) (PC)
• Sherlock Holmes: Another Bow (1984) (Bantam Software) (PC, Commodore 64)
• Sherlock Holmes: The Vatican Cameos (1986) (Ellicott Creek) (PC, Apple II)
• Young Sherlock: The Legacy of Doyle (1987) (Pack-In-Video) (MSX)
• Sherlock Holmes: A Matter of Evil (1988) (Creative Juices) (ZX81/Spectrum)
• Sherlock Holmes: The Lamberley Mystery (1990) (Zenobi Software) (ZX81/Spectrum)
• 221B Baker Street (1987) (Datasoft) (PC and Mac)
• Sherlock: The Riddle of the Crown Jewels (1988) (Infocom)
• Трилогия от Towa Chiki:
  • Sherlock Holmes: Hakushaku Reijou Yuukai Jiken / Sherlock Holmes: The Case of the Count’s Abducted Daughter (1986) (Towa Chiki) (NES)
  • Meitantei Holmes: Kiri no London Satsujin Jiken / Great Detective Holmes: A Case of Murder in London Fog (1988) (Towa Chiki) (NES)
  • Meitantei Holmes: M-Kara no Chousenjou / Great Detective Holmes: A Challenge from M (1989) (Towa Chiki) (NES)
• Sherlock Holmes: Loretta no Shouzou (1987) (Sega) (Sega Master System)
• Трилогия от ICOM Simulations:
  • Sherlock Holmes: Consulting Detective Vol. I (1992) (ICOM Simulations) (PC, Sega CD, TurboGrafx-CD)
  • Sherlock Holmes: Consulting Detective Vol. II (1992) (ICOM Simulations) (PC, Sega CD, TurboGrafx-CD)
  • Sherlock Holmes: Consulting Detective Vol. III (1993) (ICOM Simulations) (PC, Sega CD, TurboGrafx-CD)
• Sherlock Holmes: Consulting Detective (1999) (Infinite Ventures) (DVD Player, interactive movie game)
• Дилогия от Mythos Software:
  • The Lost Files of Sherlock Holmes: The Case of the Serrated Scalpel (1992) (Mythos Software) (PC, 3DO — 1994)
  • The Lost Files of Sherlock Holmes: The Case of the Rose Tattoo (1996) (Mythos Software) (PC)
• Шерлок Холмс: Возвращение Мориарти (2000) (Buka Entertainment) (PC)
• Игры от Frogwares:
  • Шерлок Холмс: Пять египетских статуэток (2002) (Frogwares) (PC, Nintendo DS)
  • Шерлок Холмс: Загадка серебряной серёжки (2004) (Frogwares) (PC)
  • Шерлок Холмс и секрет Ктулху (2006) (Frogwares) (PC)
  • Шерлок Холмс против Арсена Люпена (2007) (Frogwares) (PC)
  • Adventures of Sherlock Holmes: The Mystery of the Persian Carpet (2008) (Frogwares) (PC)
  • Sherlock Holmes: The Hound of the Baskervilles (2010) (Frogwares) (PC)
  • Sherlock Holmes versus Jack the Ripper (2009) (Frogwares) (PC) (X360)
  • Sherlock Holmes and the Mystery of Osbourne House (2011) (Frogwares) (Nintendo DS)
  • The Testament of Sherlock Holmes (2012) (Frogwares) (PC, X360, PS3)
  • Sherlock Holmes and the Mystery of the Frozen City (2012) (Frogwares) (Nintendo 3DS)
  • Sherlock Holmes: Crimes & Punishments (2014) (Frogwares) (PC, X360, Xbox One, PS3, PS4)
  • Sherlock Holmes: The Devil’s Daughter (2016) (Frogwares) (PC, Xbox One, PS4)
  • Sherlock Holmes: Chapter One (2021) (Frogwares) (PC, Xbox One, Xbox Series X, PS4, PS5)
• Игры по мотивам фильмов Гая Ричи:
  • Sherlock Holmes: The Official Movie Game (2009) (Gameloft) (cell phone game)
  • Sherlock Holmes Mysteries (2009) (Warner Bros.) (iPhone/iPod/iPad-2010)
  • Sherlock Holmes 2: Checkmate (2011) (Sticky Game Studios) (PC, Mac online game)
• Sherlock Holmes Trivia (2009) (Phoenix Venture, LLC) (iPhone/iPod)
• Sherlock Holmes: The Game is Afoot (2009) (Mobile Deluxe) (iPhone/iPod)
• Detective Holmes — Hidden Objects (2010) (Warelex) (iPhone/iPod)
• Holmes (2011) (lukassen) (iPhone/iPod)
• Дилогия от Legacy Interactive:
  • The Lost Cases of Sherlock Holmes (2008) (Legacy Interactive) (Mac, PC)
  • The Lost Cases of Sherlock Holmes, Vol. 2 (2010) (Legacy Interactive) (Mac, PC)
• Дилогия от gameX/Greenstreet Games:
  • Sherlock Holmes — The Case of the Vanishing Thief (2004) (gameX/Greenstreet Games) (PC)
  • Sherlock Holmes: The Case Of The Time Machine (2006) (gameX/Greenstreet Games) (PC)

См. также

• Хорхе Коломар

Примечания

Литература

На русском языке

На других языках

Ссылки

• «Проект Гутенберг». Полные тексты произведений Конана Дойля и аудиокниг на английском языке Архивная копия от 14 января 2018 на Wayback Machine (англ.)
• Музей Шерлока Холмса Архивная копия от 3 сентября 2005 на Wayback Machine
• Велижев М. Б. Артур Конан Дойл. «Приключения Шерлока Холмса». Курс «Как читать любимые книги по-новому». — Arzamas.academy.
• Кривошеина М. А. Шерлок в Петербурге: Как легендарного сыщика занесло в Росcию, с кем он боролся, сотрудничал и пил коньяк накануне Первой мировой. Курс «Петербург накануне революции». — Arzamas.academy.

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