Латиноамериканские танцы как пишется

Смотреть что такое ЛАТИНОАМЕРИКАНСКИЙ в других словарях:

латиноамериканский

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Добрый день. Хотелось узнать экспертное мнение. Как правильно пишется словосочетание бумага-тишью: в два слова или через дефис? Нужно ли ставить в кавычки тишью?

Ответ справочной службы русского языка

Корректно раздельное написание. Оно соответствует правилу: сочетания с постпозитивным неизменяемым определением, выраженным существительным или прилагательным, пишутся раздельно, напр.: платье мини, юбка макси, кофе глясе, конфеты ассорти, витамины драже, котлеты де-воляй, куры гриль, овощи гриль, суп харчо, стиль либерти, бумага верже, нитки мулине, купальник бикини, шляпа сомбреро, цирк шапито, ресторан бистро, дети индиго, стиль кантри, шоу латино, язык хинди, время пик, час икс, идея фикс.

Добрый день, уважаемые коллеги! Будьте добры, разрешите спор. Ставится ли запятая в предложении: «По количеству посольств в других странах Куба стоит на первом месте среди всех латиноамериканских государств». «По количеству посольств в других странах, Куба стоит на первом месте среди всех латиноамериканских государств». Спасибо!

Ответ справочной службы русского языка

Постановка запятой в этом предложении не требуется.

К вопросу 293540. Как правильно слитное написание? Про операцию в Нижней Силезии вы отвечали, что правильно Нижне-Силезская. На какое правило вы опираетесь?

Ответ справочной службы русского языка

По общему правилу пишутся слитно имена прилагательные, образованные из основ слов, отношения между которыми носит подчинительный характер, ср.: латиноамериканский (от Латинская Америка). Правильно: Нижнесилезская операция. Ответ на вопрос № 246334 исправлен.

Здравствуйте. «В общем» здесь вводная конструкция, отделяемая запятой? «Он оскорбил электорат — женщин, мусульман, латиносов. В общем, он, конечно, постарался».

Ответ справочной службы русского языка

В этом предложении в общем — вводное слово, отделяется запятой.

Здравствуйте, уважаемые коллеги. Неоднократно встречаюсь в работе с термином «золотоплатиновый» и каждый раз недоумеваю по поводу его написания. Есть ли какое-либо объяснение тому, почему оно пишется слитно, а не через дефис — что, как представляется, логично и более соответствует правилу?

Ответ справочной службы русского языка

На слитное написание влияет отсутствие в первой части этого сложного слова суффикса прилагательного или причастия. Из правила о дефисном/слитном написании прилагательных в зависимости от соотношения основ (сочинение/подчинение) в современной письменной речи имеется очень много исключений.

Скажите, пож-та: будет ли склоняться латино-американская фамилия Кабрера, если речь идёт о женщине?
Например, «с участием О. Кабрера» или «с участием О. Кабреры»?

Ответ справочной службы русского языка

Верно: с участием О. Кабреры.

Употребима ли фраза «попурри на латино-американские танцы» или «попурри на европейские танцы»

Ответ справочной службы русского языка

Корректно: попурри из латиноамериканских, европейских танцев.

Как праавильно: П(п)латиновый знак качества?
Заранее спасибо.

Ответ справочной службы русского языка

Корректно написание строчными буквами.

Латино-американские танцы — сокращенно: латина или латино? Спасибо!

Ответ справочной службы русского языка

Словарная фиксация: латинос.

Добрый день, скажите, пожалуйста, как пишутся в тексте латиноязычные названия организаций? Например, «Мы искренне благодарим Moomin Characters и лично Софию Янссон». Правильно ли написать «Фрагмент экспозиции выставки Saga och sanning (Взаправду понарошку)»?

Ответ справочной службы русского языка

Написанные латиницей названия, как правило, в кавычки не заключаются.

Имеется ли предпочтение в выборе рода при употреблении по-русски термина «песо»?

(Орфографический словарь
песо и пезо, нескл., м.

Русское словесное ударение
песо, нескл., с. (денежная единицаряда латиноамериканских стран))

Ответ справочной службы русского языка

Лучше ориентироваться на «Русский орфографический словарь» (_мужской род_).

…получила задание исполнить танец в стиле («)латино(»).

Ответ справочной службы русского языка

Кавычки не требуются: _танец в стиле латино_.

Русский[править]

Морфологические и синтаксические свойства[править]

падеж	ед. ч.	мн. ч.
муж. р.	ср. р.	жен. р.
Им.	латѝноамерика́нский	латѝноамерика́нское	латѝноамерика́нская	латѝноамерика́нские
Р.	латѝноамерика́нского	латѝноамерика́нского	латѝноамерика́нской	латѝноамерика́нских
Д.	латѝноамерика́нскому	латѝноамерика́нскому	латѝноамерика́нской	латѝноамерика́нским
В.	одуш.	латѝноамерика́нского	латѝноамерика́нское	латѝноамерика́нскую	латѝноамерика́нских
неод.	латѝноамерика́нский	латѝноамерика́нские
Т.	латѝноамерика́нским	латѝноамерика́нским	латѝноамерика́нской латѝноамерика́нскою	латѝноамерика́нскими
П.	латѝноамерика́нском	латѝноамерика́нском	латѝноамерика́нской	латѝноамерика́нских

ла—тѝ—но—а—ме—ри—ка́н—ский

Прилагательное, тип склонения по классификации А. Зализняка — 3a✕~.

Корень: -латин-; интерфикс: -о-; корень: -америк-; интерфикс: -ан-; суффикс: -ск; окончание: -ий [Тихонов, 1996].

Произношение[править]

• МФА: [ɫɐˌtʲinɐɐmʲɪrʲɪˈkanskʲɪɪ̯]

Семантические свойства[править]

Значение[править]

1. относящийся к Латинской Америке, латиноамериканцам ◆ Отсутствует пример употребления (см. рекомендации).

Синонимы[править]

Антонимы[править]

Гиперонимы[править]

Гипонимы[править]

Родственные слова[править]

Ближайшее родство
имена собственные: Латинская Америка пр. существительные: латиноамериканец, латиноамериканка

Этимология[править]

Происходит от собств. Латинская Америка, из латинский + Америка.

Фразеологизмы и устойчивые сочетания[править]

Перевод[править]

Список переводов

Английскийen: Latin American Арагонскийan: latinamericán Астурийскийast: llatinoamericanu Венгерскийhu: latin-amerikai Галисийскийgl: latinoamericano Датскийda: latinamerikansk Интерлингваиia: latino-american Испанскийes: latinoamericano Итальянскийit: latinoamericano Каталанскийca: llatinoamericà Немецкийde: lateinamerikanisch Нидерландскийnl: Latijns-Amerikaans Норвежскийno: latinamerikansk Польскийpl: latynoamerykański Португальскийpt: latino-americano Сербскийsr (кир.): латиноамерички Словацкийsk: latinskoamerický Словенскийsl: latinsko-ameriški Украинскийuk: латиноамериканський Финскийfi: latinalaisamerikkalainen Французскийfr: latino-américain, hispano-américain Хорватскийhr: latinskoamerički Чешскийcs: latinskoamerický Шведскийsv: latinamerikansk Шотландскийsco: Laitin Americaen Эсперантоиeo: latin-amerika Эстремадурскийext: latinuamericanu

Библиография[править]

• Новые слова и значения. Словарь-справочник по материалам прессы и литературы 70-х годов / Под ред. Н. З. Котеловой. — М. : Русский язык, 1984.

Для улучшения этой статьи желательно: Добавить пример словоупотребления для значения с помощью {{пример}} Добавить синонимы в секцию «Семантические свойства» Добавить гиперонимы в секцию «Семантические свойства»

Latin dance is a general label, and a term in partner dance competition jargon. It refers to types of ballroom dance and folk dance that mainly originated in Latin America.

The category of Latin dances in the international dancesport competitions consists of the cha-cha-cha, rumba, samba, paso doble, and also the jive of United States origin.^[1][2]

Social Latin dances (Street Latin) include salsa, mambo, merengue, rumba, bachata, bomba and plena. There are many dances which were popular in the first part of the 20th century, but which are now of only historical interest. The Cuban danzón is a good example.^[3]

Perreo is a Puerto Rican dance associated with reggaeton music with Jamaican and Caribbean influences. Argentinian folk dances are chacarera, escondido and zamba, also tango used to be a popular dance until the mid-20th century. Cueca is Chilean folk dance. Uruguayan folk dances are pericón, polka, ranchera, etc, also candombe is a common street and parade dance in the cities. Typical Bolivian folk dances are the morenada, kullawada, caporales and the recently created tinku. In Colombia, one of the typical dances is the cumbia.^[4][5]

Origin[edit]

Latin dance draws from indigenous American, Iberian, and West African influences. The earliest native roots for Latin dance came from the Aztecs, Guarani, Aymara, Incas and Tehuelches among others. When sixteenth-century seagoing explorers returned home to Portugal and Spain, they brought along tales of the native peoples. According to Rachel Hanson, no one knows how long these dance traditions were established, but they were already being developed and ritualized when they were observed by the Europeans. This suggests that these Native influences became the foundation for Latin dancing.^[6] Indigenous dance often told stories of everyday activities such as hunting, agriculture, or astronomy. When European settlers and conquistadors began to colonize South America in the early sixteenth century, they reinvented the local dance traditions, but still kept the styles of the natives. Catholic settlers merged the native culture with their own and incorporated catholic saints and stories to the dance. The Europeans were captivated by the highly structured, large member dance working together in a precise manner.

After the Europeans brought home the Aztec/Inca influences in the sixteenth century, they incorporated their own styles to the dance. Since the Aztec/Inca dances were performed in a group, many of the European dances were performed by a male and female. This was a new practice because European dances prohibited male and female dance partners from touching each other. The benefits of such a dance style allowed musical appreciation and social integration, which became the form of Latin dance. However, “much of the storytelling element disappeared from the genre as the focus moved toward the rhythm and steps,”^[6] Hanson explains. The movement evolved differently because it brought a certain element of daintiness to the Aztec dances since the steps were smaller and the movements were less forceful. Combining African styles along with the Native and European influences is what truly makes Latin possible.

The movement and rhythms of African influences left a permanent mark in Latin dance. When the African slaves were forced to Europe in the 1500s, their culture brought styles such as basic, simple movements (putting emphasis on the upper body, torso, or feet) and intricate movements like the coordination of different body parts and complex actions such as “fast rotation, ripples of the body, and contraction and release, as well as variations in dynamics, levels, and use of space.”^[7][8] The difference between the African and European styles was that it included bent knees and a downward focus (grounded to the earth) rather than a straight-backed upward focus like the Europeans, and whole-foot steps than toes and heels. These influences from African roots have allowed Latin dance to become what it is today.

Development[edit]

Latin dance is a perfect mix of various dance styles from cultures around the world, creating a dance style encompassing this new age of Latin culture.^[9] Influences deriving from West African, African American, and European dance styles were all comprised in the making of many of these latin dances such as: Salsa, Mambo, Merengue, Rumba, Cha Cha Cha, Bachata, and Samba.^[10] Not only has these cultures shaped this style of dance, but as well in the music made in Latin America. Music became the engine for Latin dancing because it guided the dance steps with its measure, speed, and the feeling it evoked, from energetic to sensual.^[11] Many of these beats come from European folk music, West African beats, and African American Jazz.^[12] Various Latin American regions developed independent styles, and from each genre, or combination of styles, a different genre was born. For example, the Mambo which was created in the 1940s emerged through the combination of American swing and Cuban Son music.^[13] Another example is the Romani and Egyptian cultural dance of belly dancing, which has traveled its way to Spain and gained its influence in the repertoire of the latin dance known as flamenco due to the Moorish conquest of Iberia (Spain) in the Eighth-Century.^[14] Though Latin dance is a social dance that can be seen in Quinceañeras, parties, and in any social gathering there is no required cultural clothing required for these style of dancing. On the other hand, in the dance sport competition world of «latin dance» each categories in Latin dance has its own unique styled costumes along with it. From short rimmed dresses, fringe hems, a skirt or dress, braided hems, and boa feathers and flowers can be seen throughout each costume designs.^[15]

The modernization of Latin dance[edit]

Following the music, movement history, and the rhythms, Latin dance evolved over time and individual steps slowly shifted the repertoire of each dance. It has several different forms and many modernized styles which creates a problem because it is shifting away from its Native, European, and African roots. A popular aerobic dance class known as Zumba is said to be influenced by Latin rhythm and steps. However, there are disagreements among Latin dancers about whether Zumba is a true Latin dance.^[16]

• 

• 

• 

  Tango

• 

See also[edit]

• International Latin American Dance Champions
• World Latin Dance Champions

References[edit]

Further reading[edit]

• Sévigny, Jean-Pierre. Sierra Norteña: the Influence of Latin Music on the French-Canadian Popular Song and Dance Scene, Specially as Reflected in the Career of Alys Robi and the Pedagogy of Maurice Lacasse-Morenoff. Montréal: Productions Juke-Box, 1994. 13 p. N.B. The published text of a paper prepared for, and presented on, on 12 March 1994, the conference, Popular Music Music & Identity (Montréal, Qué., 12–13 March 1994), under the auspices of the Canadian Branch of the International Association for the Study of Popular Music.

Latin dance is a general label, and a term in partner dance competition jargon. It refers to types of ballroom dance and folk dance that mainly originated in Latin America.

The category of Latin dances in the international dancesport competitions consists of the cha-cha-cha, rumba, samba, paso doble, and also the jive of United States origin.^[1][2]

Social Latin dances (Street Latin) include salsa, mambo, merengue, rumba, bachata, bomba and plena. There are many dances which were popular in the first part of the 20th century, but which are now of only historical interest. The Cuban danzón is a good example.^[3]

Perreo is a Puerto Rican dance associated with reggaeton music with Jamaican and Caribbean influences. Argentinian folk dances are chacarera, escondido and zamba, also tango used to be a popular dance until the mid-20th century. Cueca is Chilean folk dance. Uruguayan folk dances are pericón, polka, ranchera, etc, also candombe is a common street and parade dance in the cities. Typical Bolivian folk dances are the morenada, kullawada, caporales and the recently created tinku. In Colombia, one of the typical dances is the cumbia.^[4][5]

Origin[edit]

Latin dance draws from indigenous American, Iberian, and West African influences. The earliest native roots for Latin dance came from the Aztecs, Guarani, Aymara, Incas and Tehuelches among others. When sixteenth-century seagoing explorers returned home to Portugal and Spain, they brought along tales of the native peoples. According to Rachel Hanson, no one knows how long these dance traditions were established, but they were already being developed and ritualized when they were observed by the Europeans. This suggests that these Native influences became the foundation for Latin dancing.^[6] Indigenous dance often told stories of everyday activities such as hunting, agriculture, or astronomy. When European settlers and conquistadors began to colonize South America in the early sixteenth century, they reinvented the local dance traditions, but still kept the styles of the natives. Catholic settlers merged the native culture with their own and incorporated catholic saints and stories to the dance. The Europeans were captivated by the highly structured, large member dance working together in a precise manner.

After the Europeans brought home the Aztec/Inca influences in the sixteenth century, they incorporated their own styles to the dance. Since the Aztec/Inca dances were performed in a group, many of the European dances were performed by a male and female. This was a new practice because European dances prohibited male and female dance partners from touching each other. The benefits of such a dance style allowed musical appreciation and social integration, which became the form of Latin dance. However, “much of the storytelling element disappeared from the genre as the focus moved toward the rhythm and steps,”^[6] Hanson explains. The movement evolved differently because it brought a certain element of daintiness to the Aztec dances since the steps were smaller and the movements were less forceful. Combining African styles along with the Native and European influences is what truly makes Latin possible.

The movement and rhythms of African influences left a permanent mark in Latin dance. When the African slaves were forced to Europe in the 1500s, their culture brought styles such as basic, simple movements (putting emphasis on the upper body, torso, or feet) and intricate movements like the coordination of different body parts and complex actions such as “fast rotation, ripples of the body, and contraction and release, as well as variations in dynamics, levels, and use of space.”^[7][8] The difference between the African and European styles was that it included bent knees and a downward focus (grounded to the earth) rather than a straight-backed upward focus like the Europeans, and whole-foot steps than toes and heels. These influences from African roots have allowed Latin dance to become what it is today.

Development[edit]

Latin dance is a perfect mix of various dance styles from cultures around the world, creating a dance style encompassing this new age of Latin culture.^[9] Influences deriving from West African, African American, and European dance styles were all comprised in the making of many of these latin dances such as: Salsa, Mambo, Merengue, Rumba, Cha Cha Cha, Bachata, and Samba.^[10] Not only has these cultures shaped this style of dance, but as well in the music made in Latin America. Music became the engine for Latin dancing because it guided the dance steps with its measure, speed, and the feeling it evoked, from energetic to sensual.^[11] Many of these beats come from European folk music, West African beats, and African American Jazz.^[12] Various Latin American regions developed independent styles, and from each genre, or combination of styles, a different genre was born. For example, the Mambo which was created in the 1940s emerged through the combination of American swing and Cuban Son music.^[13] Another example is the Romani and Egyptian cultural dance of belly dancing, which has traveled its way to Spain and gained its influence in the repertoire of the latin dance known as flamenco due to the Moorish conquest of Iberia (Spain) in the Eighth-Century.^[14] Though Latin dance is a social dance that can be seen in Quinceañeras, parties, and in any social gathering there is no required cultural clothing required for these style of dancing. On the other hand, in the dance sport competition world of «latin dance» each categories in Latin dance has its own unique styled costumes along with it. From short rimmed dresses, fringe hems, a skirt or dress, braided hems, and boa feathers and flowers can be seen throughout each costume designs.^[15]

The modernization of Latin dance[edit]

Following the music, movement history, and the rhythms, Latin dance evolved over time and individual steps slowly shifted the repertoire of each dance. It has several different forms and many modernized styles which creates a problem because it is shifting away from its Native, European, and African roots. A popular aerobic dance class known as Zumba is said to be influenced by Latin rhythm and steps. However, there are disagreements among Latin dancers about whether Zumba is a true Latin dance.^[16]

• 

• 

• 

  Tango

• 

See also[edit]

• International Latin American Dance Champions
• World Latin Dance Champions

References[edit]

Further reading[edit]

• Sévigny, Jean-Pierre. Sierra Norteña: the Influence of Latin Music on the French-Canadian Popular Song and Dance Scene, Specially as Reflected in the Career of Alys Robi and the Pedagogy of Maurice Lacasse-Morenoff. Montréal: Productions Juke-Box, 1994. 13 p. N.B. The published text of a paper prepared for, and presented on, on 12 March 1994, the conference, Popular Music Music & Identity (Montréal, Qué., 12–13 March 1994), under the auspices of the Canadian Branch of the International Association for the Study of Popular Music.