Мультик сказка про царя салтана

Цветная версия популярнейшей сказки Пушкина, про трех девиц — сестриц под окном, которые однажды пряли поздно вечерком, мечтали о царе, не подозревая, что тот подслушивает… Так царь Салтан, выбрал себе жену, обещавшую родить богатыря. Сын родился, когда государь ушел в поход. И злые сестры вместе с бабкой Бабарихой решили избавиться от молодой княгини. Бабариха подстроила, что Салтан повелел посадить жену и сына Гвидона в бочку и кинуть в море.

Но мать с сыном не погибли, а попали на волшебный остров. Там они начали править, а Гвидон вырос красивым, мужественным и справедливым царем. Спасенная им Царевна лебедь помогла трижды увидеть отца и подарила три чуда…

Авторы сценария, кинорежиссёры и художники-постановщики Иван Иванов-Вано, Лев Мильчин. Текст от автора читает Авангард Леонтьев.

Особенности фильма

— Полное название сказки в стихах: «Сказка о царе Салтане, о сыне его славном и могучем богатыре князе Гвидоне Салтановиче и о прекрасной царевне Лебеди». Пушкин написал сказку 1831 году. Впервые издана в 1832 году. Первоначально поэт хотел при написании сказки чередовать стихи с прозой, но впоследствии отказался от этой идеи.

— «Сказка о царе Салтане» написана четырёхстопным хореем с парной рифмовкой.

— Иван Петрович Иванов-Вано (1900-1987) — один из основоположников советской школы мультипликации. В 1938 году на художественном факультете он создал мастерскую художников мультипликационного фильма, в которой обучал студентов до 1987 года.

Авторы о фильме

Иван Иванов-Вано: «Уникальность искусства мультипликации заключается ещё и в том, что оно не имеет границ. Так же, как не имеют границ человеческое воображение, фантазия, вымысел. Мне хочется сказать о нём словами средневекового японского драматурга Тикамацу Мондзаимоно, писавшего пьесы для кукольного театра: «Искусство лежит на границе между правдой и ложью. Оно есть ложь. И в то же время не ложь. Оно есть правда. И в то же время оно не правда. Услада искусства лежит между тем и другим».

Критика

Наталья Абрамова: «…На протяжении нескольких десятилетий неустанно разрабатывает Иванов-Вано великолепный, сверкающий и неистощимый пласт русской сказки. Сказки народной и сказки литературной, близкой по духу народной…

…Фильмы эти — выражение определенной линии его режиссерского мироощущения, преданности большой и прекрасной теме народного таланта, силы и внутренней красоты простого человека. Верность этой теме делают творчество Иванова-Вано целеустремленным и значительным».

(«Иван Иванов-Вано // Мастера советской мультипликации». М., 1972).

Юрий Норштейн: «…Иванов-Вано соединил всё: любовь к русской культуре, поэзии, знание профессии, хорошее владение всем арсеналом мультипликации того времени. Он превратил диснеевскую технологию в мощное мероприятие — русский фильм. Здесь была, конечно, и заслуга художника, Льва Мильчина, с которым он не расставался всю жизнь…»

Контекст

В 1900-ом году состоялась премьера оперы Римского-Корсакова «Сказка о царе Салтане», (либретто В. И. Бельского)

В 1943 — киностудия «Союзмультфильм» выпустила мультфильм «Сказка о царе Салтане», режиссеры Зинаида и Валентина Брумберг

В 1966 на киностудии «Мосфильм» был снят игровой фильм «Сказка о царе Салтане», Александр Птушко.

The Tale of Tsar Saltan (Russian: Ска́зка о царе́ Салта́не; tr.:Skazka o tsare Saltanye) is a 1984 Soviet traditionally animated feature film directed by Lev Milchin and Ivan Ivanov-Vano and produced at the Soyuzmultfilm studio. It is an adaptation of the 1831 poem of the same name by Aleksandr Pushkin. There are few words in the film besides those of the poem itself, which is read from beginning to end by the narrator and the voice actors. Some portions of the poem are skipped.

The movie was adapted in English in the 1990s by Films by Jove for the series Stories from My Childhood.

Plot[edit]

Nearly identical to that of the original poem.

Three maidens under a window spun late in the evening … And then much that was: both love, and slander, both treachery, and miracles, and set of magic adventures, and thirty three athletes, and, of course, happy end …

Adventures of the brave tsarevitch Gvidon, the great tsarevna-Swan and the tsar Saltan will remind that love, fidelity and strength of mind always win!

Creators[edit]

Reception[edit]

Fellow film director Yuri Norstein, who had previously worked with Ivanov-Vano, praised Tsar Saltan’s direction:

Ivan Ivanov-Vano was the first to use the motifs and techniques of folk art in animation. From his studies at Vkhutemas, education in the traditions of the Russian avant-garde, excellent knowledge of world artistic culture – all this was reflected in his work. From an art historian’s point of view, he could be called a formalist; he was not afraid to experiment. This director’s experiment was «The Humpbacked Horse», which has become a classic. In it, Ivanov-Vano combined everything: love for Russian culture, usage of poetry, knowledge of the profession, and good command of the entire arsenal of animation of that time. He used Disney’s technology to create a powerful innovation – a Russian film. The merit of the artist Lev Milchin was of course essential to Ivan’s creation, for all his life he never parted ways with him. Their last work was ‘’The Tale of Tsar Saltan’’. It was the perfect tandem — the irrepressible nature, the warrior-man, fanatic, tyrant Vano. Intellectual to the core, he did not permit anything superfluous; he understood everything, acute to the grotesque Milchin. For several decades, its elements, its natural habitat – remained a Russian fairy tale.

Home video[edit]

The Tale of Tsar Saltan was first released on home video in the early 1990s, by film association Krupny Plan. Several years later, Krupny Plan again issued the film, in a VHS collection that contained other animated adaptations of Pushkin’s fairy tales. The film was later released by original producer Soyuzmultfilm. In the 2000s it was reissued on DVD by both Soyuzmultfilm and Krupny Plan, and in 2003 with Soyuzmultfilm’s collection «A Gold Collection of Favourite Cartoons”.

See also[edit]

• History of Russian animation
• List of animated feature-length films
• List of films based on poems

External links[edit]

• The film at the Animator.ru (English and Russian)
• Skazka o tsare Saltane at IMDb
• The Tale of Tsar Saltan (1984) at Animatsiya.net, with subtitles in several languages including English
• The film at myltik.ru (in Russian)

The Tale of Tsar Saltan (Russian: Ска́зка о царе́ Салта́не; tr.:Skazka o tsare Saltanye) is a 1984 Soviet traditionally animated feature film directed by Lev Milchin and Ivan Ivanov-Vano and produced at the Soyuzmultfilm studio. It is an adaptation of the 1831 poem of the same name by Aleksandr Pushkin. There are few words in the film besides those of the poem itself, which is read from beginning to end by the narrator and the voice actors. Some portions of the poem are skipped.

The movie was adapted in English in the 1990s by Films by Jove for the series Stories from My Childhood.

Plot[edit]

Nearly identical to that of the original poem.

Three maidens under a window spun late in the evening … And then much that was: both love, and slander, both treachery, and miracles, and set of magic adventures, and thirty three athletes, and, of course, happy end …

Adventures of the brave tsarevitch Gvidon, the great tsarevna-Swan and the tsar Saltan will remind that love, fidelity and strength of mind always win!

Creators[edit]

Reception[edit]

Fellow film director Yuri Norstein, who had previously worked with Ivanov-Vano, praised Tsar Saltan’s direction:

Ivan Ivanov-Vano was the first to use the motifs and techniques of folk art in animation. From his studies at Vkhutemas, education in the traditions of the Russian avant-garde, excellent knowledge of world artistic culture – all this was reflected in his work. From an art historian’s point of view, he could be called a formalist; he was not afraid to experiment. This director’s experiment was «The Humpbacked Horse», which has become a classic. In it, Ivanov-Vano combined everything: love for Russian culture, usage of poetry, knowledge of the profession, and good command of the entire arsenal of animation of that time. He used Disney’s technology to create a powerful innovation – a Russian film. The merit of the artist Lev Milchin was of course essential to Ivan’s creation, for all his life he never parted ways with him. Their last work was ‘’The Tale of Tsar Saltan’’. It was the perfect tandem — the irrepressible nature, the warrior-man, fanatic, tyrant Vano. Intellectual to the core, he did not permit anything superfluous; he understood everything, acute to the grotesque Milchin. For several decades, its elements, its natural habitat – remained a Russian fairy tale.

Home video[edit]

The Tale of Tsar Saltan was first released on home video in the early 1990s, by film association Krupny Plan. Several years later, Krupny Plan again issued the film, in a VHS collection that contained other animated adaptations of Pushkin’s fairy tales. The film was later released by original producer Soyuzmultfilm. In the 2000s it was reissued on DVD by both Soyuzmultfilm and Krupny Plan, and in 2003 with Soyuzmultfilm’s collection «A Gold Collection of Favourite Cartoons”.

See also[edit]

• History of Russian animation
• List of animated feature-length films
• List of films based on poems

External links[edit]

• The film at the Animator.ru (English and Russian)
• Skazka o tsare Saltane at IMDb
• The Tale of Tsar Saltan (1984) at Animatsiya.net, with subtitles in several languages including English
• The film at myltik.ru (in Russian)