Пираты карибского моря мертвецы не рассказывают сказки бюджет

Pirates of the Caribbean: Dead Men Tell No Tales
Theatrical release poster
Directed by	Joachim Rønning Espen Sandberg
Screenplay by	Jeff Nathanson
Story by	Jeff Nathanson Terry Rossio
Based on	Characters by Ted Elliott     Terry Rossio     Stuart Beattie     Jay Wolpert Walt Disney’s Pirates of the Caribbean
Produced by	Jerry Bruckheimer
Starring	Johnny Depp Javier Bardem Geoffrey Rush Brenton Thwaites Kaya Scodelario Kevin McNally
Cinematography	Paul Cameron[1]
Edited by	Roger Barton Leigh Folsom Boyd
Music by	Geoff Zanelli
Production companies	Walt Disney Pictures Jerry Bruckheimer Films
Distributed by	Walt Disney Studios Motion Pictures
Release dates	May 11, 2017 (Shanghai Disney Resort) May 26, 2017 (United States)
Running time	129 minutes[2]
Country	United States
Language	English
Budget	$230–320 million[3][4]
Box office	$794.9 million[5]

Pirates of the Caribbean: Dead Men Tell No Tales (released internationally as Pirates of the Caribbean: Salazar’s Revenge) is a 2017 American swashbuckler fantasy film directed by Joachim Rønning and Espen Sandberg and written by Jeff Nathanson, from a story by Nathanson and Terry Rossio. Produced by Jerry Bruckheimer and distributed by Walt Disney Studios Motion Pictures, the film is the standalone sequel to On Stranger Tides (2011) and the fifth installment in the Pirates of the Caribbean film series. It stars Johnny Depp, Javier Bardem, Geoffrey Rush, Brenton Thwaites, Kaya Scodelario, and Kevin McNally.

The filmmakers cited the series’ first installment, The Curse of the Black Pearl (2003), as inspiration for the script and tone of the film, with critics describing the film as a «requel». Pre-production for the film started shortly before On Stranger Tides was released in early 2011, with Terry Rossio writing the initial script. In early 2013, Jeff Nathanson was hired to write a new script for the film, with Depp being involved in Nathanson’s writing process. Initially planned for a 2015 release, the film was delayed to 2016 and then to 2017, due to script and budget issues. Principal photography started in Australia in February 2015, after the Australian government offered Disney $20 million in tax incentives, and ended in July 2015.

Dead Men Tell No Tales premiered in Shanghai on May 11, 2017, and was released in the United States on May 26. The film received generally negative reviews from critics and grossed $795 million worldwide against a production budget between $230–320 million.

Plot[edit]

Thirteen years after the battle of Calypso’s maelstrom,^[a] a twelve-year-old Henry Turner boards the Flying Dutchman and informs his father, Will, that the curse which binds Will to the Dutchman and only permits him to step on land once a decade can be broken by the Trident of Poseidon. Henry intends to recruit Captain Jack Sparrow to help find it, but Will believes this is impossible and orders Henry to leave. Will and the Dutchman then disappear into the sea, but Henry vows to find Jack and the Trident.

Nine years later, Henry is a sailor in the Royal Navy. The ship sails into the supernatural Devil’s Triangle and stumbles upon the wreck of the Silent Mary, whose ghostly crew led by Spanish pirate-hunter, Captain Armando Salazar, attacks, killing the entire crew but leaving Henry as the sole survivor so that he can deliver a message to Jack, who killed Salazar and his crew decades ago by leading them to the Devil’s Triangle and inadvertently cursed them.

On Saint Martin, a young astronomer named Carina Smyth is sentenced to death for witchcraft but escapes and crosses paths with Jack as he and his crew botch a bank robbery, suffering from a spell of bad luck. Jack later trades his compass for a drink, an act that destroys the Devil’s Triangle and frees Salazar and his crew once more. Carina learns Henry is looking for the Trident’s location and offers to help him using her unknown father’s diary. Carina and Jack stall the execution process, but they escape with the help of Henry and Jack’s crew, setting sail on the Dying Gull. Carina deciphers the clues in her diary, discovering that the stars will lead to an island where the Trident is hidden.

Meanwhile, Captain Hector Barbossa hears from his pirate crew that the revived Captain Salazar has killed several pirates at sea and is destroying Barbossa’s fleet. Barbossa talks his way out of being killed by offering to help find Jack and learns that the Trident could lead him to a «treasure». Salazar agrees, wanting revenge on Jack. Salazar pursues the Dying Gull, forcing Jack, Henry, and Carina to flee to an island, discovering that Salazar’s crew cannot go on land. Barbossa allies himself with Jack, returning his compass and restoring the miniaturized Black Pearl^[b] to its original size. They continue their journey to the island, with Barbossa taking command of the Pearl once more. During the voyage, Jack and Barbossa realize Carina is the latter’s long-lost daughter.

The Pearl approaches the Trident’s island and evades a Royal Navy warship until it is destroyed by the Silent Mary before the Pearl runs aground on the island. Jack, Barbossa, and Carina use the island’s magic to part the ocean which opens a path to the Trident on the ocean floor. Salazar captures Henry and possesses him to walk on the ocean floor and seize the Trident. Once he does so, Henry is given his body back, and Jack distracts Salazar, allowing Henry to destroy the Trident, breaking all curses upon the sea and restoring Salazar’s crew to life. However, the Trident’s destruction causes the divided sea to close in on them. The Pearl lowers its anchor to lift the group to safety, but Salazar pursues them, still hell-bent on killing Jack. Carina realizes that Barbossa is her father when she spots a tattoo on his arm identical to the diary’s cover, a trident star formation. Barbossa sacrifices himself to kill Salazar, allowing the others to escape.

Sometime later, Henry and Carina reach Port Royal, where Will appears, free from the Dutchman. His wife, Elizabeth Swann, appears moments later and the Turner family reunites. Henry and Carina kiss. Jack watches from the Pearl before sailing away into the horizon, captain once again, while also adopting Captain Barbossa’s monkey.

In a post-credits scene, Will and Elizabeth are asleep in their bed, when Davy Jones appears in their room. When he prepares to strike the couple, Will wakes up. Assuming he had a nightmare, he goes back to sleep, oblivious to the wet barnacles on the floor.

Cast[edit]

• Johnny Depp as Captain Jack Sparrow:
  The former Captain of the Black Pearl who travels with Henry and Carina in search of the Trident of Poseidon.^[6] Rønning wanted to focus on relatable characters, as in the first film, «where Jack is not the [lead … but] comes in and crashes the party every now and then,»^[7] and to make use of Depp’s «comedic genius».^[8] The film examines Jack’s backstory, with the young Jack portrayed by Anthony De La Torre,^[9] whose face was replaced by a CGI replica of Depp as he looked in 21 Jump Street and What’s Eating Gilbert Grape (1993).^[10] Rønning felt de-aging Depp was tricky against the canon of the franchise.^[11]
• Javier Bardem as Captain Armando Salazar:
  The undead Captain of the Silent Mary who seeks revenge on Jack Sparrow and attempts to steal the Trident of Poseidon to kill every pirate at sea.^[1] Bardem set out to imbue the character with «a rage based on dented pride,» owing to his spectacular fall, from a high-ranking commander of a Spanish fleet to being betrayed and trapped in hell by Jack.^[12] With Salazar’s body language, he tried to convey a bull in an arena, «full of rage and need of vengeance, but also wounded.»^[13] It took three hours a day to apply the make-up, which Bardem referred to as having «cold chicken breasts» glued to his face.^[14]
• Geoffrey Rush as Captain Hector Barbossa: Sparrow’s rival and the Captain of the Queen Anne’s Revenge.^[1]
• Brenton Thwaites as Henry Turner:
  The son of Will Turner and Elizabeth Swann who vows to break his father’s curse by searching for the Trident.^[15][1] The directors were keen to draft a new protagonist relationship with Henry and Carina, stating that «in the middle of a big action scene, you need to be able to lean on the characters and find the heart of that story, and channel the characters’ vulnerability.» Rønning noted that identity is a major theme in the film, and to Henry and Carina’s story arc: «they are on a similar quest and find common ground in looking for who they are.»^[8] Lewis McGowan portrays a young Henry.^[16]
• Kaya Scodelario as Carina Smyth Barbossa:
  A headstrong, altruistic astronomer who was wrongly accused of being a witch.^[1] Scodelario explained the character’s motivation and role, saying, «she is an academic, she’s fighting for the right to study at university because women couldn’t at that time.» Later revealed to be Captain Barbossa’s long-lost daughter.^[17] For the directors, it was important to «modernise it with Henry and Carina, Kaya, especially brought that with her. She’s a modern woman.»^[7] Scodelario worked with scriptwriter Jeff Nathanson to ensure the character was unique to the series^[12] and not a copy of Elizabeth Swann.^[18] She said that female characters often «fall into two camps; they are either pretty and perfectly put together or completely insane. Carina has definitely got a little bit of both.»^[12]
• Kevin McNally as Joshamee Gibbs: Captain Jack’s loyal friend and first mate.^[1]

Supporting characters appearing in the film include: David Wenham appears as Lieutenant John Scarfield, a Royal Navy officer, who commands HMS Essex;^[19] Golshifteh Farahani appears as Shansa, a sea witch;^[1] and Stephen Graham, Martin Klebba, Giles New, and Angus Barnett reprise their roles as Scrum, Marty, and Murtogg and Mullroy, respectively, from previous films, as the members of the pirate crew.^[1][20]

Orlando Bloom reprises his role as Will Turner, a blacksmith-turned-pirate who was transformed into the Captain of the Flying Dutchman at the end of At World’s End (2007).^[21][22] In preparation for his role, Bloom stated that he would like to portray a character outside of his usual role types as a good-looking hero, alluding to the make-up requirements for Davy Jones, as Bloom having his possible return in the franchise.^[23]

Keira Knightley briefly appears at the end in a non-speaking role as Elizabeth Swann, Will’s wife and Henry’s mother.^[24] Adam Brown, Danny Kirrane, and Delroy Atkinson appear as members of Jack’s crew,^[25] and in the prison scene, Paul McCartney briefly appears as Jack’s paternal uncle, Uncle Jack.^[26] A CGI silhouette of Davy Jones is seen in the post-credits scene, but actor Bill Nighy stated that he had not been informed about the character’s appearance.^[27]

Production[edit]

Development[edit]

Shortly before the release of On Stranger Tides, the cast and crew of the fourth film were told to set aside time in the near future, because Walt Disney Pictures intended to shoot a fifth and sixth film back-to-back.^[28] However, it was later stated that only a fifth film was in the works, with Terry Rossio writing a script for a fifth film without his partner Ted Elliott.^[29] Rob Marshall was rumoured to return to direct,^[30] but declined after choosing to direct Into the Woods (2014).^[31] After Marshall passed on the film, many directors were rumored to take over.^[32] Gore Verbinski, who was responsible for the original three films, felt that «there’s no reason other than financial» in making the film.^[33] The eventual shortlist included Fredrik Bond, Rupert Sanders, and the eventual choice, Norwegian film duo Joachim Rønning and Espen Sandberg.^[34] The studio chose them based on their Academy Award-nominated high-sea film Kon-Tiki, and their ability to work with a limited budget.^[35]

Rossio’s script was ultimately rejected, and the writer stated that a major reason was its use of a female villain, which made actor Johnny Depp «worried that would be redundant to Dark Shadows (2012), which also featured a female villain.»^[36] In January 2013, Disney hired Jeff Nathanson to work on a script.^[37] Rønning and Sandberg said they were particularly moved by Nathanson’s «funny and touching» script,^[38] which convinced them to sign to direct in May,^[39] Rønning believing that the script was «all there» but needed scenes to «carry the tradition of Gore Verbinski, bring the emotional core and big action set pieces.»^[8] In August, Rønning and Sandberg revealed that the title would be Dead Men Tell No Tales.^[40] However, the following month producer Jerry Bruckheimer said, «We have an outline everyone loves but the script is not done,» explaining that the release would be postponed beyond summer 2015.^[35] The studio questioned Depp’s bankability following the financial losses of The Lone Ranger (2013),^[41] and the screenplay’s first drafts were not approved by Walt Disney Studios chairman Alan Horn, who was concerned about the finished product.^[42] Bruckheimer revealed that script and budget issues were behind the delay, and that Nathanson was at work on a second draft, based on a well-received outline, saying they needed a script and budget everyone would approve.^[35] Depp was also invited to collaborate on the script, with the actor believing it would be the last of the franchise and wanting to end it right.^[43] After the script was accepted, the film was officially green-lit by Disney in July 2014, with a planned release on July 7, 2017.^[44]

The directors were inspired by the first film, The Curse of the Black Pearl,^[38] stating that the original is thrilling but above all a comedy with heart, and wanted to reinvent the «structure and the dynamics between the characters.» In addition to recapturing the best of previous franchise installments, the directors had the works of Charlie Chaplin and Buster Keaton in mind when crafting the tone of the film.^[8] The pair wanted the film to be the «most emotional» of the series, and to explore the roots of Jack Sparrow.^[45] They decided to use Jack’s compass as the «key to unlock Salazar from his hellish prison in the Triangle,» and toned down some of the fantastic elements «to ground it, even in Pirates Of The Caribbean [sic].»^[46] Geoffrey Rush argued that the pair brought «Euro sensibility to traditional Hollywood franchise thinking,»^[47] while Orlando Bloom believed that they had «recaptured the simplicity and charm» of the original film.^[48] Kaya Scodelario said that the producers wanted to take the franchise back to its origins, with a story that gave characters a conclusion while opening new possibilities.^[49] Along with the directors and writers, many of the crew members were new to the franchise, replacing those who had served on the previous four films, with the exception of Bruckheimer, costume designer Penny Rose, and executive producer Chad Oman.^[1][50]

Casting[edit]

Speaking at the On Stranger Tides press launch in Cannes, Depp said he would play the role so long as it is popular with the public.^[51] In August 2012, news surfaced that Depp had signed for the fifth film, earning A$90 million to reprise his role.^[6] One month later, Penélope Cruz stated that in spite of her enjoying playing Angelica in On Stranger Tides, she had not been contacted regarding a fifth film.^[52] Geoffrey Rush had commented on returning as Hector Barbossa in the fifth installment, saying «If they keep shapeshifting this character, absolutely,» and implied that he might return as the villain.^[53] Orlando Bloom commented in December 2014, saying that while he was not sure whether he would return, there were talks. He also indicated that Disney could make a soft reboot with the franchise and focus on Will Turner and his son.^[23] Bloom’s participation was kept secret until the Disney D23 in 2015, after filming had wrapped.^[54] Once the filmmakers started working with Bloom, they decided that they needed to reunite the character with his wife, Elizabeth. To ensure that Keira Knightley could reprise this role, the production moved for a one-day shoot in London, where she was working.^[46]

On December 2, 2013, it was reported that Christoph Waltz was in talks to appear as the film’s main antagonist,^[55] but he later declined. The villain was eventually portrayed by Cruz’s husband, Javier Bardem.^[56] In 2014, Bardem signed on to portray Armando Salazar, who in early scripts was referred to as Captain John Brand.^[1] Bardem had liked the working environment of the fourth movie, which he witnessed accompanying his wife, and stated he was also a fan of the franchise and of Depp’s performance as Jack Sparrow.^[57] Australian actor Brenton Thwaites entered talks for the role of Henry in late November 2014,^[58] after Disney chose him over Taron Egerton, George MacKay, Mitchell Hope, Ansel Elgort, and Sam Keeley.^[59]

Kaya Scodelario was chosen as the female lead out of a shortlist that included Gabriella Wilde, Alexandra Dowling, Jenna Thiam, and Lucy Boynton.^[60] Her character, Carina, is an astronomer accused of being a witch. Scodelario confirmed that she was playing «a totally different character» from Elizabeth Swann, and also that she will be Henry’s love interest,^[18][61] given in earlier drafts she was envisioned as a love interest of Sparrow.^[62] Kevin McNally confirmed his return as Joshamee Gibbs in late January.^[20] Adam Brown, Delroy Atkinson, and Danny Kirrane were revealed as cast members shortly before filming.^[25] As filming begun, two actors from the previous films were confirmed to return, Martin Klebba as Marty^[63] and Stephen Graham as Scrum.^[1] Keith Richards expressed interest in reprising his role as Captain Teague,^[64] but was unavailable, leading Depp to invite Paul McCartney into appearing as Jack Sparrow’s uncle (also named Jack).^[65]

Other actors had expressed interest in reprising their roles from the previous films, such as Tia Dalma portrayer Naomie Harris,^[66] and Greg Ellis, even if his character Theodore Groves appeared to die in the previous film.^[67] Both Lee Arenberg and Mackenzie Crook commented on the possibility of returning as Pintel and Ragetti.^[68] In an interview on November 7, 2014, Crook confirmed that he had received a call of availability from Disney for the film,^[69] though he later declined in order to focus on his television series Detectorists.^[70] He said he had felt «pangs of nostalgia» when the cast and crew filmed without him.^[71] Arenberg, who also had a television commitment, to Once Upon a Time, added that he felt like the producers «weren’t really trying to court us like they really wanted us.»^[72]

Filming[edit]

Directors Joachim Rønning and Espen Sandberg originally stated that shooting would take place in Puerto Rico and New Orleans,^[73] and Bruckheimer had previously mentioned that there might be a sequence in Louisiana.^[74] However, a spokesman for Australian Arts Minister George Brandis confirmed that the fifth installment was set to shoot exclusively in Australia, after the government agreed to repurpose $20 million of tax incentives, originally intended for the remake of 20,000 Leagues Under the Sea; thus edging out Mexico and South Africa as filming locations.^[75] Filming took place exclusively in Queensland, Australia, as the largest production to ever shoot in the country. Village Roadshow Studios and the Whitsunday Islands were officially confirmed as filming locations.^[76] On January 1, 2015, The Rainbow Gypsy, a 15-year-old replica of an 1897 Scottish bawley, underwent an extensive refit at the Gold Coast, including a new bowsprit, and reconfigured decks and cabins, for filming as the Dying Gull. Its captain and owner, Kit Woodward, was a rigger on the film.^[77]

Filming commenced on February 17, 2015.^[1] Ship scenes were filmed in front of a giant outdoor greenscreen in Helensvale,^[78] while a film set in the form of a village was built in Maudsland.^[79] Because the greenscreens’ height blocked the sunlight, containers with inflatable bluescreens mounted on top were added to the set to allow some light to enter.^[80] While an initial draft of the script featured six ships, the end product had eleven vessels; to cut costs, most of these were partial constructs later enhanced by computer graphics, with some built atop a hydraulic rig to mimic the movement of seafaring while on land. The camera crew, led by director of photography Paul Cameron, also made extensive use of drones, to capture immersive views at sea without resorting to aerial footage or cranes.^[10][81]

Filming moved to Doug Jennings Park on the Spit from March 30 to June 15 for water-bound scenes.^[82] However, due to extreme sea sickness among the cast and crew from the «big swells,» filming moved to Raby Bay for calmer waters.^[83] Scenes were shot at Byron Bay on June 1. Locals made up more than 75 percent of the 850-plus crew then working on the film.^[84] After much speculation about whether Orlando Bloom would return, Bloom arrived at the Gold Coast in late May to reprise his role as Will Turner.^[21][22] Scenes featuring a skeleton of a sperm whale that had been constructed were shot at Hastings Point from June 21 to 23.^[85]

A number of issues and controversies set back the film during its production. The biosecurity laws in Australia posed problems regarding the capuchin monkeys that portray Hector Barbossa’s pet monkey Jack, because the animals are regarded as a category 1 pest and call for strict requirements and a 30-day quarantine.^[86] Further controversy erupted from animal rights activist groups, who urged Federal Environment Minister Greg Hunt to reject the entry application, arguing that the long air-flight would affect their health, and that their performance was unnatural and would create demand for illegal wildlife trade.^[87] One of the monkeys caused further disruption when it wandered off set at Movie World, and bit the ear of a make-up artist on another production.^[88]

Crew and cast members were forced to cover the camera lenses on all mobile phones with duct tape to prevent the film from being pirated before its release. To prevent fans from interfering with the production, secret filming locations used the production name of «Herschel» to hide the fact it was the fifth Pirates of the Caribbean film.^[89] Following the attempt of an armed man trying to bypass security, the already tight security was increased.^[90]

On March 10, 2015, Depp was injured off set and had to be flown to the United States for surgery.^[91] Due to his absence, filming stalled completely and 200 crew members were forced to stand down for two weeks, after finishing all they could do without Depp.^[92] Depp returned to set on April 21.^[93] In June, Kaya Scodelario was injured on set along with a stuntman.^[94] In early July, dismantling of the sets at the Spit had begun.^[95] Most of the cast and crew had finished on July 8, and a wrap party was held on July 11.^[96] Filming then moved to the Whitsundays for the final shots.^[95][97] On July 21, 2015, Rønning announced that filming had wrapped after a 95-day shoot.^[98] After nearly a year in post-production, reshoots and additional photography were conducted in Vancouver, Canada from March 24 to April 13, 2016, under the production title «Herschel Additional Photography».^[99]

Post-production[edit]

Editing was a collaboration between Roger Barton and Leigh Folsom Boyd, with the latter detailing that «Roger started from the beginning of the film and I started from the end, and we kind of met in the middle.» Boyd added that it was the longest post-production process she was ever involved with, as Disney wanted to give «the support and leeway we needed to tell the story and allow for the complex visual effects to bake.»^[100] The editors worked closely with the previsualization team to, according to effects supervisor Gary Brozenich, «give meat to the bones of the plates that needed effects explanation as well as any new CG beats that would be added later.» Along with the post-production team in Los Angeles, Brozenich had to split his time going to the UK and Montreal, to check on the eight companies handling the film’s 2,000 visual effects shots, with 150 of them consisting only of computer graphics. The primary vendor was Brozenich’s own employer Moving Picture Company (MPC).^[80][101] Among MPC’s work were Salazar’s undead pirates, whose on-set footage was mostly replaced by CGI to achieve missing body parts and floating hair and clothing. Brozenich stated that what was kept of the original actors was «their run, gait and faces.» To provide reference for the floating parts, which were meant to resemble a perpetual drowning state, a stuntman in full costume and wig was filmed underwater in a swimming pool performing various actions.^[10]

Atomic Fiction handled the scenes at St. Martin, turning the few blocks of buildings built on set into more than 600 CG buildings, surrounded by a jungle environment. The work combined references from both the Caribbean and Thailand, and enhanced through CGI both the guillotine on which Jack Sparrow is nearly executed and the bank from the heist scene; the bank was meant to look as if its foundations were dug through the ground instead of sliding on the surface.^[102] Along with sea footage filmed in both the Australian sets and Key West, Florida, there was extensive usage of water simulations, with the artists using the Beaufort scale to ensure the waves and wind realistically matched.^[80]

Music[edit]

This was the first film in the series that Hans Zimmer did not compose the music for. Instead, the main composer is one of his protégés, Geoff Zanelli, who had worked on the previous four installments in the franchise.^[103] Zanelli said that Zimmer «redefined the sound of the entire genre» and considered it a great accomplishment to have worked with him and Bruckheimer. He used this experience with the franchise to build a new sound for the film.^[103] He stated that «you don’t have to modernize the melodies, those are timeless,» citing one example of how he tried to make the sound more modern by featuring an electric cello to create a menacing leitmotif for Captain Armando Salazar.^[104] This was also the first Pirates of the Caribbean score to feature mostly live percussion, as opposed to the programmed percussion in the prior scores. As it took more than a year for the film to start production following Zanelli being hired, he accompanied the script’s evolution, and was familiar with the character arcs that he would need to translate in their theme songs. Zanelli always started writing the music on the piano, namely a synthesized orchestra.^[105] The film’s soundtrack was released on May 26, 2017.^[106]

Marketing[edit]

A robust marketing effort helped promote Dead Men Tell No Tales.^[107] The film was first showcased at the Disney D23 Expo 2015, where Depp appeared in costume as Jack Sparrow and the film’s logo was revealed, with Orlando Bloom confirmed to be starring in the film.^[108][109] A tie-in prequel expanding the backstory of the character Carina Smyth was also released, titled Pirates of the Caribbean: Dead Men Tell No Tales – The Brightest Star in the North.^[110] The film was showcased at the 2016 Walt Disney Content Showcase in South Africa, where concept art, story details and on-set images were previewed.^[111]

Release[edit]

Theatrical[edit]

Dead Men Tell No Tales screened on March 28, 2017 at the 2017 CinemaCon event in Las Vegas.^[112] It had its world premiere at the Shanghai Disney Resort in Shanghai on May 11, 2017,^[113] and was released in the United States on May 26.^[114] In some countries, including the United Kingdom, the film was released as Pirates of the Caribbean: Salazar’s Revenge,^[115] a decision that the directors were not informed about.^[46] It is the first Hollywood feature to be released in the United States for the new panorama-like ScreenX format, which played in two locations in the United States, the CGV Buena Park and the CGV Cinemas in Los Angeles. Additionally, it played in 81 screens at select theaters in Korea, China, Thailand, Vietnam, Turkey, and Indonesia. The film also played in 4D on 373 4DX screens worldwide.^[116] The film was released in IMAX in an expanded 1.9:1 aspect ratio.^[117]

Home media[edit]

Pirates of the Caribbean: Dead Men Tell No Tales was released on digital download by Walt Disney Studios Home Entertainment on September 19, 2017, and on Blu-ray, Ultra HD Blu-ray, and DVD on October 3.^[118] It was the top home-media release in its first week, with the Blu-ray version accounting for 78% of sales, and brought the previous four films back into the 25 best-sold Blu-rays.^[119]

Reception[edit]

Box office[edit]

Pirates of the Caribbean: Dead Men Tell No Tales grossed $172 million in the United States and Canada, and $622 million in other territories, for a worldwide total of $795 million,^[5] against an estimated production budget of $230 million.^[3] It had a worldwide opening of $271.4 million from 55 markets, with $24 million coming from 1,088 IMAX screens.^[120] The film’s six-day opening gross pushed the franchise gross past the $4 billion mark.^[121] Despite being the lowest-grossing film of the series in the US by nearly $70 million, the film became the highest-grossing entry of the Pirates franchise internationally when going by modern foreign-exchange rates, passing On Stranger Tides, which grossed $593.4 million at current rates.^[122] The largest-earning foreign markets were China ($172.3 million), Japan ($59.5 million), and Russia and the CIS ($40.7 million), where it was the second-highest-grossing film behind Avatar (2009).^[123] Deadline Hollywood noted the film would turn a net profit of around $280 million after factoring together all expenses and revenues based on a projected $850 million final gross (though it would ultimately fall short of that figure, likely resulting in a smaller profit).^[124]

United States and Canada[edit]

Dead Men Tell No Tales debuted over the four-day Memorial Day opening weekend, being released in 4,276 theaters, of which over 3,100 were 3D, taking advantage of formats such as IMAX, D-Box, and 4DX.^[125] The film earned $23.4 million on its first day, including $5.5 million from previews. It was the lowest opening day of the franchise.^[126] Dead Men Tell No Tales grossed $63 million over three days, and $78.5 million over four (Friday–Monday), finishing first at the box office, ahead of Guardians of the Galaxy Vol. 2 (2017) and fellow newcomer Baywatch (2017).^[127][128] It was the second-smallest opening weekend of the franchise, only earning more than the first film, with each of the other installments earning at least $90 million.^[129] Despite the film registering the highest test score in the series,^[130] the opening came in well below expectations of $80–115 million.^[131][132] Analysts attributed the underperformance to negative reviews, franchise fatigue, and Johnny Depp’s diminishing returns and depreciating public image, amid his personal problems. Still, it performed better than Disney’s previous Memorial Day releases (Prince of Persia: The Sands of Time (2010), Tomorrowland (2015), and Alice Through the Looking Glass (2016)),^{[133][134][135]} and studio executives said they were pleased with the movie’s opening,^[121] which helped Disney push past $1 billion in the US.^[136]

The film fell by a total of 65% in its second weekend, the worst of the series, grossing $22.1 million,^[137] and finishing in third place, after newcomers Wonder Woman (2017) ($103.3 million) and Captain Underpants: The First Epic Movie (2017) ($23.9 million).^[138] It remained in the top ten for four more weeks.^[139][140]

Other territories[edit]

Marketed as Salazar’s Revenge in most countries, the film was released day-and-date with its debut in 54 markets (91% of its total marketplace, except Japan, where it debuted on July 1).^[141] Preliminary reports had the film opening to $150–175 million, but possibly overperforming depending on major markets, most notably China.^[125][142] While its Chinese run benefited from the May 28–30 Dragon Boat Festival—a lucrative moviegoing period—and from International Children’s Day (June 1),^[143][144] the Manchester Arena bombing had a deteriorating effect on certain European markets over the film’s opening weekend.^[145] From Wednesday to Friday, it registered an opening of $208.8 million. Around $14 million of that came from IMAX screenings, the second-biggest international IMAX opening in May, after Captain America: Civil War (2016).^[120] Similar to its US plunge, it earned $73.8 million in its second weekend, falling to second place, behind Wonder Woman.^[146]

It recorded the biggest opening day of the year in several markets, including Germany ($3.6 million), Austria, France ($2.3 million), Finland, Sweden, Belgium, Thailand ($400,000), Indonesia, Malaysia, and the Netherlands ($900,000).^[145][147] Russia posted the biggest opening of all time with $18.4 million ($18.6 million including previews).^{[120][136][148]} In China, where the film had its global premiere, it earned $21.3 million on its opening day, the fourth-biggest Disney opening in the country. It had an 87% marketshare and had already surpassed the entire earnings of Pirates of the Caribbean: At World’s End.^[149] Earning a total of $67.9 million, it registered the third-highest three-day for any Disney title, and a much-higher opening than the US.^[120] The film did extremely well in IMAX, earning $9 million from 401 screens from Friday to early Monday bookings. The robust opening has been attributed to the Dragon Boat Festival, Depp’s star power, the ubiquity of the franchise, the impact of Shanghai Disneyland Park, and good word of mouth, with a score of 7.5/10 on reviews aggregator Douban and 8.7/10 on top mobile-ticketing platform Weying.^[150][151] The film’s final release market was Japan (July 1), where it opened at number one, achieving the highest-grossing opening for a Western film of the year, earning $9.25 million over the July 1–2 weekend.^[152] It retained the box office lead for one more week, and was the highest-grossing foreign film in the following weekend.^[153]

Critical response[edit]

On the review aggregator website Rotten Tomatoes, 30% of 294 critics’ reviews are positive, with an average rating of 4.7/10. The website’s consensus reads, «Pirates of the Caribbean: Dead Men Tell No Tales proves that neither a change in directors nor an undead Javier Bardem is enough to drain this sinking franchise’s murky bilge.»^[154] Metacritic, which uses a weighted average, assigned the film a score of 39 out of 100, based on 45 critics, indicating «generally unfavorable reviews».^[155] Audiences polled by CinemaScore gave the film an average grade of «A−» on an A+ to F scale,^[129] and PostTrak reported 81% of those gave the film a positive score.^[156]

Mike Ryan of Uproxx criticized what he termed as a convoluted plot and overabundance of characters, resulting in a film that was «practically incoherent.»^[157] Writing for Rolling Stone, Peter Travers called the film «bloated, boring, repetitive, and draining» and gave it one star out of four.^[158] Ignatiy Vishnevetsky of The A.V. Club wrote that the film echoes the first three of the franchise, «in which Johnny Depp’s louche and campy Jack Sparrow played second banana to an insipid love story… the two romantic leads … succeed only in making the shortest movie in the series seem just as long as the rest.»^[159] A. O. Scott of The New York Times said of the film, «Its pleasures are so meager, its delight in its own inventions so forced and false, that it becomes almost the perfect opposite of entertainment.»^[160] Michael O’Sullivan of The Washington Post remarked that the film was «loud, overstimulating and hard to take in all in one sitting.»^[161] Mick LaSalle of San Francisco Chronicle found the film to be «a jumble of half-baked impulses» that had been forced into a played-out franchise.^[162]

Richard Roeper of Chicago Sun-Times gave the film three stars out of four, saying: «Dead Men works well enough as a stand-alone, swashbuckling comedic spectacle, thanks to the terrific performances, some ingenious practical effects, impressive CGI and a steady diet of PG-13 dialogue peppered with not particularly sophisticated but (I have to admit) fairly funny sexual innuendo.»^[163] Pete Hammond of Deadline Hollywood praised the film, calling it «the most entertaining installment,» and giving credit to Rønning and Sandberg for creating a «rollicking good time». He praised the visual effects, particularly Salazar and his crew, arguing that the film should be in line to receive an Academy Award for Visual Effects. He also gave high praise to Bardem for being able to create such a «fully dimensional villain» under the layers of make-up and CGI, and Depp for keeping the film and franchise going.^[164] Leah Greenblatt of Entertainment Weekly gave the film a ‘B’, praising the fun nature of the film and its visuals and calling it «gorgeously detailed swashbuckling nonsense,» but wished that the script had taken more risks instead of following the formula used in previous films.^[165] Ashley Esqueda of CNET gave the film a positive review, arguing that it brought the franchise back to what made its first two installments so fun, and praised Depp’s performance as being «delightful as ever.»^[166] Brian Truitt of USA Today gave the film three stars out of four, saying «What was once a past-its-prime franchise seems to have found new life.»^[167]

Accolades[edit]

Future[edit]

Sequel and canceled reboot[edit]

On March 4, 2017, director Joachim Rønning stated that Dead Men Tell No Tales was «only the beginning of the final adventure», indicating that it would not be the last film of the franchise, and that a sixth film could be released.^[170] The post-credits scene of Dead Men teases a potential plot involving Davy Jones, who appears in some form while Will and Elizabeth sleep.^[171] In September 2017, producer Jerry Bruckheimer indicated that another Pirates sequel would be possible if Dead Men Tell No Tales did well in its home release.^[172] In October 2017, the sixth film was confirmed and Kaya Scodelario said that she was contracted to return.^[173] Shortly after, it was announced that Rønning was being eyed to return to direct the sequel.^[174] In August 2018, the sixth film was still in development.^[175]

In October 2018, it was reported that Disney had been looking for ways to reboot the franchise, bringing on Deadpool (2016) writers Rhett Reese and Paul Wernick though producer Jerry Bruckheimer was expected to return.^[176] However, in February 2019, Reese and Wernick departed the project and the reboot was cancelled.^[177] In May 2020, Bruckheimer commented that the first draft of the screenplay for the sixth film would soon be finished, although he was not sure what role Depp would have in the film.^[178] However, in April 2022, in the midst of the trial between Johnny Depp and Amber Heard, Depp revealed that he had no intention of returning to the franchise, citing his strained relationship with Disney after they had removed him from the franchise before a verdict was reached in the case.^[179]

Notes[edit]

References[edit]

External links[edit]

Pirates of the Caribbean: Dead Men Tell No Tales
Theatrical release poster
Directed by	Joachim Rønning Espen Sandberg
Screenplay by	Jeff Nathanson
Story by	Jeff Nathanson Terry Rossio
Based on	Characters by Ted Elliott     Terry Rossio     Stuart Beattie     Jay Wolpert Walt Disney’s Pirates of the Caribbean
Produced by	Jerry Bruckheimer
Starring	Johnny Depp Javier Bardem Geoffrey Rush Brenton Thwaites Kaya Scodelario Kevin McNally
Cinematography	Paul Cameron[1]
Edited by	Roger Barton Leigh Folsom Boyd
Music by	Geoff Zanelli
Production companies	Walt Disney Pictures Jerry Bruckheimer Films
Distributed by	Walt Disney Studios Motion Pictures
Release dates	May 11, 2017 (Shanghai Disney Resort) May 26, 2017 (United States)
Running time	129 minutes[2]
Country	United States
Language	English
Budget	$230–320 million[3][4]
Box office	$794.9 million[5]

Pirates of the Caribbean: Dead Men Tell No Tales (released internationally as Pirates of the Caribbean: Salazar’s Revenge) is a 2017 American swashbuckler fantasy film directed by Joachim Rønning and Espen Sandberg and written by Jeff Nathanson, from a story by Nathanson and Terry Rossio. Produced by Jerry Bruckheimer and distributed by Walt Disney Studios Motion Pictures, the film is the standalone sequel to On Stranger Tides (2011) and the fifth installment in the Pirates of the Caribbean film series. It stars Johnny Depp, Javier Bardem, Geoffrey Rush, Brenton Thwaites, Kaya Scodelario, and Kevin McNally.

The filmmakers cited the series’ first installment, The Curse of the Black Pearl (2003), as inspiration for the script and tone of the film, with critics describing the film as a «requel». Pre-production for the film started shortly before On Stranger Tides was released in early 2011, with Terry Rossio writing the initial script. In early 2013, Jeff Nathanson was hired to write a new script for the film, with Depp being involved in Nathanson’s writing process. Initially planned for a 2015 release, the film was delayed to 2016 and then to 2017, due to script and budget issues. Principal photography started in Australia in February 2015, after the Australian government offered Disney $20 million in tax incentives, and ended in July 2015.

Dead Men Tell No Tales premiered in Shanghai on May 11, 2017, and was released in the United States on May 26. The film received generally negative reviews from critics and grossed $795 million worldwide against a production budget between $230–320 million.

Plot[edit]

Thirteen years after the battle of Calypso’s maelstrom,^[a] a twelve-year-old Henry Turner boards the Flying Dutchman and informs his father, Will, that the curse which binds Will to the Dutchman and only permits him to step on land once a decade can be broken by the Trident of Poseidon. Henry intends to recruit Captain Jack Sparrow to help find it, but Will believes this is impossible and orders Henry to leave. Will and the Dutchman then disappear into the sea, but Henry vows to find Jack and the Trident.

Nine years later, Henry is a sailor in the Royal Navy. The ship sails into the supernatural Devil’s Triangle and stumbles upon the wreck of the Silent Mary, whose ghostly crew led by Spanish pirate-hunter, Captain Armando Salazar, attacks, killing the entire crew but leaving Henry as the sole survivor so that he can deliver a message to Jack, who killed Salazar and his crew decades ago by leading them to the Devil’s Triangle and inadvertently cursed them.

On Saint Martin, a young astronomer named Carina Smyth is sentenced to death for witchcraft but escapes and crosses paths with Jack as he and his crew botch a bank robbery, suffering from a spell of bad luck. Jack later trades his compass for a drink, an act that destroys the Devil’s Triangle and frees Salazar and his crew once more. Carina learns Henry is looking for the Trident’s location and offers to help him using her unknown father’s diary. Carina and Jack stall the execution process, but they escape with the help of Henry and Jack’s crew, setting sail on the Dying Gull. Carina deciphers the clues in her diary, discovering that the stars will lead to an island where the Trident is hidden.

Meanwhile, Captain Hector Barbossa hears from his pirate crew that the revived Captain Salazar has killed several pirates at sea and is destroying Barbossa’s fleet. Barbossa talks his way out of being killed by offering to help find Jack and learns that the Trident could lead him to a «treasure». Salazar agrees, wanting revenge on Jack. Salazar pursues the Dying Gull, forcing Jack, Henry, and Carina to flee to an island, discovering that Salazar’s crew cannot go on land. Barbossa allies himself with Jack, returning his compass and restoring the miniaturized Black Pearl^[b] to its original size. They continue their journey to the island, with Barbossa taking command of the Pearl once more. During the voyage, Jack and Barbossa realize Carina is the latter’s long-lost daughter.

The Pearl approaches the Trident’s island and evades a Royal Navy warship until it is destroyed by the Silent Mary before the Pearl runs aground on the island. Jack, Barbossa, and Carina use the island’s magic to part the ocean which opens a path to the Trident on the ocean floor. Salazar captures Henry and possesses him to walk on the ocean floor and seize the Trident. Once he does so, Henry is given his body back, and Jack distracts Salazar, allowing Henry to destroy the Trident, breaking all curses upon the sea and restoring Salazar’s crew to life. However, the Trident’s destruction causes the divided sea to close in on them. The Pearl lowers its anchor to lift the group to safety, but Salazar pursues them, still hell-bent on killing Jack. Carina realizes that Barbossa is her father when she spots a tattoo on his arm identical to the diary’s cover, a trident star formation. Barbossa sacrifices himself to kill Salazar, allowing the others to escape.

Sometime later, Henry and Carina reach Port Royal, where Will appears, free from the Dutchman. His wife, Elizabeth Swann, appears moments later and the Turner family reunites. Henry and Carina kiss. Jack watches from the Pearl before sailing away into the horizon, captain once again, while also adopting Captain Barbossa’s monkey.

In a post-credits scene, Will and Elizabeth are asleep in their bed, when Davy Jones appears in their room. When he prepares to strike the couple, Will wakes up. Assuming he had a nightmare, he goes back to sleep, oblivious to the wet barnacles on the floor.

Cast[edit]

• Johnny Depp as Captain Jack Sparrow:
  The former Captain of the Black Pearl who travels with Henry and Carina in search of the Trident of Poseidon.^[6] Rønning wanted to focus on relatable characters, as in the first film, «where Jack is not the [lead … but] comes in and crashes the party every now and then,»^[7] and to make use of Depp’s «comedic genius».^[8] The film examines Jack’s backstory, with the young Jack portrayed by Anthony De La Torre,^[9] whose face was replaced by a CGI replica of Depp as he looked in 21 Jump Street and What’s Eating Gilbert Grape (1993).^[10] Rønning felt de-aging Depp was tricky against the canon of the franchise.^[11]
• Javier Bardem as Captain Armando Salazar:
  The undead Captain of the Silent Mary who seeks revenge on Jack Sparrow and attempts to steal the Trident of Poseidon to kill every pirate at sea.^[1] Bardem set out to imbue the character with «a rage based on dented pride,» owing to his spectacular fall, from a high-ranking commander of a Spanish fleet to being betrayed and trapped in hell by Jack.^[12] With Salazar’s body language, he tried to convey a bull in an arena, «full of rage and need of vengeance, but also wounded.»^[13] It took three hours a day to apply the make-up, which Bardem referred to as having «cold chicken breasts» glued to his face.^[14]
• Geoffrey Rush as Captain Hector Barbossa: Sparrow’s rival and the Captain of the Queen Anne’s Revenge.^[1]
• Brenton Thwaites as Henry Turner:
  The son of Will Turner and Elizabeth Swann who vows to break his father’s curse by searching for the Trident.^[15][1] The directors were keen to draft a new protagonist relationship with Henry and Carina, stating that «in the middle of a big action scene, you need to be able to lean on the characters and find the heart of that story, and channel the characters’ vulnerability.» Rønning noted that identity is a major theme in the film, and to Henry and Carina’s story arc: «they are on a similar quest and find common ground in looking for who they are.»^[8] Lewis McGowan portrays a young Henry.^[16]
• Kaya Scodelario as Carina Smyth Barbossa:
  A headstrong, altruistic astronomer who was wrongly accused of being a witch.^[1] Scodelario explained the character’s motivation and role, saying, «she is an academic, she’s fighting for the right to study at university because women couldn’t at that time.» Later revealed to be Captain Barbossa’s long-lost daughter.^[17] For the directors, it was important to «modernise it with Henry and Carina, Kaya, especially brought that with her. She’s a modern woman.»^[7] Scodelario worked with scriptwriter Jeff Nathanson to ensure the character was unique to the series^[12] and not a copy of Elizabeth Swann.^[18] She said that female characters often «fall into two camps; they are either pretty and perfectly put together or completely insane. Carina has definitely got a little bit of both.»^[12]
• Kevin McNally as Joshamee Gibbs: Captain Jack’s loyal friend and first mate.^[1]

Supporting characters appearing in the film include: David Wenham appears as Lieutenant John Scarfield, a Royal Navy officer, who commands HMS Essex;^[19] Golshifteh Farahani appears as Shansa, a sea witch;^[1] and Stephen Graham, Martin Klebba, Giles New, and Angus Barnett reprise their roles as Scrum, Marty, and Murtogg and Mullroy, respectively, from previous films, as the members of the pirate crew.^[1][20]

Orlando Bloom reprises his role as Will Turner, a blacksmith-turned-pirate who was transformed into the Captain of the Flying Dutchman at the end of At World’s End (2007).^[21][22] In preparation for his role, Bloom stated that he would like to portray a character outside of his usual role types as a good-looking hero, alluding to the make-up requirements for Davy Jones, as Bloom having his possible return in the franchise.^[23]

Keira Knightley briefly appears at the end in a non-speaking role as Elizabeth Swann, Will’s wife and Henry’s mother.^[24] Adam Brown, Danny Kirrane, and Delroy Atkinson appear as members of Jack’s crew,^[25] and in the prison scene, Paul McCartney briefly appears as Jack’s paternal uncle, Uncle Jack.^[26] A CGI silhouette of Davy Jones is seen in the post-credits scene, but actor Bill Nighy stated that he had not been informed about the character’s appearance.^[27]

Production[edit]

Development[edit]

Shortly before the release of On Stranger Tides, the cast and crew of the fourth film were told to set aside time in the near future, because Walt Disney Pictures intended to shoot a fifth and sixth film back-to-back.^[28] However, it was later stated that only a fifth film was in the works, with Terry Rossio writing a script for a fifth film without his partner Ted Elliott.^[29] Rob Marshall was rumoured to return to direct,^[30] but declined after choosing to direct Into the Woods (2014).^[31] After Marshall passed on the film, many directors were rumored to take over.^[32] Gore Verbinski, who was responsible for the original three films, felt that «there’s no reason other than financial» in making the film.^[33] The eventual shortlist included Fredrik Bond, Rupert Sanders, and the eventual choice, Norwegian film duo Joachim Rønning and Espen Sandberg.^[34] The studio chose them based on their Academy Award-nominated high-sea film Kon-Tiki, and their ability to work with a limited budget.^[35]

Rossio’s script was ultimately rejected, and the writer stated that a major reason was its use of a female villain, which made actor Johnny Depp «worried that would be redundant to Dark Shadows (2012), which also featured a female villain.»^[36] In January 2013, Disney hired Jeff Nathanson to work on a script.^[37] Rønning and Sandberg said they were particularly moved by Nathanson’s «funny and touching» script,^[38] which convinced them to sign to direct in May,^[39] Rønning believing that the script was «all there» but needed scenes to «carry the tradition of Gore Verbinski, bring the emotional core and big action set pieces.»^[8] In August, Rønning and Sandberg revealed that the title would be Dead Men Tell No Tales.^[40] However, the following month producer Jerry Bruckheimer said, «We have an outline everyone loves but the script is not done,» explaining that the release would be postponed beyond summer 2015.^[35] The studio questioned Depp’s bankability following the financial losses of The Lone Ranger (2013),^[41] and the screenplay’s first drafts were not approved by Walt Disney Studios chairman Alan Horn, who was concerned about the finished product.^[42] Bruckheimer revealed that script and budget issues were behind the delay, and that Nathanson was at work on a second draft, based on a well-received outline, saying they needed a script and budget everyone would approve.^[35] Depp was also invited to collaborate on the script, with the actor believing it would be the last of the franchise and wanting to end it right.^[43] After the script was accepted, the film was officially green-lit by Disney in July 2014, with a planned release on July 7, 2017.^[44]

The directors were inspired by the first film, The Curse of the Black Pearl,^[38] stating that the original is thrilling but above all a comedy with heart, and wanted to reinvent the «structure and the dynamics between the characters.» In addition to recapturing the best of previous franchise installments, the directors had the works of Charlie Chaplin and Buster Keaton in mind when crafting the tone of the film.^[8] The pair wanted the film to be the «most emotional» of the series, and to explore the roots of Jack Sparrow.^[45] They decided to use Jack’s compass as the «key to unlock Salazar from his hellish prison in the Triangle,» and toned down some of the fantastic elements «to ground it, even in Pirates Of The Caribbean [sic].»^[46] Geoffrey Rush argued that the pair brought «Euro sensibility to traditional Hollywood franchise thinking,»^[47] while Orlando Bloom believed that they had «recaptured the simplicity and charm» of the original film.^[48] Kaya Scodelario said that the producers wanted to take the franchise back to its origins, with a story that gave characters a conclusion while opening new possibilities.^[49] Along with the directors and writers, many of the crew members were new to the franchise, replacing those who had served on the previous four films, with the exception of Bruckheimer, costume designer Penny Rose, and executive producer Chad Oman.^[1][50]

Casting[edit]

Speaking at the On Stranger Tides press launch in Cannes, Depp said he would play the role so long as it is popular with the public.^[51] In August 2012, news surfaced that Depp had signed for the fifth film, earning A$90 million to reprise his role.^[6] One month later, Penélope Cruz stated that in spite of her enjoying playing Angelica in On Stranger Tides, she had not been contacted regarding a fifth film.^[52] Geoffrey Rush had commented on returning as Hector Barbossa in the fifth installment, saying «If they keep shapeshifting this character, absolutely,» and implied that he might return as the villain.^[53] Orlando Bloom commented in December 2014, saying that while he was not sure whether he would return, there were talks. He also indicated that Disney could make a soft reboot with the franchise and focus on Will Turner and his son.^[23] Bloom’s participation was kept secret until the Disney D23 in 2015, after filming had wrapped.^[54] Once the filmmakers started working with Bloom, they decided that they needed to reunite the character with his wife, Elizabeth. To ensure that Keira Knightley could reprise this role, the production moved for a one-day shoot in London, where she was working.^[46]

On December 2, 2013, it was reported that Christoph Waltz was in talks to appear as the film’s main antagonist,^[55] but he later declined. The villain was eventually portrayed by Cruz’s husband, Javier Bardem.^[56] In 2014, Bardem signed on to portray Armando Salazar, who in early scripts was referred to as Captain John Brand.^[1] Bardem had liked the working environment of the fourth movie, which he witnessed accompanying his wife, and stated he was also a fan of the franchise and of Depp’s performance as Jack Sparrow.^[57] Australian actor Brenton Thwaites entered talks for the role of Henry in late November 2014,^[58] after Disney chose him over Taron Egerton, George MacKay, Mitchell Hope, Ansel Elgort, and Sam Keeley.^[59]

Kaya Scodelario was chosen as the female lead out of a shortlist that included Gabriella Wilde, Alexandra Dowling, Jenna Thiam, and Lucy Boynton.^[60] Her character, Carina, is an astronomer accused of being a witch. Scodelario confirmed that she was playing «a totally different character» from Elizabeth Swann, and also that she will be Henry’s love interest,^[18][61] given in earlier drafts she was envisioned as a love interest of Sparrow.^[62] Kevin McNally confirmed his return as Joshamee Gibbs in late January.^[20] Adam Brown, Delroy Atkinson, and Danny Kirrane were revealed as cast members shortly before filming.^[25] As filming begun, two actors from the previous films were confirmed to return, Martin Klebba as Marty^[63] and Stephen Graham as Scrum.^[1] Keith Richards expressed interest in reprising his role as Captain Teague,^[64] but was unavailable, leading Depp to invite Paul McCartney into appearing as Jack Sparrow’s uncle (also named Jack).^[65]

Other actors had expressed interest in reprising their roles from the previous films, such as Tia Dalma portrayer Naomie Harris,^[66] and Greg Ellis, even if his character Theodore Groves appeared to die in the previous film.^[67] Both Lee Arenberg and Mackenzie Crook commented on the possibility of returning as Pintel and Ragetti.^[68] In an interview on November 7, 2014, Crook confirmed that he had received a call of availability from Disney for the film,^[69] though he later declined in order to focus on his television series Detectorists.^[70] He said he had felt «pangs of nostalgia» when the cast and crew filmed without him.^[71] Arenberg, who also had a television commitment, to Once Upon a Time, added that he felt like the producers «weren’t really trying to court us like they really wanted us.»^[72]

Filming[edit]

Directors Joachim Rønning and Espen Sandberg originally stated that shooting would take place in Puerto Rico and New Orleans,^[73] and Bruckheimer had previously mentioned that there might be a sequence in Louisiana.^[74] However, a spokesman for Australian Arts Minister George Brandis confirmed that the fifth installment was set to shoot exclusively in Australia, after the government agreed to repurpose $20 million of tax incentives, originally intended for the remake of 20,000 Leagues Under the Sea; thus edging out Mexico and South Africa as filming locations.^[75] Filming took place exclusively in Queensland, Australia, as the largest production to ever shoot in the country. Village Roadshow Studios and the Whitsunday Islands were officially confirmed as filming locations.^[76] On January 1, 2015, The Rainbow Gypsy, a 15-year-old replica of an 1897 Scottish bawley, underwent an extensive refit at the Gold Coast, including a new bowsprit, and reconfigured decks and cabins, for filming as the Dying Gull. Its captain and owner, Kit Woodward, was a rigger on the film.^[77]

Filming commenced on February 17, 2015.^[1] Ship scenes were filmed in front of a giant outdoor greenscreen in Helensvale,^[78] while a film set in the form of a village was built in Maudsland.^[79] Because the greenscreens’ height blocked the sunlight, containers with inflatable bluescreens mounted on top were added to the set to allow some light to enter.^[80] While an initial draft of the script featured six ships, the end product had eleven vessels; to cut costs, most of these were partial constructs later enhanced by computer graphics, with some built atop a hydraulic rig to mimic the movement of seafaring while on land. The camera crew, led by director of photography Paul Cameron, also made extensive use of drones, to capture immersive views at sea without resorting to aerial footage or cranes.^[10][81]

Filming moved to Doug Jennings Park on the Spit from March 30 to June 15 for water-bound scenes.^[82] However, due to extreme sea sickness among the cast and crew from the «big swells,» filming moved to Raby Bay for calmer waters.^[83] Scenes were shot at Byron Bay on June 1. Locals made up more than 75 percent of the 850-plus crew then working on the film.^[84] After much speculation about whether Orlando Bloom would return, Bloom arrived at the Gold Coast in late May to reprise his role as Will Turner.^[21][22] Scenes featuring a skeleton of a sperm whale that had been constructed were shot at Hastings Point from June 21 to 23.^[85]

A number of issues and controversies set back the film during its production. The biosecurity laws in Australia posed problems regarding the capuchin monkeys that portray Hector Barbossa’s pet monkey Jack, because the animals are regarded as a category 1 pest and call for strict requirements and a 30-day quarantine.^[86] Further controversy erupted from animal rights activist groups, who urged Federal Environment Minister Greg Hunt to reject the entry application, arguing that the long air-flight would affect their health, and that their performance was unnatural and would create demand for illegal wildlife trade.^[87] One of the monkeys caused further disruption when it wandered off set at Movie World, and bit the ear of a make-up artist on another production.^[88]

Crew and cast members were forced to cover the camera lenses on all mobile phones with duct tape to prevent the film from being pirated before its release. To prevent fans from interfering with the production, secret filming locations used the production name of «Herschel» to hide the fact it was the fifth Pirates of the Caribbean film.^[89] Following the attempt of an armed man trying to bypass security, the already tight security was increased.^[90]

On March 10, 2015, Depp was injured off set and had to be flown to the United States for surgery.^[91] Due to his absence, filming stalled completely and 200 crew members were forced to stand down for two weeks, after finishing all they could do without Depp.^[92] Depp returned to set on April 21.^[93] In June, Kaya Scodelario was injured on set along with a stuntman.^[94] In early July, dismantling of the sets at the Spit had begun.^[95] Most of the cast and crew had finished on July 8, and a wrap party was held on July 11.^[96] Filming then moved to the Whitsundays for the final shots.^[95][97] On July 21, 2015, Rønning announced that filming had wrapped after a 95-day shoot.^[98] After nearly a year in post-production, reshoots and additional photography were conducted in Vancouver, Canada from March 24 to April 13, 2016, under the production title «Herschel Additional Photography».^[99]

Post-production[edit]

Editing was a collaboration between Roger Barton and Leigh Folsom Boyd, with the latter detailing that «Roger started from the beginning of the film and I started from the end, and we kind of met in the middle.» Boyd added that it was the longest post-production process she was ever involved with, as Disney wanted to give «the support and leeway we needed to tell the story and allow for the complex visual effects to bake.»^[100] The editors worked closely with the previsualization team to, according to effects supervisor Gary Brozenich, «give meat to the bones of the plates that needed effects explanation as well as any new CG beats that would be added later.» Along with the post-production team in Los Angeles, Brozenich had to split his time going to the UK and Montreal, to check on the eight companies handling the film’s 2,000 visual effects shots, with 150 of them consisting only of computer graphics. The primary vendor was Brozenich’s own employer Moving Picture Company (MPC).^[80][101] Among MPC’s work were Salazar’s undead pirates, whose on-set footage was mostly replaced by CGI to achieve missing body parts and floating hair and clothing. Brozenich stated that what was kept of the original actors was «their run, gait and faces.» To provide reference for the floating parts, which were meant to resemble a perpetual drowning state, a stuntman in full costume and wig was filmed underwater in a swimming pool performing various actions.^[10]

Atomic Fiction handled the scenes at St. Martin, turning the few blocks of buildings built on set into more than 600 CG buildings, surrounded by a jungle environment. The work combined references from both the Caribbean and Thailand, and enhanced through CGI both the guillotine on which Jack Sparrow is nearly executed and the bank from the heist scene; the bank was meant to look as if its foundations were dug through the ground instead of sliding on the surface.^[102] Along with sea footage filmed in both the Australian sets and Key West, Florida, there was extensive usage of water simulations, with the artists using the Beaufort scale to ensure the waves and wind realistically matched.^[80]

Music[edit]

This was the first film in the series that Hans Zimmer did not compose the music for. Instead, the main composer is one of his protégés, Geoff Zanelli, who had worked on the previous four installments in the franchise.^[103] Zanelli said that Zimmer «redefined the sound of the entire genre» and considered it a great accomplishment to have worked with him and Bruckheimer. He used this experience with the franchise to build a new sound for the film.^[103] He stated that «you don’t have to modernize the melodies, those are timeless,» citing one example of how he tried to make the sound more modern by featuring an electric cello to create a menacing leitmotif for Captain Armando Salazar.^[104] This was also the first Pirates of the Caribbean score to feature mostly live percussion, as opposed to the programmed percussion in the prior scores. As it took more than a year for the film to start production following Zanelli being hired, he accompanied the script’s evolution, and was familiar with the character arcs that he would need to translate in their theme songs. Zanelli always started writing the music on the piano, namely a synthesized orchestra.^[105] The film’s soundtrack was released on May 26, 2017.^[106]

Marketing[edit]

A robust marketing effort helped promote Dead Men Tell No Tales.^[107] The film was first showcased at the Disney D23 Expo 2015, where Depp appeared in costume as Jack Sparrow and the film’s logo was revealed, with Orlando Bloom confirmed to be starring in the film.^[108][109] A tie-in prequel expanding the backstory of the character Carina Smyth was also released, titled Pirates of the Caribbean: Dead Men Tell No Tales – The Brightest Star in the North.^[110] The film was showcased at the 2016 Walt Disney Content Showcase in South Africa, where concept art, story details and on-set images were previewed.^[111]

Release[edit]

Theatrical[edit]

Dead Men Tell No Tales screened on March 28, 2017 at the 2017 CinemaCon event in Las Vegas.^[112] It had its world premiere at the Shanghai Disney Resort in Shanghai on May 11, 2017,^[113] and was released in the United States on May 26.^[114] In some countries, including the United Kingdom, the film was released as Pirates of the Caribbean: Salazar’s Revenge,^[115] a decision that the directors were not informed about.^[46] It is the first Hollywood feature to be released in the United States for the new panorama-like ScreenX format, which played in two locations in the United States, the CGV Buena Park and the CGV Cinemas in Los Angeles. Additionally, it played in 81 screens at select theaters in Korea, China, Thailand, Vietnam, Turkey, and Indonesia. The film also played in 4D on 373 4DX screens worldwide.^[116] The film was released in IMAX in an expanded 1.9:1 aspect ratio.^[117]

Home media[edit]

Pirates of the Caribbean: Dead Men Tell No Tales was released on digital download by Walt Disney Studios Home Entertainment on September 19, 2017, and on Blu-ray, Ultra HD Blu-ray, and DVD on October 3.^[118] It was the top home-media release in its first week, with the Blu-ray version accounting for 78% of sales, and brought the previous four films back into the 25 best-sold Blu-rays.^[119]

Reception[edit]

Box office[edit]

Pirates of the Caribbean: Dead Men Tell No Tales grossed $172 million in the United States and Canada, and $622 million in other territories, for a worldwide total of $795 million,^[5] against an estimated production budget of $230 million.^[3] It had a worldwide opening of $271.4 million from 55 markets, with $24 million coming from 1,088 IMAX screens.^[120] The film’s six-day opening gross pushed the franchise gross past the $4 billion mark.^[121] Despite being the lowest-grossing film of the series in the US by nearly $70 million, the film became the highest-grossing entry of the Pirates franchise internationally when going by modern foreign-exchange rates, passing On Stranger Tides, which grossed $593.4 million at current rates.^[122] The largest-earning foreign markets were China ($172.3 million), Japan ($59.5 million), and Russia and the CIS ($40.7 million), where it was the second-highest-grossing film behind Avatar (2009).^[123] Deadline Hollywood noted the film would turn a net profit of around $280 million after factoring together all expenses and revenues based on a projected $850 million final gross (though it would ultimately fall short of that figure, likely resulting in a smaller profit).^[124]

United States and Canada[edit]

Dead Men Tell No Tales debuted over the four-day Memorial Day opening weekend, being released in 4,276 theaters, of which over 3,100 were 3D, taking advantage of formats such as IMAX, D-Box, and 4DX.^[125] The film earned $23.4 million on its first day, including $5.5 million from previews. It was the lowest opening day of the franchise.^[126] Dead Men Tell No Tales grossed $63 million over three days, and $78.5 million over four (Friday–Monday), finishing first at the box office, ahead of Guardians of the Galaxy Vol. 2 (2017) and fellow newcomer Baywatch (2017).^[127][128] It was the second-smallest opening weekend of the franchise, only earning more than the first film, with each of the other installments earning at least $90 million.^[129] Despite the film registering the highest test score in the series,^[130] the opening came in well below expectations of $80–115 million.^[131][132] Analysts attributed the underperformance to negative reviews, franchise fatigue, and Johnny Depp’s diminishing returns and depreciating public image, amid his personal problems. Still, it performed better than Disney’s previous Memorial Day releases (Prince of Persia: The Sands of Time (2010), Tomorrowland (2015), and Alice Through the Looking Glass (2016)),^{[133][134][135]} and studio executives said they were pleased with the movie’s opening,^[121] which helped Disney push past $1 billion in the US.^[136]

The film fell by a total of 65% in its second weekend, the worst of the series, grossing $22.1 million,^[137] and finishing in third place, after newcomers Wonder Woman (2017) ($103.3 million) and Captain Underpants: The First Epic Movie (2017) ($23.9 million).^[138] It remained in the top ten for four more weeks.^[139][140]

Other territories[edit]

Marketed as Salazar’s Revenge in most countries, the film was released day-and-date with its debut in 54 markets (91% of its total marketplace, except Japan, where it debuted on July 1).^[141] Preliminary reports had the film opening to $150–175 million, but possibly overperforming depending on major markets, most notably China.^[125][142] While its Chinese run benefited from the May 28–30 Dragon Boat Festival—a lucrative moviegoing period—and from International Children’s Day (June 1),^[143][144] the Manchester Arena bombing had a deteriorating effect on certain European markets over the film’s opening weekend.^[145] From Wednesday to Friday, it registered an opening of $208.8 million. Around $14 million of that came from IMAX screenings, the second-biggest international IMAX opening in May, after Captain America: Civil War (2016).^[120] Similar to its US plunge, it earned $73.8 million in its second weekend, falling to second place, behind Wonder Woman.^[146]

It recorded the biggest opening day of the year in several markets, including Germany ($3.6 million), Austria, France ($2.3 million), Finland, Sweden, Belgium, Thailand ($400,000), Indonesia, Malaysia, and the Netherlands ($900,000).^[145][147] Russia posted the biggest opening of all time with $18.4 million ($18.6 million including previews).^{[120][136][148]} In China, where the film had its global premiere, it earned $21.3 million on its opening day, the fourth-biggest Disney opening in the country. It had an 87% marketshare and had already surpassed the entire earnings of Pirates of the Caribbean: At World’s End.^[149] Earning a total of $67.9 million, it registered the third-highest three-day for any Disney title, and a much-higher opening than the US.^[120] The film did extremely well in IMAX, earning $9 million from 401 screens from Friday to early Monday bookings. The robust opening has been attributed to the Dragon Boat Festival, Depp’s star power, the ubiquity of the franchise, the impact of Shanghai Disneyland Park, and good word of mouth, with a score of 7.5/10 on reviews aggregator Douban and 8.7/10 on top mobile-ticketing platform Weying.^[150][151] The film’s final release market was Japan (July 1), where it opened at number one, achieving the highest-grossing opening for a Western film of the year, earning $9.25 million over the July 1–2 weekend.^[152] It retained the box office lead for one more week, and was the highest-grossing foreign film in the following weekend.^[153]

Critical response[edit]

On the review aggregator website Rotten Tomatoes, 30% of 294 critics’ reviews are positive, with an average rating of 4.7/10. The website’s consensus reads, «Pirates of the Caribbean: Dead Men Tell No Tales proves that neither a change in directors nor an undead Javier Bardem is enough to drain this sinking franchise’s murky bilge.»^[154] Metacritic, which uses a weighted average, assigned the film a score of 39 out of 100, based on 45 critics, indicating «generally unfavorable reviews».^[155] Audiences polled by CinemaScore gave the film an average grade of «A−» on an A+ to F scale,^[129] and PostTrak reported 81% of those gave the film a positive score.^[156]

Mike Ryan of Uproxx criticized what he termed as a convoluted plot and overabundance of characters, resulting in a film that was «practically incoherent.»^[157] Writing for Rolling Stone, Peter Travers called the film «bloated, boring, repetitive, and draining» and gave it one star out of four.^[158] Ignatiy Vishnevetsky of The A.V. Club wrote that the film echoes the first three of the franchise, «in which Johnny Depp’s louche and campy Jack Sparrow played second banana to an insipid love story… the two romantic leads … succeed only in making the shortest movie in the series seem just as long as the rest.»^[159] A. O. Scott of The New York Times said of the film, «Its pleasures are so meager, its delight in its own inventions so forced and false, that it becomes almost the perfect opposite of entertainment.»^[160] Michael O’Sullivan of The Washington Post remarked that the film was «loud, overstimulating and hard to take in all in one sitting.»^[161] Mick LaSalle of San Francisco Chronicle found the film to be «a jumble of half-baked impulses» that had been forced into a played-out franchise.^[162]

Richard Roeper of Chicago Sun-Times gave the film three stars out of four, saying: «Dead Men works well enough as a stand-alone, swashbuckling comedic spectacle, thanks to the terrific performances, some ingenious practical effects, impressive CGI and a steady diet of PG-13 dialogue peppered with not particularly sophisticated but (I have to admit) fairly funny sexual innuendo.»^[163] Pete Hammond of Deadline Hollywood praised the film, calling it «the most entertaining installment,» and giving credit to Rønning and Sandberg for creating a «rollicking good time». He praised the visual effects, particularly Salazar and his crew, arguing that the film should be in line to receive an Academy Award for Visual Effects. He also gave high praise to Bardem for being able to create such a «fully dimensional villain» under the layers of make-up and CGI, and Depp for keeping the film and franchise going.^[164] Leah Greenblatt of Entertainment Weekly gave the film a ‘B’, praising the fun nature of the film and its visuals and calling it «gorgeously detailed swashbuckling nonsense,» but wished that the script had taken more risks instead of following the formula used in previous films.^[165] Ashley Esqueda of CNET gave the film a positive review, arguing that it brought the franchise back to what made its first two installments so fun, and praised Depp’s performance as being «delightful as ever.»^[166] Brian Truitt of USA Today gave the film three stars out of four, saying «What was once a past-its-prime franchise seems to have found new life.»^[167]

Accolades[edit]

Future[edit]

Sequel and canceled reboot[edit]

On March 4, 2017, director Joachim Rønning stated that Dead Men Tell No Tales was «only the beginning of the final adventure», indicating that it would not be the last film of the franchise, and that a sixth film could be released.^[170] The post-credits scene of Dead Men teases a potential plot involving Davy Jones, who appears in some form while Will and Elizabeth sleep.^[171] In September 2017, producer Jerry Bruckheimer indicated that another Pirates sequel would be possible if Dead Men Tell No Tales did well in its home release.^[172] In October 2017, the sixth film was confirmed and Kaya Scodelario said that she was contracted to return.^[173] Shortly after, it was announced that Rønning was being eyed to return to direct the sequel.^[174] In August 2018, the sixth film was still in development.^[175]

In October 2018, it was reported that Disney had been looking for ways to reboot the franchise, bringing on Deadpool (2016) writers Rhett Reese and Paul Wernick though producer Jerry Bruckheimer was expected to return.^[176] However, in February 2019, Reese and Wernick departed the project and the reboot was cancelled.^[177] In May 2020, Bruckheimer commented that the first draft of the screenplay for the sixth film would soon be finished, although he was not sure what role Depp would have in the film.^[178] However, in April 2022, in the midst of the trial between Johnny Depp and Amber Heard, Depp revealed that he had no intention of returning to the franchise, citing his strained relationship with Disney after they had removed him from the franchise before a verdict was reached in the case.^[179]

Notes[edit]

References[edit]

External links[edit]

Рецензия
22.05.2017 Борис Иванов
Виноваты звезды
Слабая пятая серия «Пиратов», которую стоит смотреть лишь ради Джонни Деппа и некоторых комедийных и боевых сцен

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Дата выхода в России: 25.05.2017

Дата выхода в США: 26.05.2017
Дистрибьютор: WDSSPR
Страна: США
Хронометраж: 135
Год: 2017
Возраст: 16+
Формат: 3D / 2D / IMAX
Бюджет: 230 млн
Количество копий: 1415
Сборы в СНГ: o2 325 732 329
Сборы в СНГ: $41 163 404
Сборы в США: $172 537 139
Первый четверг: o237 000 000
Продюсер:
Джерри Брукхаймер
Режиссер: Хоаким Роннинг, Эспен Сандберг
В ролях: Джонни Депп, Хавьер Бардем, Джеффри Раш, Кая Скоделарио, Орландо Блум, Брентон Туэйтс, Дэвид Уэнэм, Стивен Грэм, Голшифте Фарахани, Кевин МакНэлли, Кира Найтли

Краткое содержание: На этот раз пираты охотятся за мифическим трезубцем Посейдона, с помощью которого можно управлять водами всех морей Земли, а противостоит им новый могущественный злодей, заклятый враг Джека Воробья — капитан Салазар…
Интересные факты:

• В интервью Орландо Блум сказал, что этот фильм будет легким ребутом предыдущих серий киносериала.
• Джонни Депп и Кевин Макнэлли  – единственные актеры, которые снялись во всех частях киносериала.
• Фредерик Бонд, Тим Бертон, Альфонсо Куарон, Шон Леви, Сэм Рэйми, Руперт Сандерс и Крис Вальц рассматривались на место режиссера в этом фильме.
• Джонни Депп травмировал на съемках руку и был вынужден уехать на лечение в США.
• Перерыв в шесть лет от предыдущей серии стал самым длинным в этой франшизе.
• Согласно источникам из австралийской киноиндустрии, бюджет составил 350 млн долларов. Эта сумма была подтверждена студией Disney. Картина снималась исключительно в австралийском Куинслэнде и стала самой дорогостоящей из всех, произведенных в этой стране.
• Очередное появление Орландо Блума в роли Уилла Тернера произошло ровно через 10 лет. Последний его фильм с этим героем – «Пираты Карибского моря: На краю света» – выходил на экраны в 2007 году.
• Злодей Капитан Салазар в исполнении Хавьера Бардема – первый во франшизе, предстающий как привидение.
• Джофф Занелли – третий композитор сериала. Ханс Зиммер  и Клаус Баделт работали в предыдущих лентах.

Пираты Карибского моря: Мертвые не болтают
Афиша театрального релиза
Режиссер	Иоахим Реннинг Эспен Сандберг
Произведено	Джерри Брукхаймер
Сценарий от	Джефф Натансон
Рассказ	Джефф Натансон Терри Россио
На основе	Символы к Тед Эллиотт Терри Россио Стюарт Битти Джей Вулперт Пираты Карибского моря к Уолт Дисней
В главных ролях	Джонни Депп Хавьер Бардем Джеффри Раш Брентон Туэйтс Кая Скоделарио Кевин МакНалли
Музыка от	Джефф Занелли
Кинематография	Пол Кэмерон[1]
Отредактировано	Роджер Бартон Ли Фолсом Бойд
Производство Компания	Уолт Дисней Картинки Джерри Брукхаймер Фильмы
Распространяется	Студия Уолта Диснея Кинофильмы
Дата выхода	11 мая, 2017 (Шанхайский Диснейленд )[2] 26 мая, 2017 (Соединенные Штаты)
Продолжительность	129 минут[3]
Страна	Соединенные Штаты
Язык	английский
Бюджет	230–320 млн. Долл. США[4]
Театральная касса	794,9 млн. Долл. США[5]

Пираты Карибского моря: Мертвецы не рассказывают сказки (выпущен в некоторых странах как Пираты Карибского моря: Месть Салазара) — американец 2017 года головорез фильм в жанре «фэнтези режиссер Иоахим Реннинг и Эспен Сандберг из сценария Джефф Натансон, с Джерри Брукхаймер снова выступая продюсером. Это продолжение На странных берегах (2011 г.) и пятая партия в Пираты Карибского моря серия фильмов. Звезды кино Джонни Депп, Хавьер Бардем, Джеффри Раш, Брентон Туэйтс, Кая Скоделарио, и Кевин МакНалли.

Создатели фильма процитировали первую часть сериала: Проклятие Черной Жемчужины (2003), как вдохновение для сценария и тона фильма. Подготовка к съемкам фильма началась незадолго до этого. На странных берегах был выпущен в начале 2011 года, с Терри Россио написание исходного сценария. В начале 2013 г. Джефф Натансон был нанят, чтобы написать новый сценарий для фильма, а Депп участвовал в написании сценария Натансона. Изначально запланированный к выпуску в 2015 году фильм был отложен до 2016 года, а затем до 2017 года, после 6 лет просмотра. ад развития из-за проблем со сценарием и бюджетом. Основная фотография стартовал в Австралии в феврале 2015 года после того, как правительство Австралии предложило Disney 20 миллионов долларов в налоговые льготы, и закончился в июле 2015 года.

Мертвые не болтают был выпущен в США в обычном, 3D, и IMAX форматах 26 мая 2017 года. Фильм получил неоднозначные отзывы критиков и собрал 794 миллиона долларов по всему миру при производственном бюджете в 230–320 миллионов долларов.

участок

Через тринадцать лет после битвы при Калипсо водоворот,^{[N 1]} двенадцатилетний Генри Тернер борт Летучий голландец и сообщает своему отцу, Будем, что проклятие, которое связывает Волю с голландец и позволяет Генри выходить на сушу только один раз в десять лет. Трезубец Посейдона. Генри намерен нанять капитана Джек Воробей чтобы помочь найти его, но Уилл считает, что это невозможно, и приказывает Генри уйти. Воля и голландец затем исчезают в море, но Генри клянется найти Джека и Трезубец.

Девять лет спустя Генри стал моряком в Королевский флот. Корабль плывет в сверхъестественное Дьявольский треугольник и натыкается на обломки Безмолвная Мэри, чью призрачную команду возглавляет испанский пират-охотник, капитан Армандо Салазар, нападает, но он сохраняет жизнь Генри, чтобы доставить сообщение Джеку.

В Сен-Мартен, молодой астроном Карина Смит приговорен к смертной казни за колдовство но убегает и пересекает пути с Джеком, когда он и его команда совершают грубую ошибку при ограблении банка. Предательство компаса освобождает Салазара и его команду из Треугольника Дьявола. Карина узнает, что Генри ищет дом Трезубца, и предлагает ему помочь, используя дневник ее неизвестного отца. Карина и Джек тормозят процесс казни, но они сбегают с помощью команды Генри и Джека, отправляясь в плавание. Умирающая чайка. Карина расшифровывает подсказки о том, что звезды приведут к острову, где спрятан Трезубец.

Между тем, капитан Гектор Барбосса слышит от своей пиратской команды, что возродившийся капитан Салазар убил нескольких пиратов в море и уничтожает флот Барбосса. Барбосса пытается избежать гибели, предлагая помощь в поисках Джека, и узнает, что Трезубец может привести его к «сокровищам». Салазар соглашается, желая отомстить Джеку. Салазар преследует Умирающая чайка, вынуждая Джека, Генри и Карину бежать на остров, обнаружив, что команда Салазара не может выйти на сушу. Барбосса объединился с Джеком, вернул ему компас и восстановил миниатюрный Черная жемчужина,^{[N 2]} до исходного размера. Они продолжают свое путешествие на остров, а Барбосса берет на себя командование Жемчужина еще раз. Во время путешествия Джек и Барбосса понимают, что Карина — давно потерянная дочь последнего.

В Жемчужина приближается к острову Трезубца и уклоняется от военного корабля Королевского флота, пока он не будет уничтожен Безмолвная Мэри перед Жемчужина садится на мель на острове. Джек, Барбосса и Карина используют магию острова, чтобы разделить океан и открыть путь к месту Трезубца на дне океана. Салазар захватывает Генри и заставляет его пройти по дну океана и захватить Трезубец. Как только он это делает, Генри возвращается его тело, и Джек отвлекает Салазара, позволяя Генри уничтожить Трезубец, разрушив все проклятия на море и вернув команду Салазара к жизни. Однако разделенное море начинает рушиться само по себе. В Жемчужина опускает якорь, чтобы поднять их в безопасное место, но Салазар преследует их, все еще одержимый идеей убить Джека. Карина понимает, что Барбосса — ее отец, когда замечает татуировку на его руке, идентичную обложке дневника. Барбосса жертвует собой, чтобы убить Салазара, позволяя остальным сбежать.

Некоторое время спустя Генри и Карина достигают Порт-Рояля, где появляется Уилл, свободный от голландец. Его жена, Элизабет Суонн, появляется несколько мгновений спустя, и семья Тернер воссоединяется. Генри и Карина целуются. Джек часы из Жемчужина прежде чем уплыть за горизонт, его команда снова приняла в качестве капитана, а также усыновила обезьяну капитана Барбоссы.

В сцена после титров, Уилл и Элизабет спят в своей постели, когда в их комнату вторгается Дэви Джонс. Предполагая, что это превратилось в кошмар, Уилл снова засыпает, не обращая внимания на мокрый ракушки на полу.

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• Джонни Депп как капитан Джек Воробей:^[6]
  Бывший капитан Черная жемчужина который путешествует с Генрихом и Кариной в поисках Трезубца Посейдона. Реннинг хотел сосредоточиться на родственных персонажах, как в первом фильме, «где Джек не [главный … но] приходит и время от времени срывает вечеринку»,^[7] и использовать «комедийный гений» Деппа.^[8] В фильме исследуется предыстория Джека, а молодой Джек изображается Энтони Де Ла Торре,^[9] чье лицо было заменено CGI реплика Деппа, когда он заглядывал в 21 Jump Street и Что гложет Гилберта Грэйпа (1993).^[10] Реннинг чувствовал, что де-старение Деппа было коварным против канона франшизы.^[11]
• Хавьер Бардем как капитан Армандо Салазар:
  Нежить Капитан Безмолвная Мэри кто хочет отомстить Джеку Воробью и пытается украсть Трезубец Посейдона, чтобы убить всех пиратов в море. Бардем намеревался наполнить персонажа «гневом, основанным на подавленной гордости» из-за его впечатляющего падения из высокопоставленного командующего испанским флотом до того, как он был предан и заключен в аду Джеком.^[12] С помощью языка тела Салазара он попытался передать бык на арене, «полные гнева и жажды мести, но и раненые».^[13] На нанесение макияжа уходило три часа в день, которое Бардем называл приклеенным к лицу «холодными куриными грудками».^[14]
• Джеффри Раш как капитан Гектор Барбосса:
  Соперник Воробья и капитан Месть королевы Анны, который тайно является биологическим отцом Карины. Барбосса стал чрезвычайно богатым после предыдущего фильма, и Раш называл его «корпоративный пират, «собрал под своим командованием флот кораблей и инкрустировал свою ногу драгоценностями.^[15]
• Брентон Туэйтс в качестве Генри Тернер:^[16][1]
  Сын Уилла Тернера и Элизабет Суонн, который клянется разрушить проклятие своего отца, найдя Трезубец. Режиссеры стремились разработать новые отношения главного героя с Генри и Кариной, заявив, что «в середине большой боевой сцены вы должны иметь возможность опираться на персонажей и находить суть этой истории, а также направлять персонажей» уязвимость «. Реннинг отметил, что идентичность является главной темой фильма и сюжетной линии Генри и Карины: «они находятся в одном и том же поиске и находят общий язык в поисках того, кто они».^[8] Льюис Макгоуэн изображает молодого Генри.^[17]
• Кая Скоделарио в качестве Карина Смит:^[1]
  Упрямый астроном-альтруист, которого ошибочно обвинили в том, что он ведьма. Скоделарио объяснил мотивацию и роль персонажа, сказав: «Она академик, она борется за право учиться в университете, потому что в то время женщины не могли».^[18] Для режиссеров было важно «модернизировать это с помощью Генри и Карины, Кайя особенно привезла это с собой. Она современная женщина».^[7] Скоделарио работал со сценаристом Джеффом Натансоном, чтобы персонаж был уникальным для сериала.^[12] а не копия Элизабет Суонн.^[19] Она сказала, что женские персонажи часто «делятся на два лагеря: они либо симпатичны и идеально сложены, либо совершенно безумны. У Карины определенно есть и то и другое».^[12]
• Кевин МакНалли в качестве Джошами Гиббс:^[1]
  Верный друг и первый помощник капитана Джека.

Кроме того, в фильме появляются второстепенные персонажи, в том числе: Дэвид Уэнам появляется как лейтенант Джон Скарфилд,^[20] а Королевский флот офицер, командующий HMS Эссекс; Гольшифте Фарахани выглядит как Шанса,^[1] а морская ведьма; и Стивен Грэм, Мартин Клебба, Джайлз Нью и Ангус Барнетт повторить свои роли как Scrum, Марти, и Мартогг и Мулрой,^[1][21] соответственно из предыдущих фильмов, как и члены пиратской команды.

Орландо Блум повторяет свою роль как Уилл Тернер, кузнец, ставший пиратом, превращенный в капитана Летучий голландец в конце На краю света (2007). Готовясь к своей роли, Блум заявил, что хотел бы изобразить персонажа, выходящего за рамки его обычных типов ролей, как красивого героя, ссылаясь на требования к макияжу для Дэви Джонса, поскольку Блум, возможно, вернется во франшизу.^[22]

Кира Найтли ненадолго появляется в конце в не говорящей роли как Элизабет Суонн,^[23] Жена Уилла и мать Генри. Адам Браун, Дэнни Киррейн, и Делрой Аткинсон появляются как члены команды Джека, а в тюремной сцене Пол Маккартни ненадолго появляется как дядя Джека по отцовской линии, Дядя Джек.^[24][25][26] Силуэт Дэви Джонс, видно в сцене после титров, но актер Билл Найи заявил, что не был проинформирован о внешности персонажа.^[27]

Производство

Разработка

Незадолго до выхода На странных берегах (2011) актерам и съемочной группе четвертого фильма было сказано отложить время в ближайшем будущем, потому что Уолт Дисней Картинки намеревались снять пятый и шестой фильмы подряд.^[28] Однако позже было заявлено, что в разработке находится только пятый фильм. Терри Россио написал сценарий пятого фильма без партнера Тед Эллиотт.^[29] Роб Маршалл по слухам, чтобы вернуться к прямому,^[30] но отказался, решив направить В лес (2014),^[31] проект Диснея с участием Джонни Депп. Ходили слухи, что после того, как Маршалл снял фильм, многие режиссеры заняли его место, в том числе Гор Вербински, который был ответственен за оригинальные три фильма.^[32] Вербинский в конечном итоге отказался от проекта, чувствуя, что для создания фильма «нет никаких других причин, кроме финансовых».^[33] В окончательный список вошли Фредрик Бонд, Руперт Сандерс, и возможный выбор, норвежский кинодуэт Иоахим Реннинг и Эспен Сандберг.^[34] Студия выбрала их на основе их Академическая награда -номинированный фильм об открытом море Кон-Тики, и их способность работать с ограниченным бюджетом.^[35]

Черновик сценария Россио был в конечном итоге отклонен, и автор заявил, что главной причиной было использование злодейки-женщины, что заставило актера Джонни Деппа «опасаться, что это будет лишним. Темные тени (2012), в котором также фигурировала женщина-злодейка ».^[36] В январе 2013 года Дисней нанял Джефф Натансон работать над сценарием.^[37] Реннинг и Сандберг сказали, что они были особенно тронуты «забавным и трогательным» сценарием Натансона,^[38] что убедило их подписаться на директ в мае,^[39] Реннинг полагал, что сценарий был «полностью готов», но нужны были сцены, чтобы «нести традицию Гора Вербински, привносить эмоциональную основу и масштабные элементы декораций».^[8] В августе Реннинг и Сандберг объявили, что титул будет Мертвые не болтают.^[40] Однако в следующем месяце продюсер Джерри Брукхаймер сказал: «У нас есть план, который всем нравится, но сценарий еще не готов», объяснив, что выпуск будет отложен до лета 2015 года.^[35] Студия поставила под сомнение рентабельность Деппа после финансовых потерь Одинокий рейнджер (2013),^[41] и первые наброски сценария не были одобрены Студия Уолта Диснея председатель Алан Хорн, который беспокоился о готовом продукте.^[42] Брукхаймер сообщил, что за задержкой стояли проблемы со сценарием и бюджетом, и что Натансон работал над вторым черновиком, основанным на хорошо принятой схеме, заявив, что им нужен сценарий и бюджет, которые все одобрят.^[35] Деппа также пригласили поработать над сценарием, поскольку актер полагал, что это будет последний сценарий франшизы, и хотел закончить его правильно.^[43] После принятия сценария фильм был официально одобрен Disney в июле 2014 года, а релиз запланирован на 7 июля 2017 года.^[44]

Режиссеры были вдохновлены первым фильмом, Проклятие Черной Жемчужины,^[38] заявляя, что оригинал захватывающий, но, прежде всего, искренняя комедия, и хотел заново изобрести «структуру и динамику между персонажами». В дополнение к возврату лучших из предыдущих частей франшизы, у директоров были работы Чарли Чаплин и Бастер Китон иметь в виду, создавая тон фильма.^[8] Пара хотела, чтобы фильм стал «самым эмоциональным» в сериале и исследовал корни Джека Воробья.^[45] Они решили использовать компас Джека как «ключ, чтобы открыть Салазара из его адской тюрьмы в Треугольнике», и приглушили некоторые из фантастических элементов «, чтобы заземлить его, даже в Пираты Карибского моря [sic].»^[46] Джеффри Раш утверждал, что эта пара привнесла «чувство евро в традиционное мышление голливудской франшизы».^[47] Орландо Блум считал, что они «вернули простоту и очарование» оригинального фильма.^[48] Кая Скоделарио сказал, что продюсеры хотели вернуть франшизу к ее истокам, с историей, которая дает персонажам заключение, открывая новые возможности.^[49] Наряду с режиссерами и сценаристами, многие члены съемочной группы были новичками во франшизе, заменив тех, кто работал в предыдущих четырех фильмах, за исключением Брукхаймера, художника по костюмам. Пенни Роуз и исполнительный продюсер Чад Оман.^[1][50]

Кастинг

Выступая на На странных берегах Пресс-релиз в Каннах, Депп сказал, что будет играть эту роль, пока она будет популярна среди публики.^[51] В августе 2012 года появилась новость о том, что Депп подписался на пятый фильм, заработав Австралийский доллар 90 миллионов, чтобы повторить его роль.^[6] Месяц спустя, Пенелопа Круз заявил, что, несмотря на то, что ей нравится играть Анжелика в На странных берегах, с ней не связались по поводу пятого фильма.^[52] Джеффри Раш прокомментировал свое возвращение как Гектор Барбосса в пятой части, говоря: «Если они продолжат менять облик этого персонажа, безусловно», подразумевая, что он может вернуться как злодей.^[53] В конце 2011 года, примерно через четыре года после того, как он решил не возвращаться к четвертой части, Орландо Блум заявил, что хотел бы вернуться для пятого фильма, если ему предложат.^[54] Орландо Блум прокомментировал это в декабре 2014 года, сказав, что, хотя он не был уверен, вернется ли он, переговоры велись. Он также указал, что Дисней может сделать мягкая перезагрузка с франшизой и сосредоточиться на Уилле Тернере и его сыне.^[22] Участие Блума держалось в секрете до Дисней D23 в 2015 году, после окончания съемок.^[55] Когда создатели фильма начали работать с Блумом, они решили, что им нужно воссоединить персонажа с его женой Элизабет. Чтобы гарантировать, что Кира Найтли смогла повторить эту роль, постановка перенесена на однодневные съемки в Лондон, где она работала.^[46]

2 декабря 2013 г. сообщалось, что Кристоф Вальц вел переговоры о роли главного антагониста фильма,^[56] но позже он отказался. Злодей в конечном итоге изобразил муж Круза, Хавьер Бардем.^[57] В 2014 году Бардем подписался на роль Армандо Салазара, которого в ранних сценариях называли капитаном Джоном Брэндом.^[1] Бардему понравилась рабочая обстановка в четвертом фильме, свидетелем которого он стал вместе со своей женой, и он заявил, что также был поклонником франшизы и роли Деппа в роли Джека Воробья.^[58] Австралийский актер Брентон Туэйтс вступил в переговоры о роли Генри в конце ноября 2014 года,^[59] после того, как Дисней предпочел его Тарон Эгертон, Джордж Маккей, Митчелл Хоуп, Ансель Эльгорт, и Сэм Кили.^[60]

Кая Скоделарио была выбрана главной женской ролью из списка, в который вошли Габриэлла Уайлд, Александра Доулинг, Дженна Тиам, и Люси Бойнтон.^[61] Ее героиня Карина — астроном, которого обвиняют в колдовстве. Скоделарио подтвердил, что она играла «совершенно другого персонажа» из Элизабет Суонн, а также что она будет любовным интересом Генри,^[19][62] в предыдущих набросках она была задумана как любовный интерес Воробья.^[63] Кевин МакНалли подтвердил свое возвращение как Джошами Гиббс в конце января.^[21] Адам Браун, Делрой Аткинсон и Дэнни Киррейн незадолго до съемок были показаны в составе актеров.^[24] Когда начались съемки, было подтверждено, что двое актеров из предыдущих фильмов вернутся. Мартин Клебба в качестве Марти^[64] и Стивен Грэм как Scrum.^[1] Кейт Ричардс выразил заинтересованность в повторении своей роли капитана Эдвард Тиг,^[65] но был недоступен, поэтому Депп пригласил Пол Маккартни в роли дяди Джека Воробья (также известного как Джек).^[66]

Другие актеры проявили интерес к воспроизведению своих ролей из предыдущих фильмов, например, роль Тиа Далма. Наоми Харрис,^[67] и Грег Эллис, даже если его персонаж Теодор Гроувс, казалось, умер в предыдущий фильм.^[68] Обе Ли Аренберг и Маккензи Крук прокомментировал возможность возврата в качестве Пинтель и Рагетти.^[69] В интервью 7 ноября 2014 года Крук подтвердил, что ему звонили от Disney о возможности участия в фильме.^[70] хотя позже он отказался, чтобы сосредоточиться на своем телесериале Детекторы.^[71] Он сказал, что почувствовал «укол ностальгии», когда актеры и съемочная группа снимались без него.^[72] Аренберг, который также работал на телевидении, Давным-давно, добавил, что, по его мнению, продюсеры «на самом деле не пытались ухаживать за нами, как будто они действительно хотели нас».^[73]

Экранизация

Режиссеры Йоахим Реннинг и Эспен Сандберг изначально заявили, что съемки будут проходить в Пуэрто-Рико и Новом Орлеане.^[74] и Брукхаймер ранее упоминал, что последовательность может быть в Луизиане.^[75] Однако пресс-секретарь министра искусств Австралии Джордж Брэндис подтвердил, что пятая партия должна была сниматься исключительно в Австралии после того, как правительство согласилось перенаправить 20 миллионов долларов налоговые льготы, изначально предназначенная для ремейка 20000 лье под водой; таким образом вытеснив Мексику и Южную Африку как места съемок.^[76] Съемки проходили исключительно в Квинсленде, Австралия, и это было крупнейшее производство, когда-либо снимавшееся в стране. Village Roadshow Studios и острова Уитсанди были официально подтверждены как места съемок.^[77] 1 января 2015 г. Радужный цыган, 15-летняя копия шотландского Bawley, прошел обширный ремонт на Золотом Берегу, в том числе новый бушприт, и переконфигурированные палубы и каюты для съемок в Умирающая чайка. Его капитан и владелец, Кит Вудворд, был монтажником в фильме.^[78]

Съемки фильма начались 17 февраля 2015 года.^[1] Сцены с кораблем снимались перед гигантским зеленым экраном под открытым небом в Хеленсвэйле.^[79] а в Модсланде была построена декорация в виде деревни.^[80] Поскольку высота зеленых экранов блокировала солнечный свет, к набору были добавлены контейнеры с надувными голубыми экранами, установленными наверху, чтобы пропускать свет.^[81] В то время как первоначальный набросок сценария включал шесть кораблей, в конечном продукте было одиннадцать судов; Чтобы сократить расходы, большинство из них были частичными конструкциями, позже усовершенствованными компьютерной графикой, а некоторые были построены на гидравлической платформе, чтобы имитировать движение мореплавания на суше. Съемочная группа во главе с постановщиком Пол Кэмерон, также широко использовали дроны, чтобы снимать захватывающие виды на море, не прибегая к съемкам с воздуха или подъемным краном.^[10][82]

Съемки переехали в парк Дуга Дженнингса на коса с 30 марта по 15 июня для сцен, связанных с водой.^[83] Однако из-за крайнего морская болезнь среди актеров и съемочной группы «больших волн» съемки переместились в Раби Бэй для более спокойной воды.^[84][85] Сцены были сняты в Байрон-Бей 1 июня. Местные жители составляли более 75 процентов от 850 с лишним съемочной группы, работавшей на тот момент над фильмом.^[86] После долгих размышлений о том, вернется ли Орландо Блум, Блум прибыл на Золотой берег в конце мая, чтобы повторить свою роль Уилла Тернера.^[87][88] Сцены с изображением скелета кашалот Построенные были расстреляны в Гастингс-Пойнт с 21 по 23 июня.^[89]

Ряд вопросов и противоречий отбросили фильм во время его производства. В законы о биобезопасности в Австралии поставил проблемы в отношении обезьяны капуцины которые изображают обезьяну Гектора Барбосса Джек, потому что животные относятся к категории вредителей 1 и требуют строгих требований и 30-дневного карантина.^[90] Дальнейшие разногласия вызвали группы активистов по защите прав животных, которые призвали Федерального министра окружающей среды Грег Хант отклонить заявку на въезд, аргументируя это тем, что длительный полет по воздуху повлияет на их здоровье, а их выполнение неестественно и создаст спрос на незаконную торговлю дикими животными.^[91] Одна из обезьян вызвала дальнейшее беспокойство, когда заблудилась в Мир кино и прикусил ухо визажисту на другой постановке.^[92]

Экипаж и актеры были вынуждены прикрыть линзы камер на всех мобильных телефонах изолентой, чтобы пленка не разлеталась. пиратский перед его выпуском. Чтобы фанаты не вмешивались в производство, секретные места съемок использовали производственное название «Гершель», чтобы скрыть тот факт, что это был пятый фильм. Пираты Карибского моря фильм.^[93] После попытки вооруженного человека обойти охрану, и без того строгая охрана была усилена.^[94]

10 марта 2015 года Депп получил травму за пределами съемочной площадки, и его пришлось лететь в США для операции.^[95] Из-за его отсутствия съемки полностью застопорились, и 200 членов съемочной группы были вынуждены уйти в отставку на две недели, закончив все, что они могли делать без Деппа.^[96] Депп вернулся на съемочную площадку 21 апреля.^[97] В июне Кая Скоделарио была ранена на съемочной площадке вместе с каскадером.^[98] В начале июля начался демонтаж декораций на Стрелке.^[99] Большая часть актерского состава и съемочной группы закончила работу 8 июля, а вечеринка по случаю церемонии закрытия состоялась 11 июля.^[100] Затем съемки переместились в «Уитсанди» для финальных съемок.^[99][101] 21 июля 2015 года Реннинг объявил, что съемки завершились после 95-дневной съемки.^[102] После почти года постобработки, пересъемки и дополнительные фотографии были проведены в Ванкувере, Канада, с 24 марта по 13 апреля 2016 года под производственным названием «Дополнительная фотография Herschel».^[103]

Музыка

Это был первый фильм из серии, в котором Ханс Циммер не сочинял музыку для. Вместо этого главный композитор — один из его протеже, Джефф Занелли, который работал над предыдущими четырьмя частями франшизы.^[104] Занелли сказал, что Циммер «переопределил звучание всего жанра» и считает большим достижением работать с ним и Брукхаймером. Он использовал этот опыт с франшизой, чтобы создать новое звучание для фильма.^[104] Он заявил, что «не нужно модернизировать мелодии, они вневременные», приведя один пример того, как он пытался сделать звук более современным, используя электрическая виолончель создать грозный лейтмотив для Салазара.^[105] Это тоже был первый Пираты Карибского моря партитуру, чтобы использовать в основном живую перкуссию, в отличие от запрограммированной перкуссии в предыдущих партитурах. Поскольку после того, как Занелли был принят на работу, на начало производства фильма ушло больше года, он сопровождал эволюцию сценария и был знаком с персонажами, которые ему нужно было перевести в их тематические песни. Занелли всегда начинал писать музыку для фортепиано, а именно для синтезированного оркестра.^[106] Саундтрек к фильму вышел 26 мая 2017 года.^[107]

Послепроизводственный этап

Редактирование было результатом сотрудничества между Роджер Бартон и Ли Фолсом Бойд, в котором подробно говорилось, что «Роджер начал с начала фильма, а я — с конца, и мы вроде как встретились в середине». Бойд добавила, что это был самый длительный процесс постпродакшена, в котором она когда-либо участвовала, поскольку Дисней хотел дать «поддержку и свободу действий, которые нам нужны, чтобы рассказать историю и позволить запечь сложные визуальные эффекты».^[108] Редакторы работали в тесном сотрудничестве с командой предварительной визуализации, чтобы, по словам супервайзера по эффектам, Гэри Брозенич, «дать мясо костям пластин, которые нуждаются в объяснении эффектов, а также любые новые ритмы компьютерной графики, которые будут добавлены позже». Вместе с командой постпродакшна в Лос-Анджелесе Брозенич должен был разделить свое время, поехав в Великобританию и Монреаль, чтобы проверить восемь компаний, обрабатывающих 2000 кадров с визуальными эффектами для фильма, 150 из которых состояли только из компьютерной графики. Основным продавцом был собственный работодатель Брозенича. Компания Moving Picture (ПДК).^[81][109] Среди работ MPC были пираты-нежить Салазара, кадры которых в основном были заменены на CGI для достижения отсутствующих частей тела и плавающих волос и одежды. Брозенич заявил, что от оригинальных актеров сохранились «их бег, походка и лица». Чтобы дать ссылку на плавающие части, которые должны были напоминать состояние постоянного утопления, каскадер в полном костюме и парике был снят под водой в бассейне, выполняя различные действия.^[10]

Atomic Fiction сняла сцены на Сен-Мартене, превратив несколько блоков построенных на съемочной площадке зданий в более чем 600 зданий компьютерной графики, окруженных джунглями. Работа объединила отсылки как из Карибского бассейна, так и из Таиланда, и улучшила с помощью компьютерной графики гильотину, на которой чуть не казнили Джека Воробья, и банк с места ограбления; берег должен был выглядеть так, как будто его фундамент был вырыт в земле, а не скользил по поверхности.^[110] Наряду с морскими кадрами, снятыми как в австралийских декорациях, так и в Ки-Уэст, штат Флорида, широко использовались моделирование воды, причем художники использовали Шкала Бофорта чтобы обеспечить реалистичное совпадение волн и ветра.^[81]

Релиз

Мертвые не болтают состоялась мировая премьера на Шанхайский Диснейленд 11 мая 2017 года.^[2] В некоторых странах, включая Великобританию, фильм был выпущен как Пираты Карибского моря: Месть Салазара,^[111] решение, о котором не были проинформированы директора.^[46] Он был показан в кинотеатрах Италии.^[112] и Норвегия 24 мая,^[113] 26 мая в США, Канаде и Китае.^[114] Это первая голливудская функция, выпущенная в США для нового панорамного формата ScreenX, который воспроизводился в двух местах в США — CGV. Buena Park и CGV Кинотеатры — оба в Лос-Анджелесе, Калифорния. Кроме того, он играл на 81 экране в некоторых кинотеатрах Кореи, Китая, Таиланда, Вьетнама, Турции и Индонезии. Фильм также сыграл в 4D на 373 экранах 4DX по всему миру.^[115] Фильм выпущен в формате IMAX с расширенным соотношением сторон 1,9: 1.^[116] Это был третий Дисней широкий выпуск года, следующего за Красавица и Чудовище (2017) и Стражи Галактики Том. 2 (2017).^[117]

Незадолго до релиза Мертвые не болтают якобы был украден группой хакеров-пиратов, которые потребовали у Disney крупную сумму денег, чтобы они не допустили утечки неизданного фильма. Компания отказалась это сделать и работала с ФБР чтобы раскрыть личность группы.^[118] Генеральный директор Disney Боб Айгер сообщил, что хакеры не украли их фильм.^[119]

Маркетинг

Активные маркетинговые усилия помогли продвинуть Мертвые не болтают.^[120] Впервые фильм был продемонстрирован на выставке Дисней D23 Expo 2015, где Депп появился в костюме Джека Воробья и был показан логотип фильма, а Орландо Блум подтвердил, что будет сниматься в фильме.^[121][122] Элизабет Рудник подтвердила, что романизировать фильм, описывая его как возвращение первоначальной чувствительности сериала, в то же время возвращая Джеку Воробью «всю его чванливую славу».^[123] Также был выпущен приквел, расширяющий предысторию персонажа Карины Смит под названием Пираты Карибского моря: Мертвецы не рассказывают сказки — Самая яркая звезда Севера.^[124] Фильм был продемонстрирован на выставке Walt Disney Content Showcase в Южной Африке в 2016 году, где были представлены концепт-арт, детали сюжета и изображения на съемочной площадке.^[125]

Первый тизер-трейлер был выпущен 2 октября 2016 года во время финала второго сезона сериала. AMC с Бойтесь ходячих мертвецов, и продемонстрировал, как Армандо Салазар охотится за Джеком Воробьем, который изображен на объявлении о розыске.^[126] В феврале 2017 года компания Disney выпустила 30-секундный телевизионный тизер на Super Bowl LI, расширенная версия которого была выпущена в Интернете. Джонни Кэш «s»Нет могилы «. Трейлер считался» большим «трейлером мероприятия и был самым просматриваемым трейлером из всех фильмов, рекламируемых в перерыве между таймами. Вместе с трейлером был выпущен новый тизер-постер. Оба тизера получили очень положительную реакцию из аудитории.^[127][128]Официальный трейлер вышел 2 марта.^[129] Еще один трейлер вышел 25 марта.^[130] Первый 30-секундный телевизионный ролик был выпущен 31 марта. 21 апреля в парках Диснея и на четырех круизных лайнерах Диснея Дисней продемонстрировал краткий обзор фильма.^[131] Disney представила 5-минутный расширенный эпизод фильма перед британским выпуском Marvel’s. Стражи Галактики Том. 2, 28 апреля.^[132][133]

Домашние СМИ

Пираты Карибского моря: Мертвецы не рассказывают сказки был выпущен цифровая загрузка к Домашние развлечения студии Уолта Диснея 19 сентября 2017 г. и далее Блю рей, Ультра HD Blu-ray, и DVD 3 октября.^[134] Это был лучший релиз для домашних СМИ за первую неделю: на версию Blu-ray пришлось 78% продаж, а предыдущие четыре фильма вернулись в 25 самых продаваемых Blu-ray.^[135]

Прием

Театральная касса

Пираты Карибского моря: Мертвецы не рассказывают сказки собрала 172,6 миллиона долларов в США и Канаде и 622,3 миллиона долларов на других территориях, на общую сумму 794,9 миллиона долларов по всему миру при предполагаемом производственном бюджете в 230 миллионов долларов.^[5] Он был открыт во всем мире на сумму 271,4 миллиона долларов на 55 рынках, из которых 24 миллиона долларов поступили от 1088 экранов IMAX.^[136] Шестидневный вступительный взнос фильма поднял валовой сбор франшизы за отметку в 4 миллиарда долларов.^[137] Несмотря на то, что фильм был самым кассовым фильмом сериала в США (почти на 70 миллионов долларов), фильм стал самым кассовым фильмом в мире. Пираты франшизы на международном уровне по современным обменным курсам, На странных берегах, которая собрала 593,4 млн долларов по текущим ценам.^[138] Самыми прибыльными зарубежными рынками были Китай (172,3 миллиона долларов), Япония (59,5 миллиона долларов) и Россия (40,7 миллиона долларов), где этот фильм был вторым по прибыльности после. Аватар (2009).^[139] Несмотря на слабые итоги по США, Крайний срок Голливуд отметил, что фильм принесет чистую прибыль в размере около 280 миллионов долларов после учета всех расходов и доходов.^[140]

Северная Америка

Мертвые не болтают дебютировал за четыре дня день памяти вводные выходные, которые будут показаны в 4276 кинотеатрах, из которых более 3100 были в формате 3D с использованием таких форматов, как IMAX, D-Box, и 4DX.^[141] В первый же день фильм заработал 23,4 миллиона долларов, в том числе 5,5 миллиона долларов на превью. Это был самый низкий день открытия франшизы.^[142] Мертвые не болтают собрала 63 миллиона долларов за три дня и 78,5 миллиона долларов за четыре (пятница – понедельник), заняв первое место в прокате, опередив Стражи Галактики Том. 2 и приятель-новичок Спасатели Малибу (2017).^[143][144] Это был второй по величине вводный уик-энд франшизы, он принес только больше, чем первый фильм, а каждый из остальных выпусков заработал не менее 90 миллионов долларов.^[145] Несмотря на то, что фильм получил наивысший результат на тестах в серии,^[146] открытие оказалось намного ниже ожиданий — 80–115 миллионов долларов.^[147][148] Аналитики объясняют низкую эффективность негативными отзывами, усталостью от франшизы и Джонни Депп Уменьшение доходов и обесценивание общественного имиджа на фоне его личных проблем. Тем не менее, он работал лучше, чем предыдущие релизы Диснея, посвященные Дню памяти (Принц Персии: Пески времени (2010), Tomorrowland (2015), и Алиса в Зазеркалье (2016)),^{[149][150][151]} и руководители студии сказали, что довольны открытием фильма,^[137] которые помогли Disney преодолеть 1 миллиард долларов в США.^[152]

Фильм упал в общей сложности на 65% за второй уик-энд, худший из серии, собрав 22,1 миллиона долларов.^[153] and finishing in third place, after newcomers Удивительная женщина (2017) ($103.3 million) and Капитан Трусы: Первый эпический фильм (2017) ($23.9 million).^[154] It remained in the top ten for four more weeks.^[155][156]

Outside North America

Internationally, where it is marketed as Salazar’s Revenge in most countries, the film was released day-and-date with its North American debut in 54 markets (91% of its total marketplace, except Japan, where it debuted on July 1).^[157] Preliminary reports had the film opening to $150–175 million, but possibly overperforming depending on major markets, most notably China.^[141][158] While its Chinese run benefited from the May 28–30 Dragon Boat Festival —a lucrative moviegoing period—and from International Children’s Day (June 1),^[159][160] то Manchester Arena bombing had a deteriorating effect on certain European markets over the film’s opening weekend.^[161] From Wednesday to Friday, it registered an opening of $208.8 million. Around $14 million of that came from IMAX screenings, the second-biggest international IMAX opening in May, after Captain America: Civil War (2016).^[136] Similar to its US plunge, it earned $73.8 million in its second weekend, falling to second place, behind Удивительная женщина.^[162]

It recorded the biggest opening day of the year in several markets, including Germany ($3.6 million), Austria, France ($2.3 million), Finland, Sweden, Belgium, Thailand ($400,000), Indonesia, Malaysia, and the Netherlands ($900,000, the second-biggest Disney opening, behind Звездные войны: Пробуждение силы (2015)).^[161][163] Russia posted the biggest opening of all time with $18.4 million ($18.6 million including previews).^{[136][152][164][165]} In China, where the film had its global premiere, it earned $21.3 million on its opening day, the fourth-biggest Disney opening in the country. It had an 87% marketshare and had already surpassed the entire earnings of Пираты Карибского моря: На краю света.^[166] Earning a total of $67.9 million, it registered the third-highest three-day for any Disney title, and a much-higher opening than the US.^[136] The film did extremely well in IMAX, earning $9 million from 401 screens from Friday to early Monday bookings. The robust opening has been attributed to the Dragon Boat Festival, Depp’s star power, the ubiquity of the franchise, the impact of Shanghai Disneyland Park, and good молва, with a score of 7.5/10 on reviews aggregator Douban and 8.7/10 on top mobile-ticketing platform Weying.^[167][168] The film’s final release market was Japan (July 1), where it opened at number one, achieving the highest-grossing opening for a Western film of the year, earning $9.25 million over the July 1–2 weekend.^[169] It retained the box office lead for one more week, and was the highest-grossing foreign film in the following weekend.^[170]

Критический ответ

На агрегатор обзоров Rotten Tomatoes, the film holds an approval rating of 29% with an average rating of 4.7/10, based on 285 reviews. The website’s critical consensus reads, «Pirates of the Caribbean: Dead Men Tell No Tales proves that neither a change in directors nor an undead Javier Bardem is enough to drain this sinking franchise’s murky bilge.»^[171] На Metacritic, the film has a weighted average score of 39 out of 100, based on 45 critics, indicating «generally unfavorable reviews».^[172] Аудитории, опрошенные CinemaScore gave the film an average grade of «A−» on an A+ to F scale, while those at PostTrak gave it an 82% overall positive score.^[145]

Mike Ryan of Uproxx criticized what he termed as a convoluted plot and overabundance of characters, resulting in a film that was «practically incoherent.»^[173] Написание для Катящийся камень, Питер Трэверс called the film «bloated, boring, repetitive, and draining» and gave it one star out of four.^[174] Игнатий Вишневецкий из А.В. Клуб wrote that the film echoes the first three of the franchise, «in which Johnny Depp’s louche and campy Jack Sparrow played second banana to an insipid love story… the two romantic leads … succeed only in making the shortest movie in the series seem just as long as the rest.»^[175] А. О. Скотт из Нью-Йорк Таймс said of the film, «Its pleasures are so meager, its delight in its own inventions so forced and false, that it becomes almost the perfect opposite of entertainment.»^[176] Michael O’Sullivan of Вашингтон Пост remarked that the film was «loud, overstimulating and hard to take in all in one sitting.»^[177] Mick LaSalle из San Francisco Chronicle found the film to be «a jumble of half-baked impulses» that had been forced into a played-out franchise.^[178]

Richard Roeper из Чикаго Сан-Таймс gave the film 3 out of 4 stars, saying: «Dead Men works well enough as a stand-alone, swashbuckling comedic spectacle, thanks to the terrific performances, some ingenious practical effects, impressive CGI and a steady diet of PG-13 dialogue peppered with not particularly sophisticated but (I have to admit) fairly funny sexual innuendo.»^[179] Pete Hammond of Крайний срок Голливуд praised the film, calling it «the most entertaining installment,» and giving credit to Rønning and Sandberg for creating a «rollicking good time». He praised the visual effects, particularly Salazar and his crew, arguing that the film should be in line to receive an Academy Award for Visual Effects. He also gave high praise to Bardem for being able to create such a «fully dimensional villain» under the layers of make-up and CGI, and Depp for keeping the film and franchise going.^[180] Leah Greenblatt of Entertainment Weekly gave the film a ‘B’, praising the fun nature of the film and its visuals and calling it «gorgeously detailed swashbuckling nonsense,» but wished that the script had taken more risks instead of following the formula used in previous films.^[181] Ashley Esqueda of CNET gave the film a positive review, arguing that it brought the franchise back to what made its first two installments so fun, and praised Depp’s performance as being «delightful as ever.»^[182] Brian Truitt of USA Today gave the film 3 out of 4 stars, saying «What was once a past-its-prime franchise seems to have found new life.»^[183] Mark Hughes of Forbes opined «Dead Men Tell No Tales isn’t as good as the first three films, but it’s better than the fourth,» adding «it has mostly good performances, and a couple of great ones. It has fantastic visual effects, lots of humor that works, a lighthearted feel and sense of fun, and many terrific action set pieces.»^[184]

Похвалы

The film was nominated for three Золотая малина^{[N 3]} and nominated for six Награды Teen Choice Awards.^[185]

Будущее

Сиквел

On March 4, 2017, director Joachim Rønning stated that Dead Men was only the beginning of the final adventure, implying that it would not be the last film of the franchise, and that a sixth film could be released.^[186] The post-credits scene of Dead Men shows Will Turner, Elizabeth Swann, and Davy Jones.^[187] In September 2017, producer Jerry Bruckheimer indicated that another Pirates sequel is still possible if Dead Men Tell No Tales does well in its home release.^[188] In October 2017, the sixth film was confirmed and Kaya Scodelario said that she was contracted to return.^[189] Shortly after, it was announced that Rønning was being eyed to return to direct the sequel.^[190] In August 2018, it was reported that the sixth film was still in development with Terry Rossio back to writing the screenplay.^[191] By early 2020, talks of a sixth film began again, with Depp reportedly set to reprise his role.^[192]

Cancelled reboot

In October 2018, it was reported that Disney had been looking for ways to reboot the franchise, bringing on Тотализатор, где делаются ставки на смерть знаменитостей (2016) writers Rhett Reese and Paul Wernick though producer Jerry Bruckheimer was expected to return.^[193] In January 2019, it was said that Disney could save up to $90 million by excluding Depp from future installments, although not confirming nor denying the presence of Captain Jack Sparrow.^[194] However, in February 2019, Reese and Wernick departed the project and by October of that year were replaced with Craig Mazin and Ted Elliott.^[195]

Смотрите также

• De-aging in film

Примечания

Рекомендации

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