The Handmaid’s Tale | |
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Genre |
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Created by | Bruce Miller |
Based on | The Handmaid’s Tale by Margaret Atwood |
Starring |
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Composer | Adam Taylor |
Country of origin | United States |
Original language | English |
No. of seasons | 5 |
No. of episodes | 56 (list of episodes) |
Production | |
Executive producers |
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Producers |
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Production locations |
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Cinematography |
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Running time | 41–65 minutes |
Production companies |
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Distributor | MGM Television |
Release | |
Original network | Hulu |
Picture format |
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Audio format |
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Original release | April 26, 2017 – present |
The Handmaid’s Tale is an American dystopian television series created by Bruce Miller, based on the 1985 novel of the same name by Canadian author Margaret Atwood. The series was ordered by the streaming service Hulu as a straight-to-series order of 10 episodes, for which production began in late 2016. The plot features a dystopia following a Second American Civil War wherein a theonomic, totalitarian society subjects fertile women, called «Handmaids», to child-bearing slavery.[5][6]
The first three episodes of the series premiered on April 26, 2017; the subsequent seven episodes were released every Wednesday. In July 2019, the series was renewed for a fourth season,[7] which premiered on April 27, 2021.[8] In September 2019, it was announced that Hulu and MGM were developing a sequel series, to be based on Atwood’s 2019 novel The Testaments.[9] In December 2020, ahead of the fourth season premiere, the series was renewed for a fifth season,[10] which premiered on September 14, 2022.[11] In September 2022, ahead of the fifth season premiere, the series was renewed for a sixth and final season.[12]
The Handmaid’s Tale‘s first season won eight Primetime Emmy Awards from 13 nominations, including Outstanding Drama Series. It is the first show produced by Hulu to win a major award as well as the first series on a streaming service to win an Emmy for Outstanding Series.[13] It also won the Golden Globe Award for Best Television Series – Drama. Elisabeth Moss was also awarded the Primetime Emmy Award for Outstanding Lead Actress in a Drama Series and the Golden Globe for Best Actress in a Television Drama Series.
Plot[edit]
In a world where fertility rates have collapsed as a result of sexually transmitted diseases and environmental pollution,[14] the totalitarian, theonomic government of Gilead establishes rule in the former United States in the aftermath of a civil war.[15][16][17][5] Society is organized by power-hungry leaders along with a new, militarized, hierarchical régime of religious fanaticism and newly created social classes, in which women are brutally subjugated. By law, women in Gilead are forced to work in very limited roles, including some as natal slaves, and they are not allowed to own property, have careers, handle money, or read.[17]
Worldwide infertility has led to the enslavement of fertile women in Gilead determined by the new régime to be fallen women, citing an extremist interpretation of the Biblical account of Bilhah. These women often include those who have entered marriages following divorce (termed «adulteresses», as divorce is not recognized under Gileadian law), single or unmarried mothers, lesbians (homosexuals being termed «gender traitors»), non-Christians, adherents of Christian denominations other than the «Sons of Jacob», political dissidents, and academics.[17]
These women, called Handmaids, are assigned to the homes of the ruling elite, where they must submit to ritualized rape (referred to as «the ceremony») by their male masters («Commanders») in the presence of their wives, to be impregnated and bear children for them.[17] Handmaids are given names created by the addition of the prefix Of- to the first name of the man who has them. When they are transferred, their names are changed.
Along with the Handmaids, much of society is now grouped into classes that dictate their freedoms and duties. Women are divided into a small range of social categories, each one signified by a plain dress in a specific color. Handmaids wear long red dresses, heavy brown boots and white coifs, with a headcovering surrounded by a larger white coif (known as «wings») to be worn outside, concealing them from public view and restricting their vision.
June Osborne, renamed Offred, is the Handmaid assigned to the home of the Gileadan Commander Fred Waterford and his wife Serena Joy. The Waterfords, key players in the formation and rise of Gilead, struggle with the realities of the society they helped create. During «the time before», June was married to Luke and had a daughter, Hannah.
At the beginning of the story, while attempting to flee Gilead with her husband and daughter, June was captured and forced to become a Handmaid because of the adultery she and her husband committed. June’s daughter was taken and given to an upper-class family to raise, and her husband escaped into Canada. Much of the plot revolves around June’s desire to be reunited with her husband and daughter and the internal evolution of her strength to its somewhat darker version.
Cast and characters[edit]
Main[edit]
- Elisabeth Moss as June Osborne / Offred / Ofjoseph #2, a woman who was captured while attempting to escape to Canada with her husband, Luke, and daughter, Hannah. Because Luke is divorced, their union is considered adulterous in this new society. June is considered an adulteress and their daughter, Hannah, is deemed illegitimate. Due to June’s fertility, she is made a Handmaid to Commander Fred Waterford and his wife Serena Joy, and is called «Offred»; later she becomes handmaid to Commander Joseph Lawrence and is called «Ofjoseph».
- Joseph Fiennes as Commander Fred Waterford (seasons 1–4), a high-ranking government official, and June’s first master. Both he and his wife were instrumental in Gilead’s founding.
- Yvonne Strahovski as Serena Joy Waterford, Fred’s wife, and a former conservative cultural activist. She appears to have accepted her new role in a society that she helped create. She is poised and deeply religious, but capable of great cruelty and is often callous to June. She is desperate to become a mother.
- Alexis Bledel as Dr. Emily Malek / Ofglen #1 / Ofsteven / Ofroy / Ofjoseph #1 (seasons 1–4), a former university professor in cellular biology and initially June’s shopping partner. Although June is initially wary of her, it is revealed she is not as pious as she seems, and the two become friends. Emily is involved with and first informs June of Mayday, an underground resistance movement. She has a wife and son living in Canada.
- Madeline Brewer as Janine Lindo / Ofwarren / Ofdaniel / Ofhoward / Ofjoseph # 3, a Handmaid who entered the Red Center for training at the same time as June, and considers June a friend due to her kind treatment. Initially non-compliant, Janine has her right eye removed as a punishment. She becomes mentally unstable due to her treatment and often behaves in temperamental or childlike ways. Before Gilead, Janine was a waitress and had a son, Caleb, who unbeknownst to her was killed in a car crash after the takeover.
- Ann Dowd as Aunt Lydia Clements, a woman in charge of overseeing the Handmaids in their sexual re-education and duties. She is brutal and subjects insubordinate Handmaids to sadistic physical punishment, but she also cares for her charges and believes deeply in the Gileadean mission and doctrine. She appears to have a soft spot for Janine and even goes so far as to address her by her given name on occasion. Before Gilead, she was a family court judge, and afterwards, an elementary school teacher.
- O-T Fagbenle as Luke Bankole, June’s husband from before Gilead. Initially, June believes he was killed, but it is later revealed that Luke managed to escape to Canada.
- Max Minghella as Commander Nick Blaine, Commander Waterford’s driver and a former drifter from Michigan who has feelings for June. June and Nick develop an intimate relationship and she eventually discovers that he is an Eye, a spy for Gilead and that he played a significant role in the Gileadean takeover. In season 3, he is promoted to Commander.
- Samira Wiley as Moira Strand, June’s best friend since college. She is already at the Red Center when June enters Handmaid training but escapes before being assigned to a home. She is recaptured and becomes «Ruby», a Jezebel. She seems to have given up hope of ever being free, but on meeting June again regains the conviction to escape to Canada.
- Amanda Brugel as Rita Blue (season 2–present, recurring season 1), a housekeeper at the Waterford house, who becomes one of June’s closest allies. She had a son named Matthew, who died fighting in the civil war when he was 19 years old.[18]
- Bradley Whitford as Commander Joseph Lawrence (season 3–present, guest season 2), the founder of the Colonies and architect of Gilead’s economy. He is on and off with Mayday.[19][20]
- Sam Jaeger as Mark Tuello (season 4–present, recurring season 3, guest season 2), an operative of the U.S. Government whom Serena encounters in Canada.[21]
Recurring[edit]
- Jordana Blake as Hannah Bankole, June and Luke’s daughter. After being taken, she is given a new family and renamed Agnes MacKenzie.
- Ever Carradine as Naomi Putnam, Commander Putnam’s wife. She has no sympathy for Handmaids and only sees her baby as a status symbol.
- Stephen Kunken as Commander Warren Putnam (seasons 1–5), a High Commander and the first known Commander of Janine.
- Tattiawna Jones as Lillie Fuller / Ofglen #2 (seasons 1–2), who replaces Emily in the position after Emily is captured by the Eyes. She warns June away from breaking the rules and does not wish to upset the status quo, but this is because she believes her life as a Handmaid is better than the difficult, impoverished life she led prior to Gilead, rather than out of religious piety.
- Nina Kiri as Alma / Ofrobert (seasons 1–4, guest season 5), another Handmaid who trained at the Red Center with June, Moira, and Janine. She is frank and chatty and often trades gossip and news with June. She is also involved with Mayday and becomes one of June’s first contacts with the resistance group.
- Bahia Watson as Brianna / Oferic (seasons 1–4, guest season 5), another local Handmaid who is friends with June. She is Dolores’ shopping partner.
- Jenessa Grant as Dolores / Ofsamuel (seasons 1–2, guest season 3), a local Handmaid with a friendly and talkative nature. She is Brianna’s shopping partner.
- Edie Inksetter as Aunt Elizabeth, a fellow Aunt who works closely with Aunt Lydia at the Red Center.
- Robert Curtis Brown as Commander Andrew Pryce (seasons 1–2), a Commander who is one of the leading members of the Sons of Jacob and is in charge of the Eyes.
- Kristen Gutoskie as Beth (seasons 1 and 3, guest season 4), an award-winning chef before the rise of Gilead, formerly a Martha at Jezebel’s, and later a Martha in the Lawrence household.
- Erin Way as Erin (seasons 1–3), a young, apparently mute woman who was being trained to become a Handmaid but managed to escape to Canada with Luke.[22]
- Krista Morin as Rachel Tapping (seasons 1–2, season 4), an official at the United States Consulate in Canada.
- Clea DuVall as Sylvia (season 3, guest seasons 2 and 5), Emily’s wife.[23]
- Cherry Jones as Holly Maddox (season 2–3), June’s mother, an outspoken feminist.[24]
- Sydney Sweeney as Eden Blaine (née Spencer) (season 2), a pious and obedient young girl who is married off to Nick.[25]
- Greg Bryk as Commander Ray Cushing (season 2), a fellow Commander who later replaces Commander Pryce’s position.
- Rohan Mead as Isaac (season 2), a young Guardian assigned to the Waterford home.
- Julie Dretzin as Eleanor Lawrence (seasons 2–3), the mentally unstable wife of Commander Lawrence.
- Amy Landecker as Mrs. Mackenzie (season 5, guest season 3), Hannah’s placement mother in Gilead.
- Ashleigh LaThrop as Natalie / Ofmatthew (season 3), a devoted Handmaid whose loyalty to Gilead causes divisive tensions amongst her peers.[26]
- Sugenja Sri as Sienna (season 3, guest season 4), a former radiology student and a new Martha in the Lawrence household.
- Jonathan Watton as Commander Matthew Calhoun (season 3–present), the assigned Commander of Natalie/Ofmatthew.
- Charlie Zeltzer as Oliver (seasons 3–4), Emily and Sylvia’s son.
- Christopher Meloni as High Commander George Winslow (season 3), a High Commander stationed in Washington, D.C.[27]
- Elizabeth Reaser as Olivia Winslow (season 3),[27] the wife of High Commander Winslow.
- Mckenna Grace as Esther Keyes (season 4–5), a farmer and the teenage wife of an older Commander.[21]
- Zawe Ashton as Oona (season 4), an aid worker in Toronto and Moira’s new girlfriend.[28]
- Jeananne Goossen as Aunt Ruth (season 4), a high ranking Aunt who is desperate to replace Aunt Lydia as leading Aunt in their district.
- Natasha Mumba as Danielle (season 4–present), a former handmaid.
- Victoria Sawal as Tyler (season 4–present), a former handmaid.
- Amanda Zhou as Vicky (season 4–present), a former handmaid.
- Carey Cox as Rose Blaine (season 5), the daughter of a High Commander in Washington, D.C. and Nick’s new wife.
- Jason Butler Harner as Commander Mackenzie (season 5), a High Commander and Hannah’s placement father.
- Rossif Sutherland as Ezra Shaw (season 5), Serena’s personal Gileadan bodyguard in Canada.
- Genevieve Angelson as Alanis Wheeler (season 5), an affluent Canadian who idolizes Serena and who is a driving force behind the rise of Gilead in Toronto.[29]
- Lucas Neff as Ryan Wheeler (season 5), Alanis’ husband.
Guest[edit]
- Jim Cummings as Burke (season 1), an Eye who interrogates June.
- Zabryna Guevara as Mrs. Castillo (season 1), an ambassador from Mexico who visits Gilead to see the effectiveness of the regime.
- Christian Barillas as Mr. Flores (season 1), Mrs. Castillo’s assistant.
- Rosa Gilmore as Zoe (season 1), the daughter of a US army soldier and the leader of the group of survivors whom Luke encounters after being separated from June and Hannah.
- Tim Ransom as Mr. Whitford (season 1), a friend of June’s mother who helps June, Luke, and Hannah attempt to cross the border.
- Marisa Tomei as Mrs. O’Conner (season 2), a Commander’s wife who is exiled to the Colonies as punishment for committing a sin of the flesh.[30]
- Yahya Abdul-Mateen II as Omar (season 2), a man who helps June attempt to escape Gilead.
- John Carroll Lynch as Dan (season 2), Emily’s boss at the university where she worked.
- Kelly Jenrette as Annie (season 2), Luke’s ex-wife.
- Rebecca Rittenhouse as Odette (season 2), a doctor, and Moira’s deceased fiancée.
- Laila Robins as Pamela Joy (season 3), Serena’s mother.
- Deidrie Henry as Lori (seasons 3–4), a Martha who Nick uses for intel in Gilead.
- Sarah McVie as Lena (season 3), a Swiss diplomat negotiating the hostile conflict between Gilead and Canada over Nichole.
- Emily Althaus as Noelle (season 3), a young single mother whose son Aunt Lydia taught before the rise of Gilead.
- Laura Vandervoort as Daisy (season 4), a Jezebels worker who aids June.
- Alex Castillo as Dawn Mathis (season 4), the Waterfords’ defense attorney.
- Reed Birney as Lieutenant Stans (season 4) a Gilead officer who interrogates June.[28]
- Omar Maskati as Steven (season 4), the leader of a resistance group in Chicago.
- Carly Street as Iris Baker/Aunt Irene (season 4), a former Aunt who attempts to make amends with Emily.
- Christine Ko as Lily (season 5), a former Martha who is now a leader in the Canada-based resistance movement.[31]
In the second season, Oprah Winfrey has an uncredited appearance as a newsreader on a car radio.[32]
Episodes[edit]
Production[edit]
Hulu’s straight-to-series order of The Handmaid’s Tale was announced in April 2016, with Elisabeth Moss set to star.[33] Based on the 1985 novel of the same name by Margaret Atwood, the series was created by Bruce Miller, who is also an executive producer with Daniel Wilson, Fran Sears, and Warren Littlefield.[33] Atwood serves as consulting producer, giving feedback on some of the areas where the series expands upon or modernizes the book.[33][34] She also played a small cameo role in the first episode.[35] Moss is also a producer.[36]
In June 2016, Reed Morano was announced as director of the series.[37] Samira Wiley, Max Minghella, and Ann Dowd joined the cast in July 2016.[38][39][40] Joseph Fiennes, Madeline Brewer, and Yvonne Strahovski were cast in August 2016,[41][42][43] followed by O-T Fagbenle and Amanda Brugel in September 2016.[44][45] In October 2016, Ever Carradine joined the cast,[46] and Alexis Bledel was added in January 2017.[47]
Filming on the series took place in Toronto, Mississauga, Brantford, Hamilton, Burlington, Oakville, and Cambridge, Ontario, from September 2016 to February 2017.[48][49] Hulu released the first full trailer of the TV series on YouTube, on March 23, 2017.[50] The series premiered on April 26, 2017.[51]
On May 3, 2017, The Handmaid’s Tale was renewed for a second season which premiered on April 25, 2018.[52][53]
Moss told the news media that the subsequent episodes would cover further developments in the story, filling in some of the unanswered questions and continuing the narrative already «finished» in the book.[54] The second season consists of 13 episodes and began filming in fall 2017. Alexis Bledel returned as a series regular.[55]
Showrunner Bruce Miller stated that he envisioned 10 seasons of the show, stating, «Well, you know, honestly, when I started, I tried to game out in my head what would ten seasons be like? If you hit a home run, you want energy to go around the bases, you want enough story to keep going, if you can hook the audience to care about these people enough that they’re actually crying at the finale.»[56] Season 2 was filmed in Ontario, primarily in Toronto, but some scenes were shot in Hamilton and Cambridge.[57]
On May 2, 2018, Hulu renewed the series for a third season,[58] which premiered on June 5, 2019.[59] Season 3 started production in Toronto in October 2018.[60][61] Scenes for season 3 were also filmed in Cambridge and Hamilton, Ontario as well as in Washington, D.C.[62][63][64] Season 3 saw the show’s long-serving Director of Photography, Colin Watkinson, make his directorial debut with the episode «Unknown Caller». Cambridge, Ontario was nominated by the Location Managers Guild International for «Outstanding Film Office» for their work on this season. This was the first time that a Canadian Film Office was nominated for this honor.[65]
On July 26, 2019, the series was renewed for a fourth season.[7] Season 4, consisting of 10 episodes, began production in March 2020, with Elisabeth Moss filming her directorial debut, but work had to be halted after only a few weeks, due to the COVID-19 pandemic.[66][67] In June 2020, Hulu announced that the fourth season would premiere in 2021.[68] Production on season 4 resumed in September 2020[21] and wrapped on February 25, 2021, with Moss having directed three episodes.[69]
On December 10, 2020, ahead of the fourth season premiere, Hulu renewed the series for a fifth season.[10] Season 5 started production in Toronto in February 2022 and continued through July 2022.[70] In May 2022, Alexis Bledel departed the series ahead of the fifth season, and stated, «After much thought, I felt I had to step away from The Handmaid’s Tale«.[71] On September 8, 2022, ahead of the fifth season premiere, Hulu renewed the series for a sixth and final season.[12]
Broadcast and release[edit]
The first three episodes of the series premiered on April 26, 2017; the subsequent seven episodes were released on a weekly basis.[51][72] In Canada, the series is broadcast weekly by CTV Drama Channel and the streaming service Crave; the first two episodes premiered on April 30, 2017.[73] In Scandinavia, the series is available on HBO Nordic.[74] In the United Kingdom, the series premiered on May 28, 2017, on Channel 4.[75]
In New Zealand, the series was released on the subscription video on demand service Lightbox on June 8, 2017.[76] After satellite service provider Sky acquired Lightbox and merged it into its streaming service Neon on July 7, 2020, Neon acquired the distribution rights to the series in New Zealand.[77]
In Australia, the series premiered on the TV channel SBS’s video streaming service SBS on Demand, on July 6, 2017.[78] The series also released on the subscription video on demand service Stan on December 12, 2018.[79]
In Ireland, the series premiered on February 5, 2018, on RTÉ2, with a showing of the first two episodes.[80] RTÉ also became the first broadcaster in Europe to debut Season 2, Season 3 and Season 4 following its broadcast in the US and Canada.[81] In Brazil and Latin America, the series premiered on March 7, 2018, on Paramount Channel.[82]
In India, the series premiered on February 5, 2018, on AXN and ran for the first two seasons before moving to Amazon Prime Video for Season 3, which made all three seasons available for viewing on January 31, 2020.[83][84]
In Southeast Asia, Hong Kong, and Taiwan, the series premiered on September 15, 2018, on HBO Asia through HBO Go.[85]
The first season was released on Blu-ray and DVD on March 13, 2018, the second season on December 4, 2018, and the third season on November 19, 2019, by 20th Century Fox Home Entertainment.[86][87][88] The fourth season was released on DVD only (no Blu-ray) on April 5, 2022, by Warner Bros. Home Entertainment.[89]
Reception[edit]
Critical response[edit]
The Handmaid’s Tale was ranked as the 25th and 38th best TV series of the 21st century by The Guardian and BBC, respectively.[90][91] On the review aggregator website Rotten Tomatoes, the overall series has an approval rating of 83%.[92] While on Metacritic, another aggregator website, it has an average score of 81 out of 100.[93]
Season 1[edit]
On Rotten Tomatoes, 94% of 259 reviews are positive for the first season, with an average rating of 8.65/10. The site’s critical consensus reads, «Haunting and vivid, The Handmaid’s Tale is an endlessly engrossing adaptation of Margaret Atwood’s dystopian novel that’s anchored by a terrific central performance from Elisabeth Moss.»[94] On Metacritic, the season has a weighted average score of 92 out of 100 based on 41 critics, indicating «universal acclaim».[95]
Daniel Fienberg of The Hollywood Reporter called it «probably the spring’s best new show».[104] Jen Chaney of Vulture gave it a highly positive review, and wrote that it is «A faithful adaptation of the book that also brings new layers to Atwood’s totalitarian, sexist world of forced surrogate motherhood» and that «this series is meticulously paced, brutal, visually stunning, and so suspenseful from moment to moment that only at the end of each hour will you feel fully at liberty to exhale».[105]
There was much debate on whether parallels could be drawn between the series (and by extension, the book it is based on) and American society during the Presidency of Donald Trump.[106][107] Comparisons have also been made to the Salafi/Wahabbi extremism of ISIS, under which enslaved women of religious minorities are passed around and utilized as sex objects and vessels to bear new jihadis.[108][109][110]
Season 2[edit]
On Rotten Tomatoes, 89% of 340 critics have given the season a positive review, and an average rating of 8.35/10. The site’s critical consensus reads, «Beautifully shot but dishearteningly relevant, The Handmaid’s Tale centers its sophomore season tightly around its compelling cast of characters, making room for broader social commentary through more intimate lenses.»[96] Metacritic assigned the season a weighted average score of 86 out of 100 based on 28 critics, indicating «universal acclaim».[97]
Some critics perceived the second season’s depictions of violence as excessive. The Atlantic‘s Sophie Gilbert wrote: «There came a point during the first episode where, for me, it became too much.»[111] Lisa Miller of The Cut wrote: «I have pressed mute and fast forward so often this season, I am forced to wonder: ‘Why am I watching this’? It all feels so gratuitous, like a beating that never ends.»[112] The Daily Telegraph‘s Rebecca Reid admitted she had an anxiety attack watching an episode of the show.[113]
Season 3[edit]
For the third season, Rotten Tomatoes reports that 82% of 301 reviews are positive, and the average rating is 6.9/10. The site’s critical consensus reads, «The Handmaid’s Tale‘s third season reins in its horrors and inspires hope that revolution really is possible – if only the story would stop spinning its wheels and get to it already.»[98] Metacritic compiled 14 critic reviews and an average score of 68 out of 100, signifying «generally favorable reviews».[99]
Kelly Lawler of USA Today gave it a positive review, scoring it three out of four stars. She claimed it is an improvement over the second season, «that rights many – though definitely not all – of Season 2’s wrongs.» Overall, she wrote, «The new season is more propulsive and watchable, although it doesn’t quite reach the heights of that first moving season. But Handmaid’s regains its footing by setting off on a new path».[114]
Daniel Fienberg of The Hollywood Reporter wrote a generally positive review, praising Elisabeth Moss’s performance and the cinematography, but criticized the plot «that has become frustratingly repetitive». Overall, he wrote, «Still occasionally powerful, but rarely as provocative».[115]
Season 4[edit]
On Rotten Tomatoes, the fourth season earned positive reviews from 70% of 46 critics, with an average rating of 7/10. The site’s critical consensus reads, «Elisabeth Moss is better than ever, but scattershot plotting and an overbearing sense of doom may prove too grim for some viewers to really enjoy The Handmaid’s Tale‘s fourth season.»[100] According to Metacritic, which collected 18 reviews and calculated an average score of 62, the season received «generally positive reviews».[101]
Kristen Baldwin of Entertainment Weekly gave it a «C+» grade and wrote that the series «delivers on some long-delayed promises, but ultimately it’s too little, too late.»[116] Matthew Gilbert of The Boston Globe wrote, «the dystopian drama has exceeded the natural lifespan of its story, as it plows forward with nothing new to say, tinkling cymbals and sounding brass.»[117] In a more positive review from Jen Chaney of Vulture, she wrote, «Thankfully, season four finally regains some momentum and forward motion. Based on the eight out of ten total episodes made available to critics, this is the best The Handmaid’s Tale has been since its first season.»[118]
Season 5[edit]
On Rotten Tomatoes, the fifth season earned positive reviews from 81% of 27 critics, with an average rating of 7.55/10. The site’s critical consensus reads, «The Handmaid’s Tale has lost its urgency after spreading its once-arresting premise thin in a season focused on vengeance’s consequences, but the women of Gilead are still played with compelling exactitude.»[102] On Metacritic, it received an average score of 63 out of 100, based on 7 reviews, indicating «generally positive reviews».[103]
Critics were given the first eight episodes of the season to review. Writing for IGN, Tara Bennett gave it a «good» score of 7 out of 10 and wrote in her verdict: «The Handmaid’s Tale remains the canary in the coalmine of TV shows […]. Elisabeth Moss continues to give a livewire performance as former handmaid/now Canadian refugee June Osborne. […] But overall, the series continues to suffer with very measured storylines that can’t seem to recapture the kinetic energy of the first two seasons.»[119] Abby Cavenaugh of Collider graded it with a «B-» and said, «Season 5 is full of scarce highs and really low lows, lots of heavy-hitting drama, and emotional scenes. Some of the biggest events of this season lead to some pretty uncomfortable viewing, but viewers who stick with it will be rewarded with some huge moments that will have repercussions for the final season.»[120]
Awards[edit]
Year | Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|---|
Season 1 | |||||
2017 | Primetime Emmy Awards | Outstanding Drama Series | Bruce Miller, Warren Littlefield, Daniel Wilson, Fran Sears, Ilene Chaiken, Sheila Hockin, Eric Tuchman, Frank Siracusa, John Weber, Kira Snyder, Elisabeth Moss, Joseph Boccia and Leila Gerstein | Won | [121] |
Outstanding Lead Actress in a Drama Series | Elisabeth Moss (for «Night») | Won | |||
Outstanding Supporting Actress in a Drama Series | Ann Dowd (for «Offred») | Won | |||
Samira Wiley (for «Night») | Nominated | ||||
Outstanding Directing for a Drama Series | Reed Morano (for «Offred») | Won | |||
Kate Dennis (for «The Bridge») | Nominated | ||||
Outstanding Writing for a Drama Series | Bruce Miller (for «Offred») | Won | |||
Primetime Creative Arts Emmy Awards | Outstanding Guest Actress in a Drama Series | Alexis Bledel (for «Late») | Won | ||
Outstanding Casting for a Drama Series | Russell Scott, Sharon Bialy, Sherry Thomas, and Robin D. Cook | Nominated | |||
Outstanding Cinematography for a Single-Camera Series (One Hour) | Colin Watkinson (for «Offred») | Won | |||
Outstanding Period/Fantasy Costumes for a Series, Limited Series, or Movie | Ane Crabtree and Sheena Wichary (for «Offred») | Nominated | |||
Outstanding Production Design for a Narrative Contemporary or Fantasy Program (One Hour or More) | Julie Berghoff, Evan Webber and Sophie Neudorfer (for «Offred») | Won | |||
Outstanding Special Visual Effects in a Supporting Role | Brendan Taylor, Stephen Lebed, Leo Bovell, Martin O’Brien, Winston Lee, Kelly Knauff, Zach Dembinski, Mike Suta and Cameron Kerr (for «Birth Day») | Nominated | |||
Television Critics Association Awards | Program of the Year | The Handmaid’s Tale | Won | [122] | |
Outstanding Achievement in Drama | Won | ||||
Outstanding New Program | Nominated | ||||
Individual Achievement in Drama | Elisabeth Moss | Nominated | |||
American Film Institute Awards | Top 10 TV Programs of the Year | The Handmaid’s Tale | Won | [123] | |
2018 | American Cinema Editors Awards | Best Edited Drama Series for Non-Commercial Television | Julian Clarke and Wendy Hallam Martin (for «Offred») | Won | [124] |
Art Directors Guild Awards | One-Hour Contemporary Single-Camera Series | Julie Berghoff (for «Offred», «Birth Day», «Nolite Te Bastardes Carborundorum») | Won | [125] | |
Andrew Stearn (for «The Bridge») | Nominated | ||||
Casting Society of America | Television Pilot and First Season – Drama | Sharon Bialy, Sherry Thomas, Russell Scott, Robin D. Cook and Jonathan Oliveira | Won | [126] | |
Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for Television Series – One Hour | John J. Thomson, Lou Solakofski, Joe Morrow and Don White (for «Offred») | Nominated | [127] | |
Costume Designers Guild Awards | Excellence in Contemporary Television Series | Ane Crabtree | Won | [128] | |
Critics’ Choice Television Awards | Best Drama Series | The Handmaid’s Tale | Won | [129] | |
Best Actress in a Drama Series | Elisabeth Moss | Won | |||
Best Supporting Actress in a Drama Series | Ann Dowd | Won | |||
Directors Guild of America Awards | Outstanding Directorial Achievement for a Drama Series | Reed Morano (for «Offred») | Won | [130] | |
Golden Globe Awards | Best Television Series – Drama | The Handmaid’s Tale | Won | [131] | |
Best Actress – Television Series Drama | Elisabeth Moss | Won | |||
Best Supporting Actress – Series, Miniseries or Television Film | Ann Dowd | Nominated | |||
Location Managers Guild Awards | Outstanding Locations in Contemporary Television | John Musikka and Geoffrey Smither | Nominated | [132] | |
Peabody Award | Entertainment, children’s and youth honoree | The Handmaid’s Tale | Won | [133] | |
Producers Guild of America Awards | Outstanding Producer of Episodic Television, Drama | The Handmaid’s Tale | Won | [134] | |
Satellite Awards | Best Drama Series | The Handmaid’s Tale | Nominated | [135] | |
Best Actress in a Drama / Genre Series | Elisabeth Moss | Won | |||
Best Supporting Actress in a Series, Miniseries or TV Film | Ann Dowd | Won | |||
Saturn Awards | Best New Media Television Series | The Handmaid’s Tale | Nominated | [136] | |
Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Drama Series | Madeline Brewer, Amanda Brugel, Ann Dowd, O-T Fagbenle, Joseph Fiennes, Tattiawna Jones, Max Minghella, Elisabeth Moss, Yvonne Strahovski and Samira Wiley | Nominated | [137] | |
Outstanding Performance by a Female Actor in a Drama Series | Elisabeth Moss | Nominated | |||
USC Scripter Awards | Best Adapted TV Screenplay | Bruce Miller and Margaret Atwood (for «Offred») | Won | [138] | |
Writers Guild of America Awards | Dramatic Series | Ilene Chaiken, Nina Fiore, Dorothy Fortenberry, Leila Gerstein, John Herrera, Lynn Maxcy, Bruce Miller, Kira Snyder, Wendy Straker Hauser and Eric Tuchman | Won | [139] | |
New Series | Won | ||||
BAFTA Television Awards | Best International Programme | The Handmaid’s Tale | Won | ||
Season 2 | |||||
2018 | Primetime Emmy Awards | Outstanding Drama Series | Bruce Miller, Warren Littlefield, Elisabeth Moss, Daniel Wilson, Fran Sears, Mike Barker, Sheila Hockin, Eric Tuchman, Kira Snyder, Yahlin Chang, Frank Siracusa, John Weber, Dorothy Fortenberry and Joseph Boccia | Nominated | [140] |
Outstanding Lead Actress in a Drama Series | Elisabeth Moss (for «The Last Ceremony») | Nominated | |||
Outstanding Supporting Actor in a Drama Series | Joseph Fiennes (for «First Blood») | Nominated | |||
Outstanding Supporting Actress in a Drama Series | Alexis Bledel (for «Unwomen») | Nominated | |||
Ann Dowd (for «June») | Nominated | ||||
Yvonne Strahovski (for «Women’s Work») | Nominated | ||||
Outstanding Directing for a Drama Series | Kari Skogland (for «After») | Nominated | |||
Outstanding Writing for a Drama Series | Bruce Miller (for «June») | Nominated | |||
Primetime Creative Arts Emmy Awards | Outstanding Guest Actress in a Drama Series | Kelly Jenrette (for «Other Women») | Nominated | ||
Cherry Jones (for «Baggage») | Nominated | ||||
Samira Wiley (for «After») | Won | ||||
Outstanding Casting for a Drama Series | Sharon Bialy, Sherry Thomas, Russell Scott, and Robin D. Cook | Nominated | |||
Outstanding Cinematography for a Single-Camera Series (One Hour) | Colin Watkinson (for «June») | Nominated | |||
Outstanding Fantasy/Sci-Fi Costumes | Ane Crabtree and Natalie Bronfman (for «Seeds») | Nominated | |||
Outstanding Makeup for a Single-Camera Series (Non-Prosthetic) | Burton LeBlanc, Talia Reingold and Erika Caceres (for «Unwomen») | Nominated | |||
Outstanding Production Design for a Narrative Contemporary Program (One Hour or More) | Mark White, Elisabeth Williams, Martha Sparrow and Caroline Gee (for «June») | Won | |||
Elisabeth Williams, Martha Sparrow and Rob Hepburn (for «Seeds», «First Blood», «After») | Nominated | ||||
Outstanding Single-Camera Picture Editing for a Drama Series | Wendy Hallam Martin (for «June») | Won | |||
Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour) | Joe Morrow, Lou Solakofski and Sylvain Arseneault (for «June») | Nominated | |||
Outstanding Special Visual Effects in a Supporting Role | Stephen Lebed, Brendan Taylor, Kelly Knauff, Kelly Weisz, Kevin McGeagh, Anderson Leo Bovell, Winston Lee, Xi Luo and Cameron Kerr (for «June») | Nominated | |||
2019 | Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for Television Series – One Hour | Sylvain Arseneault, Lou Solakofski, Joe Morrow, Scott Michael Smith, Adam Taylor, Mark DeSimone and Jack Heeren (for «Holly») | Nominated | [141] |
Satellite Awards | Best Drama Series | The Handmaid’s Tale | Nominated | [142][143] | |
Best Actress in a Drama / Genre Series | Elisabeth Moss | Nominated | |||
Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Drama Series | Alexis Bledel, Madeline Brewer, Amanda Brugel, Ann Dowd, O-T Fagbenle, Joseph Fiennes, Nina Kiri, Max Minghella, Elisabeth Moss, Yvonne Strahovski, Sydney Sweeney and Bahia Watson | Nominated | [144] | |
Outstanding Performance by a Male Actor in a Drama Series | Joseph Fiennes | Nominated | |||
Outstanding Performance by a Female Actor in a Drama Series | Elisabeth Moss | Nominated | |||
Golden Globe Awards | Best Actress – Television Series Drama | Elisabeth Moss | Nominated | [145] | |
Best Supporting Actress – Series, Miniseries or Television Film | Yvonne Strahovski | Nominated | |||
Visual Effects Society Awards | Outstanding Supporting Visual Effects in a Photoreal Episode | Brendan Taylor, Stephen Lebed, Winston Lee and Leo Bovell (for «June») | Nominated | [146] | |
Outstanding Created Environment in an Episode, Commercial, or Real-Time Project | Patrick Zentis, Kevin McGeagh, Leo Bovell and Zachary Dembinski (for «June») – Fenway Park | Nominated | |||
Outstanding Compositing in a Photoreal Episode | Winston Lee, Gwen Zhang, Xi Luo and Kevin Quatman (for «June») | Nominated | |||
Writers Guild of America Awards | Dramatic Series | Yahlin Chang, Nina Fiore, Dorothy Fortenberry, John Herrera, Lynn Renee Maxcy, Bruce Miller, Kira Snyder and Eric Tuchman | Nominated | [147] | |
Episodic Drama | Eric Tuchman (for «First Blood») | Nominated | |||
GLAAD Media Awards | Outstanding Drama Series | The Handmaid’s Tale | Nominated | [148] | |
Primetime Emmy Awards | Outstanding Directing for a Drama Series | Daina Reid (for «Holly») | Nominated | [149] | |
Outstanding Writing for a Drama Series | Bruce Miller & Kira Snyder (for «Holly») | Nominated | |||
Primetime Creative Arts Emmy Awards | Outstanding Guest Actor in a Drama Series | Bradley Whitford | Won | [150] | |
Outstanding Guest Actress in a Drama Series | Cherry Jones | Won | |||
Outstanding Cinematography for a Single-Camera Series (One Hour) | Colin Watkinson for («The Word») | Nominated | |||
Zoë White (for «Holly») | Nominated | ||||
Outstanding Fantasy/Sci-Fi Costumes | Ane Crabtree and Natalie Bronfman (for «The Word») | Nominated | |||
Outstanding Music Composition for a Series (Original Dramatic Score) | Adam Taylor (for «The Word») | Nominated | |||
Outstanding Single-Camera Picture Editing for a Drama Series | Wendy Hallam Martin (for «The Word») | Nominated | |||
Outstanding Production Design for a Narrative Contemporary Program (One Hour or More) | Elisabeth Williams, Martha Sparrow and Robert Hepburn (for «Holly») | Won | |||
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) | Joe Morrow, Lou Solakofski and Sylvain Arseneault (for «Holly») | Nominated | |||
Saturn Awards | Best Streaming Horror & Thriller Series | The Handmaid’s Tale | Nominated | [151] | |
Season 3 | |||||
2020 | Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for Television Series – One Hour | Sylvain Arseneault, Lou Solakofski, Joe Morrow, Scott Michael Smith, Adam Taylor, Andrea Rusch and Kevin Schultz (for «Heroic») | Nominated | [152] |
Make-Up Artists and Hair Stylists Guilds | Best Television Series, Mini-Series or New Media Series – Best Contemporary Make-Up | Burton LeBlanc, Alastair Muir and Faye Crasto | Nominated | [153] | |
Best Television Series, Mini-Series or New Media Series – Contemporary Hair Styling | Paul Elliot and Ewa Latak-Cynk | Nominated | |||
Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Drama Series | Alexis Bledel, Madeline Brewer, Amanda Brugel, Ann Dowd, O-T Fagbenle, Joseph Fiennes, Kristen Gutoskie, Nina Kiri, Ashleigh LaThrop, Elisabeth Moss, Yvonne Strahovski, Bahia Watson, Bradley Whitford and Samira Wiley | Nominated | [154] | |
Outstanding Performance by a Female Actor in a Drama Series | Elisabeth Moss | Nominated | |||
American Society of Cinematographers Awards | Outstanding Achievement in Cinematography in Regular Series for Non-Commercial Television | Colin Watkinson (for «Night») | Won | [155] | |
Costume Designers Guild Awards | Excellence in Sci-Fi/Fantasy Television | Natalie Bronfman (for «Household») | Nominated | [156] | |
Casting Society of America | Television Series – Drama | Sharon Bialy, Sherry Thomas, Russell Scott, Robin D. Cook, Stacia Kimler and Jonathan Oliveira | Nominated | [157] | |
Art Directors Guild Awards | One-Hour Contemporary Single-Camera Series | Elizabeth Williams (for «Mayday») | Nominated | [158] | |
Writers Guild of America Awards | Dramatic Series | Marissa Jo Cerar, Yahlin Chang, Nina Fiore, Dorothy Fortenberry, Jacy Heldrich, John Herrera, Lynn Renee Maxcy, Bruce Miller, Kira Snyder and Eric Tuchman | Nominated | [159] | |
Primetime Emmy Awards | Outstanding Drama Series | Bruce Miller, Warren Littlefield, Elisabeth Moss, Daniel Wilson, Fran Sears, Mike Barker, Eric Tuchman, Sheila Hockin, John Weber, Frank Siracusa, Kira Snyder, Yahlin Chang, Margaret Atwood, Dorothy Fortenberry, Marissa Jo Cerar, Nina Fiore, John Herrera and Kim Todd | Nominated | [160] | |
Outstanding Supporting Actor in a Drama Series | Bradley Whitford (for «Sacrifice») | Nominated | |||
Outstanding Supporting Actress in a Drama Series | Samira Wiley (for «Sacrifice») | Nominated | |||
Primetime Creative Arts Emmy Awards | Outstanding Guest Actress in a Drama Series | Alexis Bledel (for «God Bless the Child») | Nominated | ||
Outstanding Casting for a Drama Series | Sharon Bialy, Sherry Thomas, Russell Scott, and Robin D. Cook | Nominated | |||
Outstanding Fantasy/Sci-Fi Costumes | Natalie Bronfman, Helena Davis Perry and Christina Cattle (for «Household») | Nominated | |||
Outstanding Contemporary Hairstyling | Paul Elliot and Ewa Latak-Cynk (for «Liars») | Nominated | |||
Outstanding Contemporary Makeup (Non-Prosthetic) | Burton LeBlanc and Alastair Muir (for «Mayday») | Nominated | |||
Outstanding Production Design for a Narrative Contemporary Program (One Hour or More) | Elisabeth Williams, Martha Sparrow and Robert Hepburn (for «Household») | Won | |||
Outstanding Special Visual Effects in a Supporting Role | Stephen Lebed, Brendan Taylor, Leo Bovell, Rob Greb, Gwen Zhang, Marlis Coto, Stephen Wagner, Josh Clark and James Minett (for «Household») | Nominated | |||
Season 4 | |||||
2021 | Hollywood Critics Association TV Awards | Best Streaming Series, Drama | The Handmaid’s Tale | Nominated | [161] |
Best Actress in a Streaming Series, Drama | Elisabeth Moss | Nominated | |||
Best Supporting Actor in a Streaming Series, Drama | Bradley Whitford | Nominated | |||
Best Supporting Actress in a Streaming Series, Drama | Alexis Bledel | Nominated | |||
Ann Dowd | Nominated | ||||
Yvonne Strahovski | Nominated | ||||
Samira Wiley | Nominated | ||||
Primetime Emmy Awards | Outstanding Drama Series | Bruce Miller, Warren Littlefield, Elisabeth Moss, Daniel Wilson, Fran Sears, Eric Tuchman, Sheila Hockin, John Weber, Frank Siracusa, Kira Snyder, Yahlin Chang, Dorothy Fortenberry, Margaret Atwood, Kim Todd, Matt Hastings, Nina Fiore and John Herrera | Nominated | [162] | |
Outstanding Lead Actress in a Drama Series | Elisabeth Moss (for «Home») | Nominated | |||
Outstanding Supporting Actor in a Drama Series | O-T Fagbenle (for «Home») | Nominated | |||
Max Minghella (for «The Crossing») | Nominated | ||||
Bradley Whitford (for «Testimony») | Nominated | ||||
Outstanding Supporting Actress in a Drama Series | Madeline Brewer (for «Testimony») | Nominated | |||
Ann Dowd (for «Progress») | Nominated | ||||
Yvonne Strahovski (for «Home») | Nominated | ||||
Samira Wiley (for «Vows») | Nominated | ||||
Outstanding Directing for a Drama Series | Liz Garbus (for «The Wilderness») | Nominated | |||
Outstanding Writing for a Drama Series | Yahlin Chang (for «Home») | Nominated | |||
Primetime Creative Arts Emmy Awards | Outstanding Guest Actress in a Drama Series | Alexis Bledel (for «Testimony») | Nominated | ||
Mckenna Grace (for «Pigs») | Nominated | ||||
Outstanding Casting for a Drama Series | Sharon Bialy, Sherry Thomas, Russell Scott and Robin D. Cook | Nominated | |||
Outstanding Production Design for a Narrative Contemporary Program (One Hour or More) | Elisabeth Williams, Martha Sparrow, Larry Spittle and Rob Hepburn (for «Chicago») | Nominated | |||
Outstanding Fantasy/Sci-Fi Costumes | Debra Hanson, Jane Flanders and Darci Cheyne (for «Nightshade») | Nominated | |||
Outstanding Contemporary Hairstyling | Paul Elliot and Franchi Pir (for «Vows») | Nominated | |||
Outstanding Contemporary Makeup (Non-Prosthetic) | Burton LeBlanc and Alastair Muir (for «Pigs») | Nominated | |||
Outstanding Music Composition for a Series (Original Dramatic Score) | Adam Taylor (for «The Crossing») | Nominated | |||
Outstanding Single-Camera Picture Editing for a Drama Series | Wendy Hallam Martin (for «The Crossing») | Nominated | |||
Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour) | Lou Solakofski, Joe Morrow and Sylvain Arseneault (for «Chicago») | Nominated | |||
Television Critics Association Awards | Outstanding Achievement in Drama | The Handmaid’s Tale | Nominated | [163] | |
Women Film Critics Circle | Outstanding Series | Won | [164] | ||
2022 | Golden Globe Awards | Best Actress – Television Series Drama | Elisabeth Moss | Nominated | [165] |
Satellite Awards | Best Actress in a Drama / Genre Series | Elisabeth Moss | Nominated | [166] | |
Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Drama Series | Alexis Bledel, Madeline Brewer, Amanda Brugel, Ann Dowd, O-T Fagbenle, Joseph Fiennes, Sam Jaeger, Max Minghella, Elisabeth Moss, Yvonne Strahovski, Bradley Whitford, and Samira Wiley | Nominated |
[167] |
|
Outstanding Performance by a Female Actor in a Drama Series | Elisabeth Moss | Nominated | |||
Set Decorators Society of America Awards | Best Achievement in Décor/Design of a One Hour Fantasy or Science Fiction Series | Rob Hepburn and Elisabeth Williams | Nominated | [168] | |
Visual Effects Society Awards | Outstanding Supporting Visual Effects in a Photoreal Episode | Brendan Taylor, Stephen Lebed, Kayla Cabral, and Brannek Gaudet (for «Chicago») | Nominated | [169] | |
Writers Guild of America Awards | Dramatic Series | Yahlin Chang, Nina Fiore, Dorothy Fortenberry, Jacey Heldrich, John Herrera, Bruce Miller, Aly Monroe, Kira Snyder, and Eric Tuchman | Nominated | [170] | |
Episodic Drama | Kira Snyder for «Testimony» | Nominated |
See also[edit]
- List of original programs distributed by Hulu
- Sex and sexuality in speculative fiction
References[edit]
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The Handmaid’s Tale certainly amped up the tragedy porn aspect of the series, episode after episode beats down the viewer, leaving them gutted and disheartened.
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The TV adaptation of Margaret Atwood’s dystopian tragedy The Handmaid’s Tale was long awaited, and it has delivered to fans old and new.
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Moss notes of her June character and the pivotal role she has taken this past season in the Mayday resistance movement against totalitarian and theonomic government of Gilead.
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In its third installment, however, the drama digs even deeper into the emotional toll Gilead has taken on everyone—both those left in what was once the United States and those who’ve made it out. The lives and dreams that each character lost to this totalitarian regime have been laid out in excruciating detail before—but this week, the show lays those losses bare with more subtlety than perhaps any other episode. … (In richer households, handmaids do the childbearing, Wives raise the children, and Marthas do the housework. Econowives, in contrast, “have to do everything; if they can.”)
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The first situates the Gilead regime’s quest to control the means of reproduction in the context of an enormous fertility collapse, caused by the combination of environmental catastrophe and rampant S.T.D.s.
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Now, in the era of the Trump administration, liberal TV watchers find a perverse sort of comfort in the horrific alternate reality of the Republic of Gilead, where a cabal of theonomist Christians have established a totalitarian state that forbids women to read, sets a secret police to watch their every move and deploys them as slave-concubines to childless elites.
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A clear example of Atwood’s focus on the Reconstructionism of theonomy is his way of representing the death penalty.
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{{cite web}}
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- ^ Douthat, Ross (May 24, 2017). «The Handmaid’s Tale, and Ours». The New York Times. Archived from the original on May 10, 2019. Retrieved July 28, 2017.
- ^ Gilbert, Sophie (April 25, 2018). «‘The Handmaid’s Tale’ and the Suffering of Women». The Atlantic. Archived from the original on July 26, 2018. Retrieved July 25, 2018.
- ^ Miller, Lisa (May 2, 2018). «The Relentless Torture of The Handmaid’s Tale». The Cut. Archived from the original on July 26, 2018. Retrieved July 25, 2018.
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External links[edit]
The Handmaid’s Tale | |
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Genre |
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Created by | Bruce Miller |
Based on | The Handmaid’s Tale by Margaret Atwood |
Starring |
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Composer | Adam Taylor |
Country of origin | United States |
Original language | English |
No. of seasons | 5 |
No. of episodes | 56 (list of episodes) |
Production | |
Executive producers |
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Producers |
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Production locations |
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Cinematography |
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Running time | 41–65 minutes |
Production companies |
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Distributor | MGM Television |
Release | |
Original network | Hulu |
Picture format |
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Audio format |
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Original release | April 26, 2017 – present |
The Handmaid’s Tale is an American dystopian television series created by Bruce Miller, based on the 1985 novel of the same name by Canadian author Margaret Atwood. The series was ordered by the streaming service Hulu as a straight-to-series order of 10 episodes, for which production began in late 2016. The plot features a dystopia following a Second American Civil War wherein a theonomic, totalitarian society subjects fertile women, called «Handmaids», to child-bearing slavery.[5][6]
The first three episodes of the series premiered on April 26, 2017; the subsequent seven episodes were released every Wednesday. In July 2019, the series was renewed for a fourth season,[7] which premiered on April 27, 2021.[8] In September 2019, it was announced that Hulu and MGM were developing a sequel series, to be based on Atwood’s 2019 novel The Testaments.[9] In December 2020, ahead of the fourth season premiere, the series was renewed for a fifth season,[10] which premiered on September 14, 2022.[11] In September 2022, ahead of the fifth season premiere, the series was renewed for a sixth and final season.[12]
The Handmaid’s Tale‘s first season won eight Primetime Emmy Awards from 13 nominations, including Outstanding Drama Series. It is the first show produced by Hulu to win a major award as well as the first series on a streaming service to win an Emmy for Outstanding Series.[13] It also won the Golden Globe Award for Best Television Series – Drama. Elisabeth Moss was also awarded the Primetime Emmy Award for Outstanding Lead Actress in a Drama Series and the Golden Globe for Best Actress in a Television Drama Series.
Plot[edit]
In a world where fertility rates have collapsed as a result of sexually transmitted diseases and environmental pollution,[14] the totalitarian, theonomic government of Gilead establishes rule in the former United States in the aftermath of a civil war.[15][16][17][5] Society is organized by power-hungry leaders along with a new, militarized, hierarchical régime of religious fanaticism and newly created social classes, in which women are brutally subjugated. By law, women in Gilead are forced to work in very limited roles, including some as natal slaves, and they are not allowed to own property, have careers, handle money, or read.[17]
Worldwide infertility has led to the enslavement of fertile women in Gilead determined by the new régime to be fallen women, citing an extremist interpretation of the Biblical account of Bilhah. These women often include those who have entered marriages following divorce (termed «adulteresses», as divorce is not recognized under Gileadian law), single or unmarried mothers, lesbians (homosexuals being termed «gender traitors»), non-Christians, adherents of Christian denominations other than the «Sons of Jacob», political dissidents, and academics.[17]
These women, called Handmaids, are assigned to the homes of the ruling elite, where they must submit to ritualized rape (referred to as «the ceremony») by their male masters («Commanders») in the presence of their wives, to be impregnated and bear children for them.[17] Handmaids are given names created by the addition of the prefix Of- to the first name of the man who has them. When they are transferred, their names are changed.
Along with the Handmaids, much of society is now grouped into classes that dictate their freedoms and duties. Women are divided into a small range of social categories, each one signified by a plain dress in a specific color. Handmaids wear long red dresses, heavy brown boots and white coifs, with a headcovering surrounded by a larger white coif (known as «wings») to be worn outside, concealing them from public view and restricting their vision.
June Osborne, renamed Offred, is the Handmaid assigned to the home of the Gileadan Commander Fred Waterford and his wife Serena Joy. The Waterfords, key players in the formation and rise of Gilead, struggle with the realities of the society they helped create. During «the time before», June was married to Luke and had a daughter, Hannah.
At the beginning of the story, while attempting to flee Gilead with her husband and daughter, June was captured and forced to become a Handmaid because of the adultery she and her husband committed. June’s daughter was taken and given to an upper-class family to raise, and her husband escaped into Canada. Much of the plot revolves around June’s desire to be reunited with her husband and daughter and the internal evolution of her strength to its somewhat darker version.
Cast and characters[edit]
Main[edit]
- Elisabeth Moss as June Osborne / Offred / Ofjoseph #2, a woman who was captured while attempting to escape to Canada with her husband, Luke, and daughter, Hannah. Because Luke is divorced, their union is considered adulterous in this new society. June is considered an adulteress and their daughter, Hannah, is deemed illegitimate. Due to June’s fertility, she is made a Handmaid to Commander Fred Waterford and his wife Serena Joy, and is called «Offred»; later she becomes handmaid to Commander Joseph Lawrence and is called «Ofjoseph».
- Joseph Fiennes as Commander Fred Waterford (seasons 1–4), a high-ranking government official, and June’s first master. Both he and his wife were instrumental in Gilead’s founding.
- Yvonne Strahovski as Serena Joy Waterford, Fred’s wife, and a former conservative cultural activist. She appears to have accepted her new role in a society that she helped create. She is poised and deeply religious, but capable of great cruelty and is often callous to June. She is desperate to become a mother.
- Alexis Bledel as Dr. Emily Malek / Ofglen #1 / Ofsteven / Ofroy / Ofjoseph #1 (seasons 1–4), a former university professor in cellular biology and initially June’s shopping partner. Although June is initially wary of her, it is revealed she is not as pious as she seems, and the two become friends. Emily is involved with and first informs June of Mayday, an underground resistance movement. She has a wife and son living in Canada.
- Madeline Brewer as Janine Lindo / Ofwarren / Ofdaniel / Ofhoward / Ofjoseph # 3, a Handmaid who entered the Red Center for training at the same time as June, and considers June a friend due to her kind treatment. Initially non-compliant, Janine has her right eye removed as a punishment. She becomes mentally unstable due to her treatment and often behaves in temperamental or childlike ways. Before Gilead, Janine was a waitress and had a son, Caleb, who unbeknownst to her was killed in a car crash after the takeover.
- Ann Dowd as Aunt Lydia Clements, a woman in charge of overseeing the Handmaids in their sexual re-education and duties. She is brutal and subjects insubordinate Handmaids to sadistic physical punishment, but she also cares for her charges and believes deeply in the Gileadean mission and doctrine. She appears to have a soft spot for Janine and even goes so far as to address her by her given name on occasion. Before Gilead, she was a family court judge, and afterwards, an elementary school teacher.
- O-T Fagbenle as Luke Bankole, June’s husband from before Gilead. Initially, June believes he was killed, but it is later revealed that Luke managed to escape to Canada.
- Max Minghella as Commander Nick Blaine, Commander Waterford’s driver and a former drifter from Michigan who has feelings for June. June and Nick develop an intimate relationship and she eventually discovers that he is an Eye, a spy for Gilead and that he played a significant role in the Gileadean takeover. In season 3, he is promoted to Commander.
- Samira Wiley as Moira Strand, June’s best friend since college. She is already at the Red Center when June enters Handmaid training but escapes before being assigned to a home. She is recaptured and becomes «Ruby», a Jezebel. She seems to have given up hope of ever being free, but on meeting June again regains the conviction to escape to Canada.
- Amanda Brugel as Rita Blue (season 2–present, recurring season 1), a housekeeper at the Waterford house, who becomes one of June’s closest allies. She had a son named Matthew, who died fighting in the civil war when he was 19 years old.[18]
- Bradley Whitford as Commander Joseph Lawrence (season 3–present, guest season 2), the founder of the Colonies and architect of Gilead’s economy. He is on and off with Mayday.[19][20]
- Sam Jaeger as Mark Tuello (season 4–present, recurring season 3, guest season 2), an operative of the U.S. Government whom Serena encounters in Canada.[21]
Recurring[edit]
- Jordana Blake as Hannah Bankole, June and Luke’s daughter. After being taken, she is given a new family and renamed Agnes MacKenzie.
- Ever Carradine as Naomi Putnam, Commander Putnam’s wife. She has no sympathy for Handmaids and only sees her baby as a status symbol.
- Stephen Kunken as Commander Warren Putnam (seasons 1–5), a High Commander and the first known Commander of Janine.
- Tattiawna Jones as Lillie Fuller / Ofglen #2 (seasons 1–2), who replaces Emily in the position after Emily is captured by the Eyes. She warns June away from breaking the rules and does not wish to upset the status quo, but this is because she believes her life as a Handmaid is better than the difficult, impoverished life she led prior to Gilead, rather than out of religious piety.
- Nina Kiri as Alma / Ofrobert (seasons 1–4, guest season 5), another Handmaid who trained at the Red Center with June, Moira, and Janine. She is frank and chatty and often trades gossip and news with June. She is also involved with Mayday and becomes one of June’s first contacts with the resistance group.
- Bahia Watson as Brianna / Oferic (seasons 1–4, guest season 5), another local Handmaid who is friends with June. She is Dolores’ shopping partner.
- Jenessa Grant as Dolores / Ofsamuel (seasons 1–2, guest season 3), a local Handmaid with a friendly and talkative nature. She is Brianna’s shopping partner.
- Edie Inksetter as Aunt Elizabeth, a fellow Aunt who works closely with Aunt Lydia at the Red Center.
- Robert Curtis Brown as Commander Andrew Pryce (seasons 1–2), a Commander who is one of the leading members of the Sons of Jacob and is in charge of the Eyes.
- Kristen Gutoskie as Beth (seasons 1 and 3, guest season 4), an award-winning chef before the rise of Gilead, formerly a Martha at Jezebel’s, and later a Martha in the Lawrence household.
- Erin Way as Erin (seasons 1–3), a young, apparently mute woman who was being trained to become a Handmaid but managed to escape to Canada with Luke.[22]
- Krista Morin as Rachel Tapping (seasons 1–2, season 4), an official at the United States Consulate in Canada.
- Clea DuVall as Sylvia (season 3, guest seasons 2 and 5), Emily’s wife.[23]
- Cherry Jones as Holly Maddox (season 2–3), June’s mother, an outspoken feminist.[24]
- Sydney Sweeney as Eden Blaine (née Spencer) (season 2), a pious and obedient young girl who is married off to Nick.[25]
- Greg Bryk as Commander Ray Cushing (season 2), a fellow Commander who later replaces Commander Pryce’s position.
- Rohan Mead as Isaac (season 2), a young Guardian assigned to the Waterford home.
- Julie Dretzin as Eleanor Lawrence (seasons 2–3), the mentally unstable wife of Commander Lawrence.
- Amy Landecker as Mrs. Mackenzie (season 5, guest season 3), Hannah’s placement mother in Gilead.
- Ashleigh LaThrop as Natalie / Ofmatthew (season 3), a devoted Handmaid whose loyalty to Gilead causes divisive tensions amongst her peers.[26]
- Sugenja Sri as Sienna (season 3, guest season 4), a former radiology student and a new Martha in the Lawrence household.
- Jonathan Watton as Commander Matthew Calhoun (season 3–present), the assigned Commander of Natalie/Ofmatthew.
- Charlie Zeltzer as Oliver (seasons 3–4), Emily and Sylvia’s son.
- Christopher Meloni as High Commander George Winslow (season 3), a High Commander stationed in Washington, D.C.[27]
- Elizabeth Reaser as Olivia Winslow (season 3),[27] the wife of High Commander Winslow.
- Mckenna Grace as Esther Keyes (season 4–5), a farmer and the teenage wife of an older Commander.[21]
- Zawe Ashton as Oona (season 4), an aid worker in Toronto and Moira’s new girlfriend.[28]
- Jeananne Goossen as Aunt Ruth (season 4), a high ranking Aunt who is desperate to replace Aunt Lydia as leading Aunt in their district.
- Natasha Mumba as Danielle (season 4–present), a former handmaid.
- Victoria Sawal as Tyler (season 4–present), a former handmaid.
- Amanda Zhou as Vicky (season 4–present), a former handmaid.
- Carey Cox as Rose Blaine (season 5), the daughter of a High Commander in Washington, D.C. and Nick’s new wife.
- Jason Butler Harner as Commander Mackenzie (season 5), a High Commander and Hannah’s placement father.
- Rossif Sutherland as Ezra Shaw (season 5), Serena’s personal Gileadan bodyguard in Canada.
- Genevieve Angelson as Alanis Wheeler (season 5), an affluent Canadian who idolizes Serena and who is a driving force behind the rise of Gilead in Toronto.[29]
- Lucas Neff as Ryan Wheeler (season 5), Alanis’ husband.
Guest[edit]
- Jim Cummings as Burke (season 1), an Eye who interrogates June.
- Zabryna Guevara as Mrs. Castillo (season 1), an ambassador from Mexico who visits Gilead to see the effectiveness of the regime.
- Christian Barillas as Mr. Flores (season 1), Mrs. Castillo’s assistant.
- Rosa Gilmore as Zoe (season 1), the daughter of a US army soldier and the leader of the group of survivors whom Luke encounters after being separated from June and Hannah.
- Tim Ransom as Mr. Whitford (season 1), a friend of June’s mother who helps June, Luke, and Hannah attempt to cross the border.
- Marisa Tomei as Mrs. O’Conner (season 2), a Commander’s wife who is exiled to the Colonies as punishment for committing a sin of the flesh.[30]
- Yahya Abdul-Mateen II as Omar (season 2), a man who helps June attempt to escape Gilead.
- John Carroll Lynch as Dan (season 2), Emily’s boss at the university where she worked.
- Kelly Jenrette as Annie (season 2), Luke’s ex-wife.
- Rebecca Rittenhouse as Odette (season 2), a doctor, and Moira’s deceased fiancée.
- Laila Robins as Pamela Joy (season 3), Serena’s mother.
- Deidrie Henry as Lori (seasons 3–4), a Martha who Nick uses for intel in Gilead.
- Sarah McVie as Lena (season 3), a Swiss diplomat negotiating the hostile conflict between Gilead and Canada over Nichole.
- Emily Althaus as Noelle (season 3), a young single mother whose son Aunt Lydia taught before the rise of Gilead.
- Laura Vandervoort as Daisy (season 4), a Jezebels worker who aids June.
- Alex Castillo as Dawn Mathis (season 4), the Waterfords’ defense attorney.
- Reed Birney as Lieutenant Stans (season 4) a Gilead officer who interrogates June.[28]
- Omar Maskati as Steven (season 4), the leader of a resistance group in Chicago.
- Carly Street as Iris Baker/Aunt Irene (season 4), a former Aunt who attempts to make amends with Emily.
- Christine Ko as Lily (season 5), a former Martha who is now a leader in the Canada-based resistance movement.[31]
In the second season, Oprah Winfrey has an uncredited appearance as a newsreader on a car radio.[32]
Episodes[edit]
Production[edit]
Hulu’s straight-to-series order of The Handmaid’s Tale was announced in April 2016, with Elisabeth Moss set to star.[33] Based on the 1985 novel of the same name by Margaret Atwood, the series was created by Bruce Miller, who is also an executive producer with Daniel Wilson, Fran Sears, and Warren Littlefield.[33] Atwood serves as consulting producer, giving feedback on some of the areas where the series expands upon or modernizes the book.[33][34] She also played a small cameo role in the first episode.[35] Moss is also a producer.[36]
In June 2016, Reed Morano was announced as director of the series.[37] Samira Wiley, Max Minghella, and Ann Dowd joined the cast in July 2016.[38][39][40] Joseph Fiennes, Madeline Brewer, and Yvonne Strahovski were cast in August 2016,[41][42][43] followed by O-T Fagbenle and Amanda Brugel in September 2016.[44][45] In October 2016, Ever Carradine joined the cast,[46] and Alexis Bledel was added in January 2017.[47]
Filming on the series took place in Toronto, Mississauga, Brantford, Hamilton, Burlington, Oakville, and Cambridge, Ontario, from September 2016 to February 2017.[48][49] Hulu released the first full trailer of the TV series on YouTube, on March 23, 2017.[50] The series premiered on April 26, 2017.[51]
On May 3, 2017, The Handmaid’s Tale was renewed for a second season which premiered on April 25, 2018.[52][53]
Moss told the news media that the subsequent episodes would cover further developments in the story, filling in some of the unanswered questions and continuing the narrative already «finished» in the book.[54] The second season consists of 13 episodes and began filming in fall 2017. Alexis Bledel returned as a series regular.[55]
Showrunner Bruce Miller stated that he envisioned 10 seasons of the show, stating, «Well, you know, honestly, when I started, I tried to game out in my head what would ten seasons be like? If you hit a home run, you want energy to go around the bases, you want enough story to keep going, if you can hook the audience to care about these people enough that they’re actually crying at the finale.»[56] Season 2 was filmed in Ontario, primarily in Toronto, but some scenes were shot in Hamilton and Cambridge.[57]
On May 2, 2018, Hulu renewed the series for a third season,[58] which premiered on June 5, 2019.[59] Season 3 started production in Toronto in October 2018.[60][61] Scenes for season 3 were also filmed in Cambridge and Hamilton, Ontario as well as in Washington, D.C.[62][63][64] Season 3 saw the show’s long-serving Director of Photography, Colin Watkinson, make his directorial debut with the episode «Unknown Caller». Cambridge, Ontario was nominated by the Location Managers Guild International for «Outstanding Film Office» for their work on this season. This was the first time that a Canadian Film Office was nominated for this honor.[65]
On July 26, 2019, the series was renewed for a fourth season.[7] Season 4, consisting of 10 episodes, began production in March 2020, with Elisabeth Moss filming her directorial debut, but work had to be halted after only a few weeks, due to the COVID-19 pandemic.[66][67] In June 2020, Hulu announced that the fourth season would premiere in 2021.[68] Production on season 4 resumed in September 2020[21] and wrapped on February 25, 2021, with Moss having directed three episodes.[69]
On December 10, 2020, ahead of the fourth season premiere, Hulu renewed the series for a fifth season.[10] Season 5 started production in Toronto in February 2022 and continued through July 2022.[70] In May 2022, Alexis Bledel departed the series ahead of the fifth season, and stated, «After much thought, I felt I had to step away from The Handmaid’s Tale«.[71] On September 8, 2022, ahead of the fifth season premiere, Hulu renewed the series for a sixth and final season.[12]
Broadcast and release[edit]
The first three episodes of the series premiered on April 26, 2017; the subsequent seven episodes were released on a weekly basis.[51][72] In Canada, the series is broadcast weekly by CTV Drama Channel and the streaming service Crave; the first two episodes premiered on April 30, 2017.[73] In Scandinavia, the series is available on HBO Nordic.[74] In the United Kingdom, the series premiered on May 28, 2017, on Channel 4.[75]
In New Zealand, the series was released on the subscription video on demand service Lightbox on June 8, 2017.[76] After satellite service provider Sky acquired Lightbox and merged it into its streaming service Neon on July 7, 2020, Neon acquired the distribution rights to the series in New Zealand.[77]
In Australia, the series premiered on the TV channel SBS’s video streaming service SBS on Demand, on July 6, 2017.[78] The series also released on the subscription video on demand service Stan on December 12, 2018.[79]
In Ireland, the series premiered on February 5, 2018, on RTÉ2, with a showing of the first two episodes.[80] RTÉ also became the first broadcaster in Europe to debut Season 2, Season 3 and Season 4 following its broadcast in the US and Canada.[81] In Brazil and Latin America, the series premiered on March 7, 2018, on Paramount Channel.[82]
In India, the series premiered on February 5, 2018, on AXN and ran for the first two seasons before moving to Amazon Prime Video for Season 3, which made all three seasons available for viewing on January 31, 2020.[83][84]
In Southeast Asia, Hong Kong, and Taiwan, the series premiered on September 15, 2018, on HBO Asia through HBO Go.[85]
The first season was released on Blu-ray and DVD on March 13, 2018, the second season on December 4, 2018, and the third season on November 19, 2019, by 20th Century Fox Home Entertainment.[86][87][88] The fourth season was released on DVD only (no Blu-ray) on April 5, 2022, by Warner Bros. Home Entertainment.[89]
Reception[edit]
Critical response[edit]
The Handmaid’s Tale was ranked as the 25th and 38th best TV series of the 21st century by The Guardian and BBC, respectively.[90][91] On the review aggregator website Rotten Tomatoes, the overall series has an approval rating of 83%.[92] While on Metacritic, another aggregator website, it has an average score of 81 out of 100.[93]
Season 1[edit]
On Rotten Tomatoes, 94% of 259 reviews are positive for the first season, with an average rating of 8.65/10. The site’s critical consensus reads, «Haunting and vivid, The Handmaid’s Tale is an endlessly engrossing adaptation of Margaret Atwood’s dystopian novel that’s anchored by a terrific central performance from Elisabeth Moss.»[94] On Metacritic, the season has a weighted average score of 92 out of 100 based on 41 critics, indicating «universal acclaim».[95]
Daniel Fienberg of The Hollywood Reporter called it «probably the spring’s best new show».[104] Jen Chaney of Vulture gave it a highly positive review, and wrote that it is «A faithful adaptation of the book that also brings new layers to Atwood’s totalitarian, sexist world of forced surrogate motherhood» and that «this series is meticulously paced, brutal, visually stunning, and so suspenseful from moment to moment that only at the end of each hour will you feel fully at liberty to exhale».[105]
There was much debate on whether parallels could be drawn between the series (and by extension, the book it is based on) and American society during the Presidency of Donald Trump.[106][107] Comparisons have also been made to the Salafi/Wahabbi extremism of ISIS, under which enslaved women of religious minorities are passed around and utilized as sex objects and vessels to bear new jihadis.[108][109][110]
Season 2[edit]
On Rotten Tomatoes, 89% of 340 critics have given the season a positive review, and an average rating of 8.35/10. The site’s critical consensus reads, «Beautifully shot but dishearteningly relevant, The Handmaid’s Tale centers its sophomore season tightly around its compelling cast of characters, making room for broader social commentary through more intimate lenses.»[96] Metacritic assigned the season a weighted average score of 86 out of 100 based on 28 critics, indicating «universal acclaim».[97]
Some critics perceived the second season’s depictions of violence as excessive. The Atlantic‘s Sophie Gilbert wrote: «There came a point during the first episode where, for me, it became too much.»[111] Lisa Miller of The Cut wrote: «I have pressed mute and fast forward so often this season, I am forced to wonder: ‘Why am I watching this’? It all feels so gratuitous, like a beating that never ends.»[112] The Daily Telegraph‘s Rebecca Reid admitted she had an anxiety attack watching an episode of the show.[113]
Season 3[edit]
For the third season, Rotten Tomatoes reports that 82% of 301 reviews are positive, and the average rating is 6.9/10. The site’s critical consensus reads, «The Handmaid’s Tale‘s third season reins in its horrors and inspires hope that revolution really is possible – if only the story would stop spinning its wheels and get to it already.»[98] Metacritic compiled 14 critic reviews and an average score of 68 out of 100, signifying «generally favorable reviews».[99]
Kelly Lawler of USA Today gave it a positive review, scoring it three out of four stars. She claimed it is an improvement over the second season, «that rights many – though definitely not all – of Season 2’s wrongs.» Overall, she wrote, «The new season is more propulsive and watchable, although it doesn’t quite reach the heights of that first moving season. But Handmaid’s regains its footing by setting off on a new path».[114]
Daniel Fienberg of The Hollywood Reporter wrote a generally positive review, praising Elisabeth Moss’s performance and the cinematography, but criticized the plot «that has become frustratingly repetitive». Overall, he wrote, «Still occasionally powerful, but rarely as provocative».[115]
Season 4[edit]
On Rotten Tomatoes, the fourth season earned positive reviews from 70% of 46 critics, with an average rating of 7/10. The site’s critical consensus reads, «Elisabeth Moss is better than ever, but scattershot plotting and an overbearing sense of doom may prove too grim for some viewers to really enjoy The Handmaid’s Tale‘s fourth season.»[100] According to Metacritic, which collected 18 reviews and calculated an average score of 62, the season received «generally positive reviews».[101]
Kristen Baldwin of Entertainment Weekly gave it a «C+» grade and wrote that the series «delivers on some long-delayed promises, but ultimately it’s too little, too late.»[116] Matthew Gilbert of The Boston Globe wrote, «the dystopian drama has exceeded the natural lifespan of its story, as it plows forward with nothing new to say, tinkling cymbals and sounding brass.»[117] In a more positive review from Jen Chaney of Vulture, she wrote, «Thankfully, season four finally regains some momentum and forward motion. Based on the eight out of ten total episodes made available to critics, this is the best The Handmaid’s Tale has been since its first season.»[118]
Season 5[edit]
On Rotten Tomatoes, the fifth season earned positive reviews from 81% of 27 critics, with an average rating of 7.55/10. The site’s critical consensus reads, «The Handmaid’s Tale has lost its urgency after spreading its once-arresting premise thin in a season focused on vengeance’s consequences, but the women of Gilead are still played with compelling exactitude.»[102] On Metacritic, it received an average score of 63 out of 100, based on 7 reviews, indicating «generally positive reviews».[103]
Critics were given the first eight episodes of the season to review. Writing for IGN, Tara Bennett gave it a «good» score of 7 out of 10 and wrote in her verdict: «The Handmaid’s Tale remains the canary in the coalmine of TV shows […]. Elisabeth Moss continues to give a livewire performance as former handmaid/now Canadian refugee June Osborne. […] But overall, the series continues to suffer with very measured storylines that can’t seem to recapture the kinetic energy of the first two seasons.»[119] Abby Cavenaugh of Collider graded it with a «B-» and said, «Season 5 is full of scarce highs and really low lows, lots of heavy-hitting drama, and emotional scenes. Some of the biggest events of this season lead to some pretty uncomfortable viewing, but viewers who stick with it will be rewarded with some huge moments that will have repercussions for the final season.»[120]
Awards[edit]
Year | Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|---|
Season 1 | |||||
2017 | Primetime Emmy Awards | Outstanding Drama Series | Bruce Miller, Warren Littlefield, Daniel Wilson, Fran Sears, Ilene Chaiken, Sheila Hockin, Eric Tuchman, Frank Siracusa, John Weber, Kira Snyder, Elisabeth Moss, Joseph Boccia and Leila Gerstein | Won | [121] |
Outstanding Lead Actress in a Drama Series | Elisabeth Moss (for «Night») | Won | |||
Outstanding Supporting Actress in a Drama Series | Ann Dowd (for «Offred») | Won | |||
Samira Wiley (for «Night») | Nominated | ||||
Outstanding Directing for a Drama Series | Reed Morano (for «Offred») | Won | |||
Kate Dennis (for «The Bridge») | Nominated | ||||
Outstanding Writing for a Drama Series | Bruce Miller (for «Offred») | Won | |||
Primetime Creative Arts Emmy Awards | Outstanding Guest Actress in a Drama Series | Alexis Bledel (for «Late») | Won | ||
Outstanding Casting for a Drama Series | Russell Scott, Sharon Bialy, Sherry Thomas, and Robin D. Cook | Nominated | |||
Outstanding Cinematography for a Single-Camera Series (One Hour) | Colin Watkinson (for «Offred») | Won | |||
Outstanding Period/Fantasy Costumes for a Series, Limited Series, or Movie | Ane Crabtree and Sheena Wichary (for «Offred») | Nominated | |||
Outstanding Production Design for a Narrative Contemporary or Fantasy Program (One Hour or More) | Julie Berghoff, Evan Webber and Sophie Neudorfer (for «Offred») | Won | |||
Outstanding Special Visual Effects in a Supporting Role | Brendan Taylor, Stephen Lebed, Leo Bovell, Martin O’Brien, Winston Lee, Kelly Knauff, Zach Dembinski, Mike Suta and Cameron Kerr (for «Birth Day») | Nominated | |||
Television Critics Association Awards | Program of the Year | The Handmaid’s Tale | Won | [122] | |
Outstanding Achievement in Drama | Won | ||||
Outstanding New Program | Nominated | ||||
Individual Achievement in Drama | Elisabeth Moss | Nominated | |||
American Film Institute Awards | Top 10 TV Programs of the Year | The Handmaid’s Tale | Won | [123] | |
2018 | American Cinema Editors Awards | Best Edited Drama Series for Non-Commercial Television | Julian Clarke and Wendy Hallam Martin (for «Offred») | Won | [124] |
Art Directors Guild Awards | One-Hour Contemporary Single-Camera Series | Julie Berghoff (for «Offred», «Birth Day», «Nolite Te Bastardes Carborundorum») | Won | [125] | |
Andrew Stearn (for «The Bridge») | Nominated | ||||
Casting Society of America | Television Pilot and First Season – Drama | Sharon Bialy, Sherry Thomas, Russell Scott, Robin D. Cook and Jonathan Oliveira | Won | [126] | |
Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for Television Series – One Hour | John J. Thomson, Lou Solakofski, Joe Morrow and Don White (for «Offred») | Nominated | [127] | |
Costume Designers Guild Awards | Excellence in Contemporary Television Series | Ane Crabtree | Won | [128] | |
Critics’ Choice Television Awards | Best Drama Series | The Handmaid’s Tale | Won | [129] | |
Best Actress in a Drama Series | Elisabeth Moss | Won | |||
Best Supporting Actress in a Drama Series | Ann Dowd | Won | |||
Directors Guild of America Awards | Outstanding Directorial Achievement for a Drama Series | Reed Morano (for «Offred») | Won | [130] | |
Golden Globe Awards | Best Television Series – Drama | The Handmaid’s Tale | Won | [131] | |
Best Actress – Television Series Drama | Elisabeth Moss | Won | |||
Best Supporting Actress – Series, Miniseries or Television Film | Ann Dowd | Nominated | |||
Location Managers Guild Awards | Outstanding Locations in Contemporary Television | John Musikka and Geoffrey Smither | Nominated | [132] | |
Peabody Award | Entertainment, children’s and youth honoree | The Handmaid’s Tale | Won | [133] | |
Producers Guild of America Awards | Outstanding Producer of Episodic Television, Drama | The Handmaid’s Tale | Won | [134] | |
Satellite Awards | Best Drama Series | The Handmaid’s Tale | Nominated | [135] | |
Best Actress in a Drama / Genre Series | Elisabeth Moss | Won | |||
Best Supporting Actress in a Series, Miniseries or TV Film | Ann Dowd | Won | |||
Saturn Awards | Best New Media Television Series | The Handmaid’s Tale | Nominated | [136] | |
Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Drama Series | Madeline Brewer, Amanda Brugel, Ann Dowd, O-T Fagbenle, Joseph Fiennes, Tattiawna Jones, Max Minghella, Elisabeth Moss, Yvonne Strahovski and Samira Wiley | Nominated | [137] | |
Outstanding Performance by a Female Actor in a Drama Series | Elisabeth Moss | Nominated | |||
USC Scripter Awards | Best Adapted TV Screenplay | Bruce Miller and Margaret Atwood (for «Offred») | Won | [138] | |
Writers Guild of America Awards | Dramatic Series | Ilene Chaiken, Nina Fiore, Dorothy Fortenberry, Leila Gerstein, John Herrera, Lynn Maxcy, Bruce Miller, Kira Snyder, Wendy Straker Hauser and Eric Tuchman | Won | [139] | |
New Series | Won | ||||
BAFTA Television Awards | Best International Programme | The Handmaid’s Tale | Won | ||
Season 2 | |||||
2018 | Primetime Emmy Awards | Outstanding Drama Series | Bruce Miller, Warren Littlefield, Elisabeth Moss, Daniel Wilson, Fran Sears, Mike Barker, Sheila Hockin, Eric Tuchman, Kira Snyder, Yahlin Chang, Frank Siracusa, John Weber, Dorothy Fortenberry and Joseph Boccia | Nominated | [140] |
Outstanding Lead Actress in a Drama Series | Elisabeth Moss (for «The Last Ceremony») | Nominated | |||
Outstanding Supporting Actor in a Drama Series | Joseph Fiennes (for «First Blood») | Nominated | |||
Outstanding Supporting Actress in a Drama Series | Alexis Bledel (for «Unwomen») | Nominated | |||
Ann Dowd (for «June») | Nominated | ||||
Yvonne Strahovski (for «Women’s Work») | Nominated | ||||
Outstanding Directing for a Drama Series | Kari Skogland (for «After») | Nominated | |||
Outstanding Writing for a Drama Series | Bruce Miller (for «June») | Nominated | |||
Primetime Creative Arts Emmy Awards | Outstanding Guest Actress in a Drama Series | Kelly Jenrette (for «Other Women») | Nominated | ||
Cherry Jones (for «Baggage») | Nominated | ||||
Samira Wiley (for «After») | Won | ||||
Outstanding Casting for a Drama Series | Sharon Bialy, Sherry Thomas, Russell Scott, and Robin D. Cook | Nominated | |||
Outstanding Cinematography for a Single-Camera Series (One Hour) | Colin Watkinson (for «June») | Nominated | |||
Outstanding Fantasy/Sci-Fi Costumes | Ane Crabtree and Natalie Bronfman (for «Seeds») | Nominated | |||
Outstanding Makeup for a Single-Camera Series (Non-Prosthetic) | Burton LeBlanc, Talia Reingold and Erika Caceres (for «Unwomen») | Nominated | |||
Outstanding Production Design for a Narrative Contemporary Program (One Hour or More) | Mark White, Elisabeth Williams, Martha Sparrow and Caroline Gee (for «June») | Won | |||
Elisabeth Williams, Martha Sparrow and Rob Hepburn (for «Seeds», «First Blood», «After») | Nominated | ||||
Outstanding Single-Camera Picture Editing for a Drama Series | Wendy Hallam Martin (for «June») | Won | |||
Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour) | Joe Morrow, Lou Solakofski and Sylvain Arseneault (for «June») | Nominated | |||
Outstanding Special Visual Effects in a Supporting Role | Stephen Lebed, Brendan Taylor, Kelly Knauff, Kelly Weisz, Kevin McGeagh, Anderson Leo Bovell, Winston Lee, Xi Luo and Cameron Kerr (for «June») | Nominated | |||
2019 | Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for Television Series – One Hour | Sylvain Arseneault, Lou Solakofski, Joe Morrow, Scott Michael Smith, Adam Taylor, Mark DeSimone and Jack Heeren (for «Holly») | Nominated | [141] |
Satellite Awards | Best Drama Series | The Handmaid’s Tale | Nominated | [142][143] | |
Best Actress in a Drama / Genre Series | Elisabeth Moss | Nominated | |||
Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Drama Series | Alexis Bledel, Madeline Brewer, Amanda Brugel, Ann Dowd, O-T Fagbenle, Joseph Fiennes, Nina Kiri, Max Minghella, Elisabeth Moss, Yvonne Strahovski, Sydney Sweeney and Bahia Watson | Nominated | [144] | |
Outstanding Performance by a Male Actor in a Drama Series | Joseph Fiennes | Nominated | |||
Outstanding Performance by a Female Actor in a Drama Series | Elisabeth Moss | Nominated | |||
Golden Globe Awards | Best Actress – Television Series Drama | Elisabeth Moss | Nominated | [145] | |
Best Supporting Actress – Series, Miniseries or Television Film | Yvonne Strahovski | Nominated | |||
Visual Effects Society Awards | Outstanding Supporting Visual Effects in a Photoreal Episode | Brendan Taylor, Stephen Lebed, Winston Lee and Leo Bovell (for «June») | Nominated | [146] | |
Outstanding Created Environment in an Episode, Commercial, or Real-Time Project | Patrick Zentis, Kevin McGeagh, Leo Bovell and Zachary Dembinski (for «June») – Fenway Park | Nominated | |||
Outstanding Compositing in a Photoreal Episode | Winston Lee, Gwen Zhang, Xi Luo and Kevin Quatman (for «June») | Nominated | |||
Writers Guild of America Awards | Dramatic Series | Yahlin Chang, Nina Fiore, Dorothy Fortenberry, John Herrera, Lynn Renee Maxcy, Bruce Miller, Kira Snyder and Eric Tuchman | Nominated | [147] | |
Episodic Drama | Eric Tuchman (for «First Blood») | Nominated | |||
GLAAD Media Awards | Outstanding Drama Series | The Handmaid’s Tale | Nominated | [148] | |
Primetime Emmy Awards | Outstanding Directing for a Drama Series | Daina Reid (for «Holly») | Nominated | [149] | |
Outstanding Writing for a Drama Series | Bruce Miller & Kira Snyder (for «Holly») | Nominated | |||
Primetime Creative Arts Emmy Awards | Outstanding Guest Actor in a Drama Series | Bradley Whitford | Won | [150] | |
Outstanding Guest Actress in a Drama Series | Cherry Jones | Won | |||
Outstanding Cinematography for a Single-Camera Series (One Hour) | Colin Watkinson for («The Word») | Nominated | |||
Zoë White (for «Holly») | Nominated | ||||
Outstanding Fantasy/Sci-Fi Costumes | Ane Crabtree and Natalie Bronfman (for «The Word») | Nominated | |||
Outstanding Music Composition for a Series (Original Dramatic Score) | Adam Taylor (for «The Word») | Nominated | |||
Outstanding Single-Camera Picture Editing for a Drama Series | Wendy Hallam Martin (for «The Word») | Nominated | |||
Outstanding Production Design for a Narrative Contemporary Program (One Hour or More) | Elisabeth Williams, Martha Sparrow and Robert Hepburn (for «Holly») | Won | |||
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) | Joe Morrow, Lou Solakofski and Sylvain Arseneault (for «Holly») | Nominated | |||
Saturn Awards | Best Streaming Horror & Thriller Series | The Handmaid’s Tale | Nominated | [151] | |
Season 3 | |||||
2020 | Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for Television Series – One Hour | Sylvain Arseneault, Lou Solakofski, Joe Morrow, Scott Michael Smith, Adam Taylor, Andrea Rusch and Kevin Schultz (for «Heroic») | Nominated | [152] |
Make-Up Artists and Hair Stylists Guilds | Best Television Series, Mini-Series or New Media Series – Best Contemporary Make-Up | Burton LeBlanc, Alastair Muir and Faye Crasto | Nominated | [153] | |
Best Television Series, Mini-Series or New Media Series – Contemporary Hair Styling | Paul Elliot and Ewa Latak-Cynk | Nominated | |||
Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Drama Series | Alexis Bledel, Madeline Brewer, Amanda Brugel, Ann Dowd, O-T Fagbenle, Joseph Fiennes, Kristen Gutoskie, Nina Kiri, Ashleigh LaThrop, Elisabeth Moss, Yvonne Strahovski, Bahia Watson, Bradley Whitford and Samira Wiley | Nominated | [154] | |
Outstanding Performance by a Female Actor in a Drama Series | Elisabeth Moss | Nominated | |||
American Society of Cinematographers Awards | Outstanding Achievement in Cinematography in Regular Series for Non-Commercial Television | Colin Watkinson (for «Night») | Won | [155] | |
Costume Designers Guild Awards | Excellence in Sci-Fi/Fantasy Television | Natalie Bronfman (for «Household») | Nominated | [156] | |
Casting Society of America | Television Series – Drama | Sharon Bialy, Sherry Thomas, Russell Scott, Robin D. Cook, Stacia Kimler and Jonathan Oliveira | Nominated | [157] | |
Art Directors Guild Awards | One-Hour Contemporary Single-Camera Series | Elizabeth Williams (for «Mayday») | Nominated | [158] | |
Writers Guild of America Awards | Dramatic Series | Marissa Jo Cerar, Yahlin Chang, Nina Fiore, Dorothy Fortenberry, Jacy Heldrich, John Herrera, Lynn Renee Maxcy, Bruce Miller, Kira Snyder and Eric Tuchman | Nominated | [159] | |
Primetime Emmy Awards | Outstanding Drama Series | Bruce Miller, Warren Littlefield, Elisabeth Moss, Daniel Wilson, Fran Sears, Mike Barker, Eric Tuchman, Sheila Hockin, John Weber, Frank Siracusa, Kira Snyder, Yahlin Chang, Margaret Atwood, Dorothy Fortenberry, Marissa Jo Cerar, Nina Fiore, John Herrera and Kim Todd | Nominated | [160] | |
Outstanding Supporting Actor in a Drama Series | Bradley Whitford (for «Sacrifice») | Nominated | |||
Outstanding Supporting Actress in a Drama Series | Samira Wiley (for «Sacrifice») | Nominated | |||
Primetime Creative Arts Emmy Awards | Outstanding Guest Actress in a Drama Series | Alexis Bledel (for «God Bless the Child») | Nominated | ||
Outstanding Casting for a Drama Series | Sharon Bialy, Sherry Thomas, Russell Scott, and Robin D. Cook | Nominated | |||
Outstanding Fantasy/Sci-Fi Costumes | Natalie Bronfman, Helena Davis Perry and Christina Cattle (for «Household») | Nominated | |||
Outstanding Contemporary Hairstyling | Paul Elliot and Ewa Latak-Cynk (for «Liars») | Nominated | |||
Outstanding Contemporary Makeup (Non-Prosthetic) | Burton LeBlanc and Alastair Muir (for «Mayday») | Nominated | |||
Outstanding Production Design for a Narrative Contemporary Program (One Hour or More) | Elisabeth Williams, Martha Sparrow and Robert Hepburn (for «Household») | Won | |||
Outstanding Special Visual Effects in a Supporting Role | Stephen Lebed, Brendan Taylor, Leo Bovell, Rob Greb, Gwen Zhang, Marlis Coto, Stephen Wagner, Josh Clark and James Minett (for «Household») | Nominated | |||
Season 4 | |||||
2021 | Hollywood Critics Association TV Awards | Best Streaming Series, Drama | The Handmaid’s Tale | Nominated | [161] |
Best Actress in a Streaming Series, Drama | Elisabeth Moss | Nominated | |||
Best Supporting Actor in a Streaming Series, Drama | Bradley Whitford | Nominated | |||
Best Supporting Actress in a Streaming Series, Drama | Alexis Bledel | Nominated | |||
Ann Dowd | Nominated | ||||
Yvonne Strahovski | Nominated | ||||
Samira Wiley | Nominated | ||||
Primetime Emmy Awards | Outstanding Drama Series | Bruce Miller, Warren Littlefield, Elisabeth Moss, Daniel Wilson, Fran Sears, Eric Tuchman, Sheila Hockin, John Weber, Frank Siracusa, Kira Snyder, Yahlin Chang, Dorothy Fortenberry, Margaret Atwood, Kim Todd, Matt Hastings, Nina Fiore and John Herrera | Nominated | [162] | |
Outstanding Lead Actress in a Drama Series | Elisabeth Moss (for «Home») | Nominated | |||
Outstanding Supporting Actor in a Drama Series | O-T Fagbenle (for «Home») | Nominated | |||
Max Minghella (for «The Crossing») | Nominated | ||||
Bradley Whitford (for «Testimony») | Nominated | ||||
Outstanding Supporting Actress in a Drama Series | Madeline Brewer (for «Testimony») | Nominated | |||
Ann Dowd (for «Progress») | Nominated | ||||
Yvonne Strahovski (for «Home») | Nominated | ||||
Samira Wiley (for «Vows») | Nominated | ||||
Outstanding Directing for a Drama Series | Liz Garbus (for «The Wilderness») | Nominated | |||
Outstanding Writing for a Drama Series | Yahlin Chang (for «Home») | Nominated | |||
Primetime Creative Arts Emmy Awards | Outstanding Guest Actress in a Drama Series | Alexis Bledel (for «Testimony») | Nominated | ||
Mckenna Grace (for «Pigs») | Nominated | ||||
Outstanding Casting for a Drama Series | Sharon Bialy, Sherry Thomas, Russell Scott and Robin D. Cook | Nominated | |||
Outstanding Production Design for a Narrative Contemporary Program (One Hour or More) | Elisabeth Williams, Martha Sparrow, Larry Spittle and Rob Hepburn (for «Chicago») | Nominated | |||
Outstanding Fantasy/Sci-Fi Costumes | Debra Hanson, Jane Flanders and Darci Cheyne (for «Nightshade») | Nominated | |||
Outstanding Contemporary Hairstyling | Paul Elliot and Franchi Pir (for «Vows») | Nominated | |||
Outstanding Contemporary Makeup (Non-Prosthetic) | Burton LeBlanc and Alastair Muir (for «Pigs») | Nominated | |||
Outstanding Music Composition for a Series (Original Dramatic Score) | Adam Taylor (for «The Crossing») | Nominated | |||
Outstanding Single-Camera Picture Editing for a Drama Series | Wendy Hallam Martin (for «The Crossing») | Nominated | |||
Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour) | Lou Solakofski, Joe Morrow and Sylvain Arseneault (for «Chicago») | Nominated | |||
Television Critics Association Awards | Outstanding Achievement in Drama | The Handmaid’s Tale | Nominated | [163] | |
Women Film Critics Circle | Outstanding Series | Won | [164] | ||
2022 | Golden Globe Awards | Best Actress – Television Series Drama | Elisabeth Moss | Nominated | [165] |
Satellite Awards | Best Actress in a Drama / Genre Series | Elisabeth Moss | Nominated | [166] | |
Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Drama Series | Alexis Bledel, Madeline Brewer, Amanda Brugel, Ann Dowd, O-T Fagbenle, Joseph Fiennes, Sam Jaeger, Max Minghella, Elisabeth Moss, Yvonne Strahovski, Bradley Whitford, and Samira Wiley | Nominated |
[167] |
|
Outstanding Performance by a Female Actor in a Drama Series | Elisabeth Moss | Nominated | |||
Set Decorators Society of America Awards | Best Achievement in Décor/Design of a One Hour Fantasy or Science Fiction Series | Rob Hepburn and Elisabeth Williams | Nominated | [168] | |
Visual Effects Society Awards | Outstanding Supporting Visual Effects in a Photoreal Episode | Brendan Taylor, Stephen Lebed, Kayla Cabral, and Brannek Gaudet (for «Chicago») | Nominated | [169] | |
Writers Guild of America Awards | Dramatic Series | Yahlin Chang, Nina Fiore, Dorothy Fortenberry, Jacey Heldrich, John Herrera, Bruce Miller, Aly Monroe, Kira Snyder, and Eric Tuchman | Nominated | [170] | |
Episodic Drama | Kira Snyder for «Testimony» | Nominated |
See also[edit]
- List of original programs distributed by Hulu
- Sex and sexuality in speculative fiction
References[edit]
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The Handmaid’s Tale certainly amped up the tragedy porn aspect of the series, episode after episode beats down the viewer, leaving them gutted and disheartened.
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The TV adaptation of Margaret Atwood’s dystopian tragedy The Handmaid’s Tale was long awaited, and it has delivered to fans old and new.
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Moss notes of her June character and the pivotal role she has taken this past season in the Mayday resistance movement against totalitarian and theonomic government of Gilead.
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In its third installment, however, the drama digs even deeper into the emotional toll Gilead has taken on everyone—both those left in what was once the United States and those who’ve made it out. The lives and dreams that each character lost to this totalitarian regime have been laid out in excruciating detail before—but this week, the show lays those losses bare with more subtlety than perhaps any other episode. … (In richer households, handmaids do the childbearing, Wives raise the children, and Marthas do the housework. Econowives, in contrast, “have to do everything; if they can.”)
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The first situates the Gilead regime’s quest to control the means of reproduction in the context of an enormous fertility collapse, caused by the combination of environmental catastrophe and rampant S.T.D.s.
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- ^ Hawkes, Rebecca (August 24, 2018). «HBO Asia prepares digital distribution of The Handmaid’s Tale». Rapid TV News.
{{cite web}}
: CS1 maint: url-status (link) - ^ Lambert, David (January 23, 2018). «The Handmaid’s Tale – Blessed Be The Fruit! Official ‘Season 1’ Press Release: Date, Extras, Final Box Art». TVShowsOnDVD.com. Archived from the original on February 10, 2018. Retrieved February 9, 2018.
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{{cite web}}
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{{cite web}}
: CS1 maint: url-status (link) - ^ a b «The Handmaid’s Tale: Season 5». Metacritic. Retrieved September 11, 2022.
{{cite web}}
: CS1 maint: url-status (link) - ^ Fienberg, Daniel (April 13, 2017). «The Handmaid’s Tale: TV Review». The Hollywood Reporter. Archived from the original on April 14, 2017. Retrieved April 14, 2017.
- ^ Chaney, Jen (April 13, 2017). «Hulu’s The Handmaid’s Tale Is Your Must-Watch Show This Spring». Vulture. Archived from the original on April 14, 2017. Retrieved April 14, 2017.
- ^ For articles that attempt to draw parallels between The Handmaid’s Tale and Trump’s election as President of the United States, see:
- Nally, Claire (May 31, 2017). «How The Handmaid’s Tale is being transformed from fantasy into fact». The Independent. Archived from the original on June 3, 2017. Retrieved June 18, 2017.
- Brooks, Katherine (May 24, 2017). «How ‘The Handmaid’s Tale’ Villains Were Inspired By Trump». Huffington Post. Archived from the original on June 16, 2017. Retrieved June 18, 2017.
- Robertson, Adi (November 9, 2016). «In Trump’s America, The Handmaid’s Tale matters more than ever». The Verge. Archived from the original on July 29, 2017. Retrieved July 29, 2017.
- Gage, John (June 2, 2019). «‘This is happening’: Producer and actress with ‘The Handmaid’s Tale’ think the show is turning into real life». Washington Examiner. Archived from the original on June 3, 2019. Retrieved June 9, 2019.
- Lifshutz, Hannah (June 6, 2019). «The ‘Handmaid’s Tale’ Season 3 Illustrates Parallels Between Gilead and Trump’s America». Complex. Archived from the original on June 9, 2019. Retrieved June 9, 2019.
- Brede, Scott (May 20, 2019). «Handmaid’s Tale And Trump’s America: Comparisons Frightening Or Overblown?». Connecticut Public Radio. Archived from the original on June 9, 2019. Retrieved June 9, 2019.
- Cardona, Maria (May 17, 2019). «We cannot allow ‘The Handmaid’s Tale’ to become reality TV». The Hill. Archived from the original on June 9, 2019. Retrieved June 9, 2019.
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- ^ For articles that disagree with attempts to draw parallels between The Handmaid’s Tale and Trump’s election as President of the United States, see:
- Crispin, Jessa (May 2, 2017). «The Handmaid’s Tale is just like Trump’s America? Not so fast». The Guardian. Archived from the original on June 16, 2017. Retrieved June 18, 2017.
- Smith, Kyle (April 28, 2017). «Sorry: ‘Handmaid’s Tale’ tells us nothing about Trump’s America». New York Post. Archived from the original on June 17, 2017. Retrieved June 18, 2017.
- Cohen, Ariel (May 2, 2017). «Stop comparing ‘The Handmaid’s Tale’ to Trump’s America». Washington Examiner. Archived from the original on July 29, 2017. Retrieved July 29, 2017.
- Douthat, Ross (May 24, 2017). «The Handmaid’s Tale, and Ours». The New York Times. Archived from the original on May 10, 2019. Retrieved July 28, 2017.
- Geraghty, Jim (April 27, 2017). «‘What Fans of The Handmaid’s Tale Prefer To Ignore». National Review. Archived from the original on January 29, 2019. Retrieved July 7, 2018.
- Lowry, Rich (September 19, 2017). «The ‘Handmaid’s Tale’ Lunacy». National Review. Archived from the original on January 29, 2019. Retrieved July 7, 2018.
- Wilhelm, Heather (April 28, 2017). «Making sense of ‘The Handmaid’s Tale’ hysteria». Chicago Tribune. Archived from the original on July 8, 2018. Retrieved July 7, 2018.
- Given, Casey (May 2, 2017). «‘The Handmaid’s Tale’ is profiting off anti-Trump hysteria». The Washington Examiner. Archived from the original on July 8, 2018. Retrieved July 7, 2018.
- ^ Stanley, Tim (May 30, 2017). «What The Handmaid’s Tale can tell us about Islamic extremism». The Telegraph. Archived from the original on December 3, 2017. Retrieved November 27, 2017.
- ^ Nicholson, Rebecca (June 12, 2017). «Hate crimes, honour killings and FGM: how The Handmaid’s Tale captures our age of fear». The Guardian. Archived from the original on November 29, 2017. Retrieved November 27, 2017.
- ^ Douthat, Ross (May 24, 2017). «The Handmaid’s Tale, and Ours». The New York Times. Archived from the original on May 10, 2019. Retrieved July 28, 2017.
- ^ Gilbert, Sophie (April 25, 2018). «‘The Handmaid’s Tale’ and the Suffering of Women». The Atlantic. Archived from the original on July 26, 2018. Retrieved July 25, 2018.
- ^ Miller, Lisa (May 2, 2018). «The Relentless Torture of The Handmaid’s Tale». The Cut. Archived from the original on July 26, 2018. Retrieved July 25, 2018.
- ^ Reid, Rebecca (May 29, 2018). «Why I’m turning off the Handmaid’s Tale and its needless torture porn». The Telegraph. Archived from the original on July 26, 2018. Retrieved July 25, 2018.
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- ^ Baldwin, Kristen (April 23, 2021). «The Handmaid’s Tale season 4 review: Guys, just end it already». Entertainment Weekly. Archived from the original on April 27, 2021. Retrieved April 27, 2021.
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- ^ Marotta, Jenna (February 11, 2018). «2018 Writers Guild Awards: ‘Get Out,’ ‘Call Me by Your Name,’ and ‘Jane’ Win Film Honors». IndieWire. Archived from the original on January 29, 2019. Retrieved February 12, 2018.
- ^ «Emmys: Netflix Beats HBO With Most Nominations». The Hollywood Reporter. July 12, 2018. Archived from the original on July 13, 2018. Retrieved July 12, 2018.
- ^ Giardina, Carolyn (January 8, 2019). «‘A Star Is Born,’ ‘Bohemian Rhapsody’ Among CAS Sound Mixers Award Nominees». The Hollywood Reporter. Archived from the original on January 8, 2019. Retrieved January 8, 2019.
- ^ «2018 Awards Winners». International Press Academy. Archived from the original on January 4, 2019. Retrieved January 5, 2019.
- ^ St. Clair, Matt (January 4, 2019). «‘A Star Is Born,’ ‘Roma,’ and ‘Beale Street’ Win Big at the Satellite Awards». Awards Circuit. Archived from the original on January 6, 2019. Retrieved January 5, 2019.
- ^ Hipes, Patrick (December 12, 2018). «SAG Awards Nominations: ‘A Star Is Born’, ‘Mrs. Maisel’, ‘Ozark’ Lead Way – The Full List». Deadline Hollywood. Archived from the original on December 13, 2018. Retrieved December 12, 2018.
- ^ Mitovich, Matt Webb (December 6, 2018). «Golden Globe Nominations: Versace, Mrs. Maisel, Sharp Objects, Barry and The Americans Lead TV Pack». TVLine. Archived from the original on December 9, 2018. Retrieved December 8, 2018.
- ^ Tapley, Kristopher (January 15, 2019). «Avengers,’ ‘Lost in Space,’ ‘Ready Player One’ Lead Visual Effects Society Nominations». Variety. Archived from the original on January 15, 2019. Retrieved January 17, 2019.
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External links[edit]
О сериале
В Республике Гилеад — полуфашистский режим. На каждом шагу — военные патрули. Люди в офицерской форме — самые желанные гости в респектабельных домах и самые желанные клиенты во всех государственных и прочих заведениях. Жены людей в офицерской форме — самые чопорные дамы в обществе. У них у всех сплошные достоинства и только одна досадная помеха: они не рожают детей.
А потому для вынашивания потомства насильно сгоняются со всей Республики женщины подходящего возраста, способные к деторождению, и под постоянным надзором живут в специальном охраняемом помещении, пока проходят курс подготовки. После чего их выбирают жены людей в офицерской форме в качестве подстилки для своих мужей…
Интересные факты
- Сериал основан на одноименном романе Маргарет Этвуд.
- Шоу впервые вышло в 2017 году и получило в общей сложности пятнадцать телевизионных премий «Эмми» и два «Золотых глобуса».
- Сериал официально закончится на шестом сезоне. Об этом сообщил создатель шоу Брюс Миллер на кинофестивале в Торонто.
- В настоящее время идет работа над сиквелом под названием «Заветы». Действие продолжения развернется спустя семнадцать лет после событий первоисточника. Этвуд опубликовала одноименный роман в 2019 году.
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Сезон 1 / Season 1
2017,
10 эпизодов
Сезон 2 / Season 2
2018,
13 эпизодов
Сезон 3 / Season 3
2019,
13 эпизодов
Сезон 4 / Season 4
2021,
10 эпизодов
Сезон 5 / Season 5
2022,
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саундтрек сериала
Рассказ служанки
Интересные факты
В основу сериала лег одноименный роман-антиутопия Маргарет Этвуд. Писательница выступила в качестве консультанта на съемочной площадке и появилась в небольшом камео.
По словам Этвуд, все ужасные события, описанные на страницах ее произведения, основаны на исторических фактах разных лет.
Первая экранизация книги состоялась в 1989 году, но не имела успеха у широкой публики. Режиссером той кинокартины являлся Фолькер Шлендорф, а главные роли сыграли Наташа Ричардсон и Фэй Данауэй. Также знаменитый роман неоднократно ставился на театральной сцене по всему миру.
Основные съемки проходили в канадских городах Торонто и Гамильтон.
«Рассказ служанки» — первый стриминговый сериал, в 2017 году удостоенный премии «Эмми» сразу в четырех категориях, включая лучшее драматическое произведение.
Отличительной чертой «служанок» являются белоснежные «крылышки» на головах. Необычный предмет гардероба был разработан художником по костюмам Эни Крэбтри. Он отражает физическую и эмоциональную несвободу героинь. Однако «крылышки» не только оказались крайне неудобными, но и существенно ограничивали угол зрения, что затрудняло съемки.
По словам исполнительницы главной роли Элизабет Мосс, ей пришлось потратить немало смен на разучивание ритма шагов вместе с другими актрисами. Тренировки позволили им свободно передвигаться в кадре группами, не сталкиваясь друг с другом.
Супруги Уотерфорд в сериале значительно моложе, чем в литературном первоисточнике.
Название республики Гилеад — отсылка к реально существовавшему в Древнем Израиле городу Галааду.
В оригинальном романе все герои имеют только белый цвет кожи. Ввиду современных тенденций продюсеры решили отказаться от подобной концепции.
Еще…
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